Course:

ART 100 MH Digital 1: Image Making

Professor:

Maggie Hazen  

CRN:

15460

Schedule/Location:

Mon       2:00 PM - 5:00 PM Fisher Studio Arts 161

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

This class is designed to introduce students to both the technical and conceptual aspects of developing a creative practice within a digital context. Students will learn software skills, including Adobe Photoshop, Illustrator and InDesign tools, and will also explore the creative possibilities found within the digital platforms and spaces that foster contemporary communication. The course emphasizes building critical analysis and increased agency as creators within the complex networks of digital information and social media space.

 

Course:

ART 101 KB Painting I

Professor:

Ken Buhler  

CRN:

15464

Schedule/Location:

 Tue      10:10 AM - 1:10 PM Fisher Studio Arts 140

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

Instruction in this class emphasizes the acquisition of a basic visual vocabulary of painting while recognizing a wide range of individual interests and strengths among students.    The students pursue assignments that focus their attention on issues such as value contrast, warm and cool contrast, creating tonality, understanding the expressive and structural possibilities of the materiality of paint, as well as how all of these elements factor in the composition of form and space.  The projects are sequenced in a way that the students move from a simple dialogue of light and dark and gradually begin to incorporate a fuller range of elements from the vocabulary of painting during the semester.  Assignments are designed to promote a recognition that expression in painting is rooted in its form – color, light, materiality, composition, etc.  While much of the work will be done from observation - still life, landscape (weather permitting) and model - there will be assignments that incorporate abstraction as well. There are no prerequisites for this studio class.  Estimated cost of materials is $200-$250.  *The Fund for Visual Learning provides material support to students on financial aid to help them with art supplies. Eligible students may be considered for a non-major introductory grant to cover wholly or partially the material supply kits for Level 1 Studio Arts classes. First Years, Sophomores, Juniors, and Seniors who have not previously received a non-major introductory grant may notify the professor that they would like to receive this financial support when registering for classes in the spring/fall.  http://bardfvl.com   

 

Course:

ART 101 JG Painting I

Professor:

Jeffrey Gibson  

CRN:

15466

Schedule/Location:

 Tue      2:00 PM - 5:00 PM Fisher Studio Arts 140

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

Through lectures, demonstrations, exercises, and assigned projects, students will experience and explore color mixing and handling as well as different attitudes towards art and painting.  There will be a review of various composition/color organization principles as they relate to painting.  Work will be done on a variety of supports including canvas, wood, and paper.

 

Course:

ART 101 LS Painting I

Professor:

Lisa Sanditz  

CRN:

15475

Schedule/Location:

   Thurs    2:00 PM - 5:00 PM Fisher Studio Arts 140

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

Through lectures, demonstrations, exercises, and assigned projects, students will experience and explore color mixing and handling as well as different attitudes towards art and painting.  There will be a review of various composition/color organization principles as they relate to painting.  Work will be done on a variety of supports including canvas, wood, and paper.

 

Course:

ART 105 KF Sculpture I

Professor:

Kenji Fujita  

CRN:

15473

Schedule/Location:

   Thurs    2:00 PM - 5:00 PM Fisher Studio Arts 138

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

In this Sculpture 1 class, students will work with materials and processes to investigate form, space, surface, material, location and gesture.  Particular emphasis will be placed on direct and improvisational ways of working. The class will be structured around weekly and bi-weekly assignments that begin with a prompt (example: “make a sculpture that hangs in the balance”) that introduces the class to a medium, technique and set of ideas. Students will work with cardboard, string, found objects and other simple materials to make their three-dimensional artworks. They will then move on to work with basic casting, light carpentry and welding. There will also be demonstrations in ceramics and sewing. Group critiques of projects will be supplemented by demonstrations in materials and techniques, presentations of related modern and contemporary artwork.

 

Course:

ART 105 DD Sculpture I

Professor:

Daniella Dooling  

CRN:

15886

Schedule/Location:

  Wed     10:10 AM - 1:10 PM Fisher Studio Arts 138

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

Through an exploration of materials, process, and site, Sculpture I will address several ideas relevant to contemporary art.  What is the relationship between form and content?  When does the process of making become more important than the object produced? How does installation/presentation shape the meaning and content of the work?  When can one’s own body become both subject and site for a work of art? These ideas will be explored through a series of projects. Each project will be introduced through image presentations of historical and contemporary art and class discussion. Most assignments will focus on specific materials and techniques.  Technical demonstrations will include woodshop and metal shop equipment and tools; mold making & casting; plaster carving; and sewing.

 

Course:

ART 106 NB Sculpture 1: Making and Thinking

Professor:

Nayland Blake  

CRN:

15467

Schedule/Location:

 Tue      2:00 PM - 5:00 PM Fisher Studio Arts 138

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

This course serves as an introduction to sculptural ideas through various assignments and simple building techniques. We will deal with concepts of line, plane, volume, and mass in a variety of materials. Work will be primarily in class with occasional outside assignments.

 

Course:

ART 107 LS Drawing I

Professor:

Lisa Sanditz  

CRN:

15462

Schedule/Location:

 Tue      10:10 AM - 1:10 PM Fisher Studio Arts 141/149

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

This course will be an introduction to drawing, with assignments geared towards students translating and transforming what they see into a personal vocabulary.  We will work at times from life, but the objective is to encourage dissecting/enhancing, exaggerating/editing/embellishing the seen world.  We will work in a variety of materials.  The fundamentals of color theory will be taught.  Open to all students who are open to new ways of working.

 

Course:

ART 107 KF Drawing I

Professor:

Katy Fischer 

CRN:

16334

Schedule/Location:

   Thurs    10:10 AM – 1:10 PM Fisher Studio Arts 141/149

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

This course will be an introduction to drawing, with assignments geared towards students translating and transforming what they see into a personal vocabulary.  We will work at times from life, but the objective is to encourage dissecting/enhancing, exaggerating/editing/embellishing the seen world.  We will work in a variety of materials.  The fundamentals of color theory will be taught.  Open to all students who are open to new ways of working.

 

Course:

ART 107 SV Drawing I

Professor:

Sam Vernon  

CRN:

15465

Schedule/Location:

 Tue      2:00 PM - 5:00 PM Fisher Studio Arts 141/149

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

This course will be an introduction to drawing, with assignments geared towards students translating and transforming what they see into a personal vocabulary.  We will work at times from life, but the objective is to encourage dissecting/enhancing, exaggerating/editing/embellishing the seen world.  We will work in a variety of materials.  The fundamentals of color theory will be taught.  Open to all students who are open to new ways of working.

 

Course:

ART 107 BG Drawing I

Professor:

Beka Goedde  

CRN:

15472

Schedule/Location:

   Thurs    2:00 PM - 5:00 PM Fisher Studio Arts 141/149

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

This course is an introduction to drawing from observation, as well as the study of one's own perceptual experience. Our goal is to develop a practice of attentiveness, through the observation of three-dimensional form and the figure. We will explore the fundamental properties of drawing including line, value, composition, positive and negative space, and light. We will also perform exercises in spatial awareness and translate our temporal and spatial perspectives into a two-dimensional landscape. No prerequisites.

 

Course:

ART 109 LO Introduction into Intaglio (Etching)

Professor:

Lothar Osterburg  

CRN:

15463

Schedule/Location:

 Tue      10:10 AM - 1:10 PM Fisher Studio Arts 139

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

This class gives an in-depth introduction to the terminology of all the basic and some advanced techniques of Intaglio (Etching). Dry point, scraping, burnishing hard and soft ground etching and aquatint techniques and combinations thereof, as well as wiping and printing will be covered. The class will consist of a large amount of technical instruction and demonstrations, complemented by the critiques and art historical references. Original prints as well as reproductions will provide a historic background to printmaking and show how artists have used these techniques throughout the centuries. Material and tools will cost about $100.-. Priority will be given to art majors.

 

Course:

ART 109 LO2 Introduction into Intaglio (Etching)

Professor:

Lothar Osterburg  

CRN:

16245

Schedule/Location:

 Mon      10:10 AM - 1:10 PM Fisher Studio Arts 139

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

This class gives an in-depth introduction to the terminology of all the basic and some advanced techniques of Intaglio (Etching). Dry point, scraping, burnishing hard and soft ground etching and aquatint techniques and combinations thereof, as well as wiping and printing will be covered. The class will consist of a large amount of technical instruction and demonstrations, complemented by the critiques and art historical references. Original prints as well as reproductions will provide a historic background to printmaking and show how artists have used these techniques throughout the centuries. Material and tools will cost about $100.-. Priority will be given to art majors.

 

Course:

ART 109 BG Print I: Mark-Making

Professor:

Beka Goedde  

CRN:

15470

Schedule/Location:

   Thurs    10:10 AM - 1:10 PM Fisher Studio Arts 139/140

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

In this course, we will explore mark-making as an activity that happens while working and living. We will build our printed marks into collaged drawings, works on paper, and prints in series. Students will develop and refine their drawing sensibility, and study the variations of their drawn and printed line. We'll produce prints to use in frame-by-frame animations of our activity and process, and as time stamps in the lifespan of our plates and blocks. The course will culminate in composing and assembling large-scale drawings. No prerequisites.

 

Course:

ART 109 SV Printmaking I

Professor:

Sam Vernon  

CRN:

15891

Schedule/Location:

  Wed     3:30 PM - 6:30 PM Fisher Studio Arts 139

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

In this class, you will learn the terminology and basics as well as some advanced techniques of intaglio (Etching) from dry point, etching and aquatint and combinations thereof, to wiping and printing. The class will consist of a large amount of technical instruction and demonstrations, complemented by the introduction of artistic methods. Original prints as well as reproductions will provide a historical background to printmaking and show how artists have used these techniques throughout the centuries. Artistic critiques will complement the technical aspect of the class. Please count on spending about $100 on material and tools for the class.

 

Course:

ART 112 KB Colorama

Professor:

Ken Buhler  

CRN:

15457

Schedule/Location:

Mon       2:00 PM - 5:00 PM Fisher Studio Arts 141/149

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

The investigation of the exquisite potential of color is the focus of this class.  Color influences all aspects of our experience-perceptual, emotional, psychological, physiological, even spiritual.  Students will gain experience learning to see, understand, and utilize all the possibilities of color.  The goal is to develop a working knowledge of color as it may be applied to any visual medium.  The nature of assignments will range from vigorous color studies to train the eye, to forms of expression more personal and expressive in nature. Material costs: approx. $120. The Fund for Visual Learning provides material support to students on financial aid to help them with art supplies. Students taking a Level 1 Studio Art class may be eligible for this support for the supply “kit” for the class for up to $150.  Students are only eligible to receive one grant in this category. Interested students should contact the professor during fall course registration. After the course registration period closes, late applications are not eligible for consideration. http://bardfvl.com.

 

Course:

ART 126 ED Mapping: You Are Here

Professor:

Ellen Driscoll  

CRN:

15887

Schedule/Location:

  Wed     10:10 AM - 1:10 PM Fisher Studio Arts 141/149

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

Crosslists: Architecture; Experimental Humanities; Human Rights

Maps have been dynamic visual and conceptual inspiration for many artists.  In this class, we will work with drawing and sculptural installation to investigate the translation of scale and data to abstraction inherent in the art of mapping.  We will study a range of contemporary artists around the world for whom maps are central to their artistic practice. We will study the visual strategies, content, and context of maps in these artist's works. We will also look at a rich range of historical maps from Polynesian navigation charts to the soundless silk maps of World War 2. The work of Katherine Harmon, Rebecca Solnit, W.E. B. DuBois, the counter-maps of the Black Panthers, and the Indigenous Mapping Collective, among others will form foundations for our research and artistic exploration. The 1000-acre campus of Bard will be our laboratory for focused research and for generating three visual projects. This is an Engaged Liberal Arts & Sciences (ELAS) course. In this course you will be given the opportunity to bridge theory to practice while engaging a community of interest throughout the semester. A significant portion of ELAS learning takes place outside of the classroom: students learn through engagement with different geographies, organizations, and programs in the surrounding communities or in collaboration with partners from Bard's national and international networks. To learn more please click here.

 

Course:

ART 150 DM Extended Media I

Professor:

Dave McKenzie  

CRN:

15890

Schedule/Location:

  Wed     3:30 PM - 6:30 PM Fisher Studio Arts 161

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

The expansion of Art’s definition means that the terms used to categorize works of art are often technically incorrect—e.g. film used to categorize films not shot on the medium of film. These same terms point to the incredible proliferation of tools and techniques that are becoming readily available to large segments of the population. Through readings, critiques, and assignments we will explore artistic practices that have stretched previous categories while creating new categories. Assignments and instruction will explore various and varied forms of construction— from video and performance to games and immaterial presentations. Emphasis will be placed on the development of ideas and strengthening the ability to critique not only the work of art but the tools and techniques used to make it.

 

Course:

ART 200 AC Digital II: ZINES! ZINES! ZINES!

Professor:

Adriane Colburn  

CRN:

15474

Schedule/Location:

   Tues    2:00 PM - 5:00 PM Fisher Studio Arts 161

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

In this class, we will explore the rich history of artist-run publications and zines as an alternative and interdisciplinary space for art, activism, experimentation and dialogue. Projects will include individual and collective works in the format of physical and digital zines, collective editions and small books. These endeavors will be organized by student driven-themes reflective of individual interests, concerns on campus and culture at large. Through collaboration with the Hessel Museum and Stevenson Library we will explore the lively history of the artist’s publications through the lens of their collections. In addition, we will look to contemporary collectives, online platforms and small press endeavors to shape an understanding of the “Zine” of today. In this course, we will use the Adobe Creative suite with a focus on InDesign.

 

Course:

ART 202 TS Painting II

Professor:

Tschabalala Self  

CRN:

15455

Schedule/Location:

Mon       10:10 AM - 1:10 PM Fisher Studio Arts 141/149

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

Painters have a way of seeing and processing the world that gives rise to imagery unique to them.  In this class, you will be asked to clearly define a point of inspiration and create a body of work which is informed both conceptually and formally by such inspiration.  The projects we pursue are designed to aid in this endeavor.  We want to try to identify the “vivid” impulses particular to you and we want to give them a channel for manifestation through the most appropriate materials, skills, tools, processes, concepts and formal elements.  The assignments in this class are largely prompts to aid you in locating and evolving your individual works. Group and private critiques are structured to help you articulate and challenge your ideas clearly to your peers.

 

Course:

ART 205 DD Sculpture II: Casting Workshop

Professor:

Daniella Dooling  

CRN:

15459

Schedule/Location:

Mon       2:00 PM - 5:00 PM Fisher Studio Arts 142

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

This course will focus on a variety of different casting methods, techniques, and concepts.   A wide range of materials will be explored.  Students will learn to make one- and two-part urethane and silicone rubber molds and will be encouraged to work from sculpted forms in addition to found objects.  We will also explore various aspects of life casting using algisafe as our starting material.  As the semester progresses, the molds will become more complex and intricate.  This course will include a field trip to Workshop Art Production and an introduction to the process of bronze casting.  In addition, Workshop Art Production will facilitate the production of a small bronze sculpture made by each member of the class.  Students should expect to spend a good deal of time working outside of class and be prepared to purchase additional materials throughout the semester as needed.

 

Course:

ART 205 ED Sculpture 2:  Textiles

Professor:

Ellen Driscoll  

CRN:

15892

Schedule/Location:

 Tue      2:00 PM - 5:00 PM Fisher Studio Arts 142

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

This class will explore a range of textile techniques from pattern making and sewing to weaving, knitting, nets, and knots.  We will use these rich methodologies to explore sculptural installation and form-making. We will look at textile traditions in different parts of the world in architecture, clothing, and interior treatments such as blankets and rugs. We will look at a diverse range of textile practices in contemporary art, and material innovations such as smart clothing and kombucha leather. Students will be required to do independent research, as well as learn a minimum of 4 textile techniques to utilize in the realization of 4 completed textile projects.

 

Course:

ART 207 KF Drawing 2: Mixed Media and Abstraction

Professor:

Kenji Fujita  

CRN:

15888

Schedule/Location:

  Wed     3:30 PM - 6:30 PM Fisher Studio Arts 141/149

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

In this level two drawing and mixed media course, students will explore and experiment with different approaches to abstraction by working with various media (pencil, ink, paint, collage) and with different materials. There will also be some forays into three-dimensional space. Ideas will be drawn from artists who worked in different ways: from those that used symbol systems to those that used chance to create moments of “accidental beauty”; from those that used models of growth and decay to those that made constructions of geometric precision. Attention will also be paid to abstract work that deals with identity,  visibility and invisibility. Presentations of relevant work and readings will accompany the assigned projects. Prerequisite: a level 1 studio art class or by permission of the instructor.

 

Course:

ART 209 BG Print II: Expanded Field

Professor:

Beka Goedde  

CRN:

15476

Schedule/Location:

    Wed   10:10 AM - 1:10 PM UBS Studio

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 10

In this course, we will consider the print as an index of our engagement with our physical surroundings, inside and outside the printshop. Inside the shop, we'll regard the iterations possible between multiples pulled from a set matrix. Outside the shop, we will continue our work: imprinting, stamping, tracking and collecting textures and residues. We will work with such techniques as watercolor and trace monotype, newspaper transfers, pronto plate, stencil, and silkscreen, printing onto paper and fabric, as well as other smooth surfaces. This class runs concurrently with Adriane Colburn's Paper: Expanded Field course for the purpose of collaboration during the entire term. This course is designed for students who have taken courses previously in Print, Paper, Sculpture, Digital, Film or Photography. In late spring, the class will assist in the ground work and planting of a Fiber and Dye Garden in collaboration with Bard Farm, to be harvested within future semesters.

 

Course:

ART 225 AC Paper II: Expanded Field

Professor:

Adriane Colburn  

CRN:

15477

Schedule/Location:

    Wed   10:10 AM - 1:10 PM UBS Studio

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

In this class, we will consider the ubiquitous material of paper and how we can use it to engage with our physical world both inside and out of the studio. We will use paper for a series of ambitious projects that engage with cutting, papermaking and sculpture. Within this we will experiment with hand and laser cutting, papier mache, weaving, pulp printing, casting, folding, light and installation.  Outside of the studio, we will take these processes into the world- situating the work in the landscape and the public.  This class runs concurrently with Beka Goedde’s Print II course for the purpose of collaboration and cross-pollination during the term. This course is designed for students who have taken courses previously in Print, Paper, Drawing and Sculpture.

 

Course:

ART 250 DM Extended Media II: Public Private Address

Professor:

Dave McKenzie  

CRN:

15471

Schedule/Location:

   Thurs    10:10 AM - 1:10 PM Fisher Studio Arts 161

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

Crosslisted: Human Rights

This class will explore forms of statement making within the visual fields with emphasis placed on defining the maker’s relationship to an audience or public. Attention will be placed on forms of presentation that are derived from current critical issues within the current political and social climate. The campus will be one site of engagement another will be one’s own idea of personal space but projects may take many forms, including but not limited to clothing banners video projections and digital signage. Projects and instruction will incorporate text print audio and video. Group critiques will encourage students to find their own voice and to make forms that communicate deeply and aesthetically.

 

Course:

ART 301 JS Painting III: Big and Little

Professor:

Joseph Santore  

CRN:

15458

Schedule/Location:

Mon       2:00 PM - 5:00 PM Fisher Studio Arts 140

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

This is a Painting III class designed for students who are serious about painting the figure. Students should have experience drawing from life, and basic knowledge of the language of color. They should know how to set up and arrange a palette, mix colors, clean brushes, and stretch canvases. The class will be challenging and attendance and commitment to hard work will be crucial. Students will work on two paintings for the entire semester beginning with drawing studies and small paintings as a way to develop imagery and scale. The idea is to begin small and work up to a larger format. There will also be two demanding homework assignments, and one of them will use collage a vehicle for creating a large compelling figurative narrative.

 

Course:

ART 305 S/A Sculpture 3: Unexpected Clay: Performative and Experimental

Professor:

Julianne Swartz + Lauren Anderson

CRN:

15461

Schedule/Location:

Mon       2:00 PM - 5:00 PM UBS Studio

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

Clay has both soft and hard states. It is a material that can hold and record action.  Clay replicates and can be replicated. Clay takes on properties of bodies, tools and objects and can readily reproduce itself as body, tool, and object.  We will explore the physical and chemical properties of clay, discovering and inventing ways to push ceramics to unexpected ends.  How can this traditionally craft- based medium be used to serve ideas? We will investigate modes and methods of working with clay, with an emphasis on experimentation, to produce object and performance based works. This class will expand the medium of ceramics beyond its traditional expectations and boundaries. Prerequisite: any 200 level art class, or permission of the instructors.

 

Course:

ART 305 NB Sculpture III: The Fictional Me

Professor:

Nayland Blake  

CRN:

15889

Schedule/Location:

  Wed     3:30 PM - 6:30 PM Fisher Studio Arts 138

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

This class is about working with personae and fictionalized selves, through creating costumes, artifacts and objects. We will employ digital and physical means to invent characters and tell stories about those characters. Expect to do readings, create work outside of class and and participate in class critiques and discussions. Requires completion of a level 200 studio arts class.

 

Course:

ART 406 DD Senior Seminar

Professor:

Daniella Dooling  

CRN:

15469

Schedule/Location:

 Tue      5:40 PM - 7:40 PM Fisher Seminar

Distributional Area:

 

Credits: 0

 

Class cap: 24

Senior Seminar is a component of the senior project and is an integral part of the 8 credits earned for Senior Project.  The Seminar will focus on Studio Arts faculty and visiting artists presenting their life and work.  Exhibitions in the fall semester will draw students out of their studios well before the presentation of their senior show.  Visits from alumni and the Director of Career Development, will provide a glimpse into the future.  The Senior Project Exhibition is the culmination of the Senior year and is evaluated before a faculty review board and a Senior Seminar critique.  Readings and a writing workshop will be assigned and scheduled.  *Any student registered in Studio Art Senior Project or any student of another discipline who has been granted studio space in either the Fisher Studio Art Center or the U.B.S. Exhibition Center in Red Hook will be required to register and participate in all aspects of Senior Seminar.

 

Cross-listed courses:

Course:

ARCH 130  Perspectival speculations: Open Practices Workshop I

Professor:

Betsy Clifton  

CRN:

15871

Schedule/Location:

  Wed     3:30 PM - 6:30 PM Garcia-Renart House

        Fri   1:30 PM - 4:30 PM Garcia-Renart House

Distributional Area:

PA Practicing Arts  

Credits: 2

 

Class cap: 12

Crosslists: Environmental & Urban Studies; Experimental Humanities; Studio Art

 

Course:

ARCH 322  Lexicon of Everyday Futures

Professor:

Betsy Clifton

CRN:

15868

Schedule/Location:

  Wed     10:10 AM - 1:10 PM Garcia-Renart House

        Fri   10:10 AM - 12:10 PM Garcia-Renart House

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 12

Crosslists: Experimental Humanities; Studio Art

 

Course:

PHOT 208  Photography and Sculpture

Professor:

Daphne Fitzpatrick 

CRN:

16281

Schedule/Location:

  Thurs     10:10 AM - 1:10 PM  Woods 128

Distributional Area:

PA Practicing Arts  

Credits: 4

 

Class cap: 8

Crosslists: Studio Arts

 

Course:

PHOT 230  Bookmaking for Visual Artists

Professor:

Tanya Marcuse  

CRN:

15864

Schedule/Location:

  Wed     10:10 AM - 1:10 PM Henderson Comp. Center 106

  Wed     10:10 AM - 1:10 PM Woods 213

Distributional Area:

 

Credits: 4

 

Class cap: 8

Crosslists: Studio Arts