Course:
|
ANTH 369 Middle
Eastern Diasporas |
|||||
Professor:
|
Jeff Jurgens |
|||||
CRN: |
15579 |
Schedule/Location: |
Mon 9:10 AM
– 11:30 AM Olin 301 |
|||
Distributional Area: |
SA Social Analysis D+J Difference and Justice |
|||||
Credits:
4 |
|
Class cap: 15 |
||||
Crosslists: Global & International Studies; Human Rights; Middle Eastern
Studies |
||||||
This course examines the past and present experiences of
people of Arab, Afghan, Iranian, Kurdish, and Turkish backgrounds who reside in
Europe and North America, as well as those of Jews of diverse backgrounds who
live in Israel and abroad. At the same time, we will explore how and why these
groups are commonly regarded as “diasporas,” a term that is itself closely
connected with the displacement and dispersion of Jews beginning in the sixth
century BCE. Accordingly, we critically investigate not only the history of
“diaspora” as a concept, but also the contemporary circumstances that have
encouraged its recent prominence in public and scholarly discussion. After all,
it was not that long ago that the aforementioned groups often characterized
themselves (and were characterized by others) not as “diasporic,” but as “immigrant,”
“expatriate,” “refugee,” “exile,” and “ethnic.” What has brought about this
shift in terms? How do contemporary diasporas differ from past ones, especially
those that emerged before the advent of nationalism and the nation-state?
Finally, how are recent diasporic experiences shaped not only by gendered,
sexual, class, and religious differences, but also by ongoing imperial projects
and practices of racialization? To address these questions, we will work
comparatively across national contexts and historical eras, relying on
materials from anthropologists, historians, cultural studies scholars, and
“diasporans” themselves.
Course:
|
ARTH 107 Arts of
Korea |
|||||
Professor:
|
Heeryoon Shin |
|||||
CRN: |
15568 |
Schedule/Location: |
Tue Thurs 11:50 AM
- 1:10 PM Olin 102 |
|||
Distributional Area: |
AA Analysis of Art |
|||||
Credits:
4 |
|
Class cap: 25 |
||||
Crosslists: Asian Studies |
||||||
This interdisciplinary course explores the history of Korea from
ancient times to the present through the lens of art and culture. We will
examine intersections of art, religion, and politics in Korea, as well as
Korea’s interactions with the larger region of East Asia and beyond. The first
half of the course is dedicated to canonical artworks from premodern Korea,
designated as national “treasures” by the South Korean government; the second
half will shift the focus to the modern and contemporary period to critically
examine how such a “canon” and dominant narratives of Korean art history were
formulated. Topics include Buddhist art and ritual; landscape and travel;
material culture and collecting; female artists and representations of women;
visual culture and politics under the Japanese colonial rule; monuments and
anti-monuments; art as political activism; and contemporary Korean art within
the global art world. Coursework includes exams, weekly responses on
Brightspace, a 3-4 page paper, and a digital group project.
Course:
|
ARTH 113 History of
Photography |
|||||
Professor:
|
Laurie Dahlberg |
|||||
CRN: |
15500 |
Schedule/Location: |
Tue Thurs 10:10 AM
- 11:30 AM Campus Center WEIS |
|||
Distributional Area: |
AA Analysis of Art |
|||||
Credits:
4 |
|
Class cap: 25 |
||||
Crosslists: Science, Technology, Society |
||||||
The discovery of photography was announced in 1839, almost
simultaneously by several inventors. Born of experiments in art and science,
the medium combines vision and technology. It possesses a uniquely intimate relation
to the real and for this reason has many applications outside the realm of fine
art; nevertheless, from its inception photography has been a vehicle for
artistic aspirations. This survey of the history of photography from its
earliest manifestations to the 2000s considers the medium's applications - as
art, science, historical record, and document. This course is open to all
students and is the prerequisite for most other courses in the history of
photography. AHVC distribution: 1800-Present.
Course:
|
ARTS 309 Vibrant
Matter: Archives of Contestation and Reanimation |
|||||
Professor:
|
Krista Caballero |
|||||
CRN: |
15926 |
Schedule/Location: |
Wed 3:30 PM
- 6:30 PM New Annandale House |
|||
Distributional Area: |
PA Practicing Arts |
|||||
Credits:
4 |
|
Class cap: 12 |
||||
Crosslists: Experimental Humanities |
||||||
This advanced course will investigate the “aliveness” of
archives and collections and what political theorist Jane Bennett describes as
vibrant matter – that capacity of things “to act as quasi agents or forces with
trajectories, propensities, or tendencies of their own.” We will take up this
idea of archives and collections as a kind of lively, vibrant matter while
simultaneously exploring ways they reveal which bodies and whose histories
matter. Students will work in the media of their choosing to create artwork
utilizing archives as a tool for both contestation and reanimation. Alongside
this creative making will be an examination of key theoretical texts with
emphasis on those that center indigenous scholarship and BIPOC artists. As
such, course readings, active participation in class discussions as well as
group critique will be key to our investigation. Topics will include:
collective memory and erasure; repatriation and decolonization; fragmentation
and digital accumulation; the collection and indexing of other species; agency
and control. An integral component of this course will also include site-visits
to both on and off-campus archives such as the Associated Press in NYC,
Hudsonia at the Bard College Field Station, and local historical societies.
Prerequisite: at least one 200 level practicing arts course.
Course:
|
ECON 212 Health
Economics |
|||||
Professor:
|
Michael Martell |
|||||
CRN: |
15586 |
Schedule/Location: |
Mon Wed 5:10 PM
– 6:30 PM Olin 301 |
|||
Distributional Area: |
SA Social Analysis |
|||||
Credits:
4 |
|
Class cap: 16 |
||||
This course investigates health, health care services and
related policies from an economic perspective.
We will cover theories of the production, supply and demand for health
and health care services with special emphasis on the theoretical implications
for policy, particularly in the United States.
We will approach the determinants and policy implications of health and
health care services through neoclassical as well as alternative schools of
thought. As such, students will develop
an understanding of the politics, social context and production of health and
well-being. The course will equip
students with the analytical tools necessary for continued intellectual
engagement in research and debates surrounding the economics of health.
Students will study competing perspectives on the ability of markets to
efficiently and equitably provision health care services, the determinants of
racial inequalities in health, and linkages between health and the structure of
the economy. We will cover economic
theories related to health, such as the economics of information, in addition
to institutional approaches that highlight the role of history, context, and
politics. As such, we will pay special
attention to the historical development of health care services in the U.S. to
provide an institutional account of the economic, historical and political
aspects involved with the current health services market. The course will pay special emphasis to the
application of the analytical tools developed in class to current trends and
debates in the U.S. For example, we will
critically investigate the causes, consequences, and potential remedies for the
uneven burden of COVID-19 across society as well as the political economy of
pharmaceutical markets as they relate to the production and distribution of
vaccines and other drugs. We will also
assess the widespread use of cost-benefit analysis in the implementation of
federal rules and policies addressing public health. We will discuss current
healthcare reform proposals including cost control mechanisms as well as those
to address issues of equity and ethics in access to (and delivery of) health
care. Prerequisite: ECON 100
Course:
|
ECON 227 The Right
to Employment |
|||||
Professor:
|
Pavlina Tcherneva |
|||||
CRN: |
15588 |
Schedule/Location: |
Mon Wed 10:10 AM
– 11:30 AM Campus Center WEIS |
|||
Distributional Area: |
SA Social Analysis D+J Difference and Justice |
|||||
Credits:
4 |
|
Class cap: 20 |
||||
Crosslists: Africana Studies; American Studies; Environmental & Urban Studies;
Human Rights; Sociology |
||||||
In 1944, President Franklin Delano Roosevelt warned, “People
who are hungry and out of a job are the stuff of which dictatorships are made.”
Today, the COVID-19 crisis and mass unemployment have once again exposed the
pervasive pathologies in the economy, such as inequality, poverty, and
discrimination that reproduce systemic racial, gender and environmental
injustice. Roosevelt responded to the economic calamity of his time—the Great
Depression—with far-reaching economic policies and an appeal for what he called
a Second (Economic) Bill of Rights that led with the right to decent and
remunerative employment. “Jobs for All” was a signature demand during the Civil
Rights era, when Martin Luther King, Jr. and Coretta Scott King insisted that
unemployment is a key force for racial subjugation. Today, the Job Guarantee
has been called perhaps the most crucial component of the Green New Deal
Resolution, a program that ensures a just transition for all workers and an
antidote to systemic racial and gender discrimination that emerges from labor
markets. This interdisciplinary course
traces the history of the struggle to secure the right to employment for all. It will focus on the economic, legal,
and policy developments in the United States, and will introduce students to
some international policy initiatives and innovative programs. A key question
for discussion is whether these proposals and concrete policies have advanced
the goal of equity and economic justice. Students will read legislative
documents, economic analyses, policy proposals, and program reviews. This course is part of the Racial Justice
Initiative, an interdisciplinary collaboration among students and faculty to
further the understanding of racial inequality and injustice in the United
States and beyond.
Course:
|
GER 214 What Makes Us Think? Critical Judgment and
Moments of Crisis |
|||||
Professor:
|
Thomas Bartscherer |
|||||
CRN: |
15957 |
Schedule/Location: |
Mon Wed 6:40 PM – 8:00 PM Olin 201 |
|||
Distributional Area: |
MBV Meaning, Being, Value |
|||||
Credits:
4 |
|
Class cap: 20 |
||||
What makes us think? And why does that question
matter? Our starting point, in exploring these questions, will be Hannah
Arendt’s last book project, The Life of the Mind, in which she asks
whether it’s possible that the activity of thinking may condition human beings
to abstain from evil-doing. She cites the case of Nazi war criminal Adolf
Eichmann, whose great moral fault, she argues, was thoughtlessness. We’ll read
her book on the Eichmann trial (Eichmann in Jerusalem) and follow how in The
Life of the Mind and related texts she tries to discern what makes us
think, and what thinking has to do with ethical, political and aesthetic
judgments. We will also read some of Arendt’s predecessors and interlocutors,
including Plato, Aristotle, Kant, Kafka, Brecht, and Heidegger, and we will
look at some recent scholarship on thinking. All readings will be in English.
Throughout the semester, we’ll also be considering our contemporary moment,
looking for and analyzing specific phenomenon—arising in politics, the arts,
and everyday life—that make us think. Arendt argues that the activity of
thinking may prevent catastrophes in moments of crisis. We shall see what we
think about that.
Course:
|
HIST 136 Surveying
Displacement and Migration in the United States |
|||||
Professor:
|
Jeannette Estruth |
|||||
CRN: |
15601 |
Schedule/Location: |
Tue Thurs 6:40 PM
– 8:00 PM Olin 201 |
|||
Distributional Area: |
HA Historical Analysis D+J Difference and Justice |
|||||
Credits:
4 |
|
Class cap: 22 |
||||
Crosslists: American Studies; Architecture; Environmental & Urban Studies;
Human Rights |
||||||
This class will explore the twentieth-century American experience
through the exercise of hands-on historical research methods. We will delve
into the following themes in United States history: labor and markets, wealth
and inequality, ethnic identity and race, and gender and the environment. Our
tools of exploration will include readings, discussions, music, journalism,
poetry, scholarly articles, digital content, and films. Upon successfully
completing the course, students will be able to employ the methods of
historical practice to navigate present-day questions related to political and
social issues affecting contemporary society. Together, we will learn how to
articulate opinions, grounded in history, about the politics, culture, and
economics of the global United States.
Course:
|
HIST 197 India Under
Colonial Rule, 1750-1947 |
|||||
Professor:
|
Rupali Warke |
|||||
CRN: |
15661 |
Schedule/Location: |
Mon Wed 11:50 AM
– 1:10 PM Hegeman 308 |
|||
Distributional Area: |
HA Historical Analysis |
|||||
Credits:
4 |
|
Class cap: 20 |
||||
Crosslists: Asian Studies; Global & International Studies |
||||||
After the demise of the great Mughal empire of India in the
eighteenth century, the British gained power which eventually led to two
hundred years of colonial rule ruled over South Asia. This course introduces
students to the modern history of South Asia between the years 1750 and 1947.
Students will learn how South Asia, a region consisting of several contemporary
nation-states, came under colonial rule and how the indigenous communities
navigated the colonial experience. Some of the main themes that this course
explores are – the political rise of the British East India Company (EIC), the
influence of western political thought on Indian society, Gandhi’s ideology of
non-violence, socio-political movements against caste inequality, the emergence
of extremist ideologies, and modernist women’s movements. Through critical
primary and secondary textual as well as audio-visual sources, we will explore
questions such as – How could the British rule over a culturally alien people
for two hundred years? How did South Asians respond to western modernity? What
is the significance of Gandhi in Indian history? What happened to caste during
colonialism? What were the causes of political conflict between Hindus and
Muslims?
Course:
|
HR 235 Dignity and
the Human Rights Tradition |
|||||
Professor:
|
Roger Berkowitz |
|||||
CRN: |
15610 |
Schedule/Location: |
Mon Wed 11:50 AM
- 1:10 PM Olin 202 |
|||
Distributional Area: |
MBV Meaning, Being, Value |
|||||
Credits:
4 |
|
Class cap: 22 |
||||
Crosslists: Philosophy; Political Studies |
||||||
We live at a time when the claim to human rights is both taken
for granted and regularly disregarded. One reason for the disconnect between
the reality and the ideal of human rights is that human rights have never been
given a secure philosophical foundation. Indeed, many have argued that absent a
religiously grounded faith in human dignity, there is no legal ground for human
rights. Might it be that human rights are simply well-meaning aspirations
without legal or philosophical foundation? And what is dignity anyway? Ought we
to abandon talk about dignity and admit that human rights are groundless?
Against this view, human rights advocates, international lawyers, and
constitutional judges continue to speak of dignity as the core value of the
international legal system. Indeed, lawyers in Germany and South Africa are
developing a "dignity jurisprudence" that might guarantee human
rights on the foundation of human dignity. Is it possible, therefore, to
develop a secular and legally meaningful idea of dignity that can offer a
ground for human rights? This class explores both the modern challenge to
dignity and human rights, the historical foundations of human rights, and
modern attempts to resuscitate a new and more coherent secular ideal of dignity
as a legally valid guarantee of human rights. In addition to texts including
Hannah Arendt's book, The Origins of Totalitarianism, we read legal cases, and
documents from international law. This course satisfies the requirement for a
core course in the Human Rights Program. This course also satisfies the
Philosophy program's Histories of Philosophy requirement. All philosophy majors
are required to take two courses fulfilling this requirement, starting with the
class of 2025.
Course:
|
HR 263 A Lexicon
of Migration |
|||||
Professor:
|
Peter Rosenblum |
|||||
CRN: |
15799 |
Schedule/Location: |
Mon Wed 10:10 AM
- 11:30 AM Olin 101 |
|||
Distributional Area: |
SA Social Analysis D+J Difference and Justice |
|||||
Credits:
4 |
|
Class cap: 20 |
||||
Crosslists: Anthropology; Global & International Studies |
||||||
Human Rights core course: Migration is one of the most
important and contested features of today’s interconnected world. In one way or
another, it has transformed most if not all contemporary nation-states into “pluralist,”
“post-migrant,” and/or “super-diverse” polities. And it affects
everyone—regardless of their own migratory status. This course examines
migration from local, national, and global perspectives, with particular
emphasis on the developments that are shaping the perception of crisis in the
US and Europe. The course also traces the emergence of new modes of border
regulation and migration governance as well as novel forms of migrant cultural
production and representation. Above all, it aims to provide students with the
tools to engage critically with many of the concepts and buzzwords—among them
“asylum,” “border,” “belonging,” “citizenship,” and “illegality—”that define
contemporary public debates. A Lexicon of Migration is a Bard/HESP (Higher Education
Support Program) network course that will collaborate with similar courses at
Bard Network colleges, in addition to
courses in the Migration Consortium at Vassar, Sarah Lawrence and Bennington.
Course: |
HR 269 Slavery,
Reconciliation and Repair |
|||||
Professor: |
Kwame Holmes |
|||||
CRN: |
15667 |
Schedule/Location: |
Mon Wed 3:30 PM - 4:50 PM Aspinwall
302 |
|||
Distributional Area: |
SA Social Analysis D+J Difference
and Justice |
|||||
Credits: 4 |
|
Class cap: 15 |
||||
Crosslists:
Africana Studies; American Studies; Historical Studies |
||||||
(Human Rights Core
Course) How does a society heal from a self-inflicted wound? From 1619
to 1864, American chattel slavery sustained American capitalism at the expense
of the mental and physical health of enslaved Africans and their descendents.Ulster county has announced their interest in
creating a Truth and Reconciliation Commission to address the “ongoing present”
of slavery in their community. As a member of that committee, I am inviting
students to participate in our work. In the first third of the semester,
students will read the latest scholarship on the racialized injury of slavery
and explore the history of African American's efforts to win reparations for those
injuries. Students will learn about contemporary efforts to redress the wrong
of slavery in the United States and abroad.
Finally students will join the work of the commission by researching the
history of slavery in the region, and participating in genealogical research on
residents with a direct connection the Ulster County's slave past/present.
Ultimately, our class will make recommendations to the commission that reflect
our understanding of the relationship between reconciliation and reparation.
Course:
|
HR 271 Comparative
Settler Colonialism |
|||||
Professor:
|
Ziad Abu-Rish |
|||||
CRN: |
15668 |
Schedule/Location: |
Tue Thurs 11:50 AM
– 1:10 PM Olin 301 |
|||
Distributional Area: |
SA Social Analysis D+J Difference and Justice |
|||||
Credits:
4 |
|
Class cap: 15 |
||||
Crosslists: Global & International Studies; Political Studies |
||||||
This course offers an introduction to settler colonialism as
a particular form of colonial rule, process of state formation, and structure
of social relations. It begins with a conceptual and theoretical distinction
between “settler colonialism” (e.g., the United States, South Africa, and
Algeria) and “metropole colonialism” (e.g., British India and French Morocco).
The course then shifts to it second part, which explores specific case studies,
spending about 1-2 weeks on each case, surveying the most pertinent literature
that has adopted the analytic of settler colonialism. Case studies will be
determined in consultation with enrolled students, but will primarily draw from
any combination of the following potentials: Algeria, Australia, Kenya,
Northern Ireland, Palestine, South Africa, and the United States. The final
part of the course will attend to the ways in which international law and human
rights have historically and contemporarily facilitated and/or challenged
settler colonialism as colonial practice or state structure. Students will be
expected to provide reading responses, co-create an analytic glossary, and
produce a final review essay that analyze two books, each focused on a
different settler colonial state.
Course:
|
HR 358 LGBTQ+
Issues/US Education |
|||||
Professor:
|
Michael Sadowski |
|||||
CRN: |
15780 |
Schedule/Location: |
Tue Thurs 3:30 PM
– 4:50 PM Henderson Computer Ctr Annex 106 |
|||
Distributional Area: |
SA Social Analysis D+J Difference and Justice |
|||||
Credits:
2 |
|
Class cap: 18 |
||||
Crosslists: Gender and Sexuality Studies |
||||||
This course will examine both the history and contemporary
landscape of lesbian, gay, bisexual, transgender, queer, and related (LGBTQ+)
issues in U.S. education. Students will explore the legal, political,
pedagogical, and empirical questions that have been central to this field over
the last three decades, such as: What are the rights of LGBTQ+ students and
educators, and what are the obstacles to their being realized? What strategies
have been successful in advocacy for more LGBTQ+ positive schools, and what
lessons do they hold for future change? What do LGBTQ+ supportive school
environments look like, and what does research tell us about their
effectiveness? Although K–12 schooling will be the primary focus of the class,
we will also examine the landscape of undergraduate education vis-à-vis LGBTQ+
issues. As a final project, students will present an “educational change plan,”
in which they envision how they might contribute to positive change in an area
related to this relatively nascent field. Class will meet for the second
half of the semester March 29th – May 24th.
Course:
|
HR 387 Documenting
Voter Suppression and Exclusion |
|||||
Professor:
|
Lisa Katzman |
|||||
CRN: |
15811 |
Schedule/Location: |
Wed 10:10 AM
– 12:30 PM Avery Film Center 117 |
|||
Distributional Area: |
SA Social Analysis D+J Difference and Justice |
|||||
Credits:
4 |
|
Class cap: 18 |
||||
This course will serve to facilitate the creation of a video
archive that documents voter suppression and exclusion. The archive will be made
available to legislators to use, for example, in congressional hearings
supporting voting rights legislation, such as the John Lewis Voting Rights Act
and future voting rights bills. To develop an informed context for conducting
interviews with elderly Black voting rights stakeholders who benefited from the
Voting Rights Act (of 1965), as well as multi-generational stakeholders whose
access to voting has been adversely impacted by the Supreme Court’s 2013 Shelby
County v. Holder decision, we will survey the history of voting rights and
voting suppression from Reconstruction (and its collapse) through the present,
focusing on the Voting Rights Acts of the 1960, the Shelby decision of 2013
that dismantled historic legislation protecting the voting rights of Black
Americans, and current efforts in many states to disenfranchise people of color
and young voters. As we plan to focus on stakeholders in southern states,
students will conduct interviews via Zoom and will edit this material using
iMovie or Final Cut. As well as considering a broad array of texts, we will
view and discuss a number of films including: Birth of a Nation, episodes of
Eyes on the Prize, the PBS series Reconstruction, Kevin Jerome Everson’s
Tonsler Park, and Arthur Jaffa’s Love is the Message, the Message is Love. The
final assignment for the course will entail the creation of a short film that
makes use of edited interviews, archival material, text, and sound. We will
also consider the role of public art in connection to social action and how the
video documentation students produce in the course (and the short films that
develop from it) can be used toward both ends — to raise public awareness of
voter suppression and exclusion prior to the 2022 midterm election. Editing
experience not required.
Course:
|
HR 388 The Death Penalty in the United States:
Draconian or Necessary? |
|||||
Professor:
|
Jacqueline Baillargeon |
|||||
CRN: |
15812 |
Schedule/Location: |
Wed 3:10 PM
– 5:30 PM Henderson Computer Annex 106 |
|||
Distributional Area: |
SA Social Analysis D+J Difference and Justice |
|||||
Credits:
4 |
|
Class cap: 18 |
||||
This course will review the complex history of the death
penalty in the United States, from colonial times through the present, with an overview
of the social and legal justifications for capital punishment. We will discuss
the legal procedures involved in the death penalty today, from charging through
execution, including the significant roles played by the victims’ family,
prosecutor, defense attorney, trial and appellate judges, jury, and
executioner. We will explore some historical and contemporary controversies
surrounding the administration of the death penalty, including potential
innocence, juveniles, people with intellectual disabilities or mental illness,
methods of execution, race and gender biases, costs, and deterrence. Last but
not least, we will examine the death penalty in an international context. Where
is the death penalty still in use in the 21st century, and where has
it been abolished? We’ll look at movements to end the death penalty both in the
US and abroad. Films, judicial opinions, legal scholarship, news accounts of
executions, and death row autobiographies are among the sources we will turn to
in an effort to understand the historical and contemporary meanings of the
death penalty.
Course:
|
CC 108 B The Courage to be: The Face of the Other |
|||||
Professor:
|
Joshua Boettiger |
|||||
CRN: |
15984 |
Schedule/Location: |
Mon Thurs 1:30 PM
- 2:50 PM Olin 307 |
|||
Distributional Area: |
MBV Meaning, Being, Value LA
Literary Analysis in English |
|||||
Credits:
4 |
|
Class cap: 16 |
||||
The French Jewish philosopher Emmanuel Levinas described
ethics as the encounter with the face of the other. But what does it actually
mean to encounter the face of another, especially in situations where we see
that particular other as a threat – such as in Israel-Palestine or in our
polarized American political landscape? What is at stake in our learning to
endure this encounter without either fleeing from before the other or
attempting to dominate them? These questions point to the possibility of
cultivating a courage that comes directly out of lived relationship as opposed
to ideology. Our course will begin with an investigation into the work of
Levinas, whose philosophy developed directly as a response to the Holocaust,
and bring his thought to bear on some of the more vexing issues of our time. We
will also approach this conversation from different angles – exploring writings
by William James and Hannah Arendt, as well as those of poets C.D. Wright, Ilya
Kaminsky, and the contemporary Nigerian writer, Chris Abani, who writes that
such encounters hold, “the recognition...that we all stand at the edge of the
same abyss.”
Course:
|
HR 354 Reproductive
Health and Human Rights |
|||||
Professor:
|
Helen Epstein |
|||||
CRN: |
15611 |
Schedule/Location: |
Thurs 9:10 AM
– 11:30 AM OSUN |
|||
Distributional Area: |
SA Social Analysis D+J Difference and Justice |
|||||
Credits:
4 |
|
Class cap: 20 |
||||
Crosslists: Africana Studies; Gender and Sexuality Studies; Global &
International Studies |
||||||
Centuries ago, a radical shift in attitudes and norms
concerning sexual, reproductive and family life began spreading from one
society to another. Scholars call it the Demographic Transition, narrowly
defined as a progressive reduction in the size of families and an increase in
the survival of children, but its causes and consequences included political
turmoil, personal and romantic upheavals, intellectual and artistic movements,
the spread of diseases like syphilis and AIDS and new ideas about self and identity.
This Open Society University Network course will explore how individuals,
groups and governments have responded, and continue to respond, to these
changes through policy and social movements related to population growth,
contraception, sexually transmitted diseases, sex work and sex trafficking,
maternal mortality, abortion, gender violence and other issues. The role of
historical context, including the Industrial Revolution, the Cold War, the
decolonization of the developing world and the Global War on Terror will be
emphasized. This is an OSUN class and is open to Bard students as
well as students from multiple OSUN partner institutions.
Course:
|
LIT 2381 Translating
Tact |
|||||
Professor:
|
Thomas Wild |
|||||
CRN: |
15935 |
Schedule/Location: |
Tue Thurs 5:10 PM
- 6:30 PM Olin 204 |
|||
Distributional Area: |
LA Literary Analysis in English D+J Difference and Justice |
|||||
Credits:
4 |
|
Class cap: 22 |
||||
Crosslists: German Studies; Human Rights; Written Arts |
||||||
“Tact”
could be regarded as “the art of not treating all things in the same way,”
writes translator Kate Briggs: a “fine responsiveness to the concrete”, a
manifestation of ‘discretion’ in the sense of ‘to differentiate’, understood as
a particular “attentiveness to difference.” In a first step, we will explore
this notion as a literary practice through works on and in translation (e.g., Rosmarie Waldrop “Lavish Absence”, Anne Carson “NOX”). In a
second step, we will reflect on further political and ethical implications of
“tact” by comparing various translations of works by Paul Celan,
whose German poems and prose confront the challenge of responding to the
Holocaust; correspondingly, we will discuss M. NourbeSe
Philip’s translation of a legal record, the only trace of hundreds murdered
Africans on the Middle Passage in 1781, into her poem “Zong!”.
Is this a breach of tact – to discuss such utterly different historical
experiences and artistic responses together, in relation to each other? We will
engage with this open-ended question, debated in recent years along the notion
of “multidirectional memory” (Michael Rothberg), by considering, e.g., W.E.B.
Du Bois’ writing on the Warsaw Ghetto and Hannah Arendt’s account of colonial
imperialism in Africa. Further readings will include works by Ilse Aichinger, John Ashbery, Édouard Glissant, William Kentridge, Ann Lauterbach, Fred
Moten, Uljana Wolf. In order
to reflect on the task of tact for our own writing, this course welcomes to
explore a diverse range of critical approaches, including the analytical essay
as well as other creative formats and media. All readings will be in English
(translation). - Students who wish to discuss German texts in the original are
welcome to request an accompanying tutorial.
Course:
|
LIT 279 Japanese
Folklore |
|||||
Professor:
|
Wakako Suzuki |
|||||
CRN: |
15715 |
Schedule/Location: |
Mon Thurs 1:30 PM
- 2:50 PM Olin 203 |
|||
Distributional Area: |
FL Foreign Languages and Lit |
|||||
Credits:
4 |
|
Class cap: 22 |
||||
Crosslists: Asian Studies |
||||||
This course explores a wide range of cultural expressions
from premodern to contemporary Japan: magic, epic narratives, local legends,
myth, folktales, fairy tales, urban legends, stories of the supernatural,
music, discourses of monsters, images of witches, religious festivals, manga,
anime, and film. Rather than focusing on the survey of folklore, we examine its
ontological dimension, historical roots and epistemological shifts along with
the development of industrial capitalism. Through our discussions and readings,
we will also tackle some of the ideas and assumptions underlying the notion of
the folk. Who are the folk? From when and where does the concept of a folk
people originate inside and outside of Japan? Is the folk still a viable,
relevant category today? How does it treat regional versus national identity?
As we analyze the construction of this concept, we will consider its implications
for the Japanese and our own perception of Japan. By looking at folklore and
magic across East Asia, we also move beyond confines of “Japanese” folklore and
grapple with critical discourses related to (de)colonization and
(dis)enchantment, in relation to re-reading of primitive accumulation and a
Marxist-feminist viewpoint. Includes works by Lafcadio Hearn, Yanagita Kunio,
Akutagawa Ryunosuke, Enchi Fumiko, Izumi Kyoka, Ueda Akinari, Mizuki Shigeru,
Kobayashi Masaki, Kurosawa Akira, Mizoguchi Kenji, Miyazaki Hayao, Shinkai
Makoto and many others. The course will be conducted in English, and students
who wish to read Japanese texts in the original are welcome to discuss with the
instructor. This course is part of the World Literature Course offering.
Course:
|
LIT 2205 Stalin and
Power |
|||||
Professor:
|
Jonathan Brent |
|||||
CRN: |
15720 |
Schedule/Location: |
Fri 3:10 PM
- 5:30 PM Olin 201 |
|||
Distributional Area: |
LA Literary Analysis in English |
|||||
Credits:
4 |
|
Class cap: 20 |
||||
Crosslists: Historical Studies; Russian Eurasian Studies |
||||||
Josef Stalin was indisputably one of the central political
figures of the Twentieth Century.
Inheritor of leadership of the Soviet state after Lenin’s death, he was
both directly responsible for his regime’s monstrous criminality and the
architect of its survival in the face of internal threats and the Nazi invasion
of 1941. Stalin remains an enigmatic presence in world history today. At his death in 1953, Molotov said that he
will live in the hearts of all progressive peoples forever; yet by 1956, his
crimes were denounced publicly, his body was removed from the Lenin mausoleum,
, and his image erased from Soviet society.
Only with the collapse of the Soviet Union in 1991 did Stalin return to
public awareness and now it can be said that he is, paradoxically, fully
rehabilitated within contemporary Russian society. This class will explore the enigma of Stalin
and his enduring power through primary documents, biography, and the most
recent scholarship.
Course:
|
LIT 3356 Modernism
and Fascism: Cultural Heritage and Memory |
|||||
Professor:
|
Franco Baldasso |
|||||
CRN: |
15724 |
Schedule/Location: |
Tue 3:10 PM
- 5:30 PM Olin 303 |
|||
Distributional Area: |
LA Literary Analysis in English D+J Difference and Justice |
|||||
Credits:
4 |
|
Class cap: 15 |
||||
Crosslists: Human Rights; Italian Studies |
||||||
Is it possible to think of modernity without taking into
account fascism? Why were so many modernists, from Ezra Pound to F.T. Marinetti
and Gertrude Stein fascinated by fascist dystopia and actively contributed to
its propaganda? This course approaches the rise of fascism in Italy as an
expression of political and social palingenesis, and focuses on the
transnational reach of its memory and cultural heritage. Through the literary
works of Anna Banti, Curzio Malaparte, Ennio Flaiano and Maaza Mengiste, and
films by Federico Fellini, Lina Wertmüller and Liliana Cavani we will analyze
how the memory of fascism and modernism has been shaped according to the needs
of the political present and successively contested, reframed, and reused.
Still today, fascist heritage haunts the cityscapes of Italy and the countries
it occupied in East Africa and the Mediterranean through monuments, modernist
architecture, and the isolation of Roman ruins. The course finally examines how
visual artists, activists and writers take cues from this difficult heritage,
in order to challenge collective memories and the culture of empire. This is an
OSUN Collaborative Course taught in cooperation with courses on global
modernism offered at the American University of Beirut (Lebanon), Bard College
(USA), Bard College Berlin (Germany), BRAC University (Bangladesh), and the
Universidad de los Andes (Colombia). Common sessions, lectures, readings,
and/or assignments will offer opportunities for connections across the network,
but the core teaching of the course will be fully in person. It is also an
elective course in the OSUN MA Program in Human Rights and the Arts.
Course:
|
MUS 146 Jazz
Histories of Sound and Communication |
|||||
Professor:
|
Whitney Slaten |
|||||
CRN: |
15442 |
Schedule/Location: |
Wed Fri 5:10 PM
- 6:30 PM Hegeman 102 |
|||
Distributional Area: |
AA Analysis of Art |
|||||
Credits:
4 |
|
Class cap: 20 |
||||
Crosslists: Africana Studies; American Studies |
||||||
Jazz history is plural. It begins as histories of expressions
by African descendants in the New World, as well as how their sounds and social
positions have both attracted and resisted the participation of allies and
oppressors in the construction of jazz as American culture. Histories such as
these foreground assertions of jazz as both an American sound and the sound of
something broader. The various lifeworlds of jazz—local and global, past and
present—lead to questions about the music’s folk, popular, and art music
categorization. Through a framework of exploring the history of jazz through
specific sounds and surrogate communications, this course surveys the
development of musical aesthetics set within specific social contexts that
reveal how improvisation wields the production and reception of sounds and
communications within and beyond the bandstand. Students in the survey course
will read, present, and discuss writing about jazz and its periods. Lectures
will situate specific media examples of performances across folk, popular, and
art contexts, in ways that also foreground the significance of individual and
group agency. Examples of race, gender, class, nationality, generation, and
their intersections in jazz music will be the focus of the final research paper
assignment.
Course:
|
PHIL 360 Feminist Philosophy |
|||||
Professor:
|
Daniel Berthold |
|||||
CRN: |
15632 |
Schedule/Location: |
Tue 3:10 PM
– 5:30 PM Olin 309 |
|||
Distributional Area: |
MBV Meaning, Being, Value D+J Difference and Justice |
|||||
Credits:
4 |
|
Class cap: 16 |
||||
Crosslists: Gender and Sexuality Studies; Human Rights |
||||||
The course will examine a variety of feminist philosophical
approaches to issues surrounding modern culture’s production of images of
sexuality and gender. Some background
readings will provide a sketch of a diverse range of feminist theoretical
frameworks – liberal, socialist, radical, psychoanalytic, and postmodern – with
readings from Alison Jaggar, Simone de Beauvoir, Annie Leclerc, Christine
Delphy, Julia Kristeva, Luce Irigaray, Sarah Kofman, and Hélène Cixous. We will then turn to an exploration of such
issues as the cultural enforcement of both feminine and masculine gender
identities, the mass-marketing of popular cultural images of sexuality, gender,
and race, the urban environment and women’s sense of space, the intersection of
feminism and environmentalism, the logic of subjection governing cultural
ideals of women’s bodies (dieting, exercise, clothing, bodily comportment),
issues of rape, sexual violence and harassment, pornography, and feminist
perspectives of different ethnic groups.
We will also screen a number of films and videos, including the Anita
Hill/Clarence Thomas hearings, Madonna’s “Truth or Dare,” and documentaries on
the pre-Stonewall femme-butch bar-scene culture of the 1950s and 60s, anorexia,
rape on campus, the pornographic film industry, and several others.
Course:
|
PS 257 Nations,
States and Nationalism |
|||||
Professor:
|
Sanjib Baruah |
|||||
CRN: |
15642 |
Schedule/Location: |
Wed Fri 10:10 AM – 11:30
AM Hegeman 102 |
|||
Distributional Area: |
SA Social Analysis |
|||||
Credits:
4 |
|
Class cap: 22 |
||||
Crosslists: Global & International Studies |
||||||
Nationalism is often thought of as the centrifugal force that
led to the dissolution of empire, and nation-states as the anti-thesis of
empires and imperialism. However, historically, the relations between nations
and empires have been more complicated. Nation-states did not neatly supersede
empires; the two had co-existed for a long period. Moreover, while it may be
convenient to think of all the member-states of the United Nations as
nation-states, many of them have within them a medley of “national” groups and
cultures. The course will interrogate the received wisdom regarding the
transition from empire to nation and ask critical questions about the global
political order that emerged following the crisis of colonial empires in the
last century giving particular attention to the discourse of failed states and
the new iteration of nation-building that emerged in the West at the beginning
of this century that has disturbing affinity with imperial practices.
Course:
|
PS 273 Diplomacy
in International Politics |
|||||
Professor:
|
Frederic Hof |
|||||
CRN: |
15643 |
Schedule/Location: |
Mon Wed 10:10 AM
– 11:30 AM Olin 305 |
|||
Distributional Area: |
HA Historical Analysis |
|||||
Credits:
4 |
|
Class cap: 18 |
||||
Crosslists: Global & International Studies; Human Rights |
||||||
This course explores the history, complexity and changing
nature of diplomacy. Students will gain an understanding of the goals,
constraints, and structures of diplomacy: diplomatic corps, embassies,
consulates, envoys, and non-traditional diplomats. They will then examine the
evolution of these components as new diplomatic tools have appeared: public
diplomacy, cyber diplomacy; expeditionary (combat zone) diplomacy, and track II
diplomacy. Using case studies drawn from over seventy years of national, multi-national,
and international diplomatic efforts to mitigate and ultimately end the
Arab-Israeli conflict, students will be exposed to the application of
real-world diplomacy under the most complex, contentious, and difficult
circumstances. This course will enhance students’ understanding of
international relations, foreign policy formulation and implementation, the
history of diplomacy, diplomatic tradecraft, and the multigenerational
diplomatic efforts to end Arab-Israeli conflict.
Course:
|
PSY 141 C Introduction
to Psychological Science |
|||||
Professor:
|
Frank Scalzo |
|||||
CRN: |
15382 |
Schedule/Location: |
Tue Thurs 3:30 PM
– 4:50 PM Hegeman 102 |
|||
Distributional Area: |
SA Social Analysis |
|||||
Credits:
4 |
|
Class cap: 22 |
||||
Crosslists: Mind, Brain, Behavior |
||||||
How does the mind create the reality we perceive? How do
experiences shape the brain, and how do processes in the brain influence
thought, emotion and behavior? This course
investigates these and similar questions by studying the science of the human
mind and behavior. The course covers topics such as memory, perception,
development, psychopathology, personality, and social behavior. A focus is on
the biological, cognitive, and social/cultural roots that give rise to human
experience. Additionally, the course will consider how behavior differs among
people, and across situations.
Course:
|
PSY 220 Social
Psychology |
|||||
Professor:
|
Kristin Lane |
|||||
CRN: |
15387 |
Schedule/Location: |
Tue Fri 1:30 PM
– 2:50 PM Hegeman 308 |
|||
Distributional Area: |
SA Social Analysis |
|||||
Credits:
4 |
|
Class cap: 22 |
||||
Crosslists: Gender and Sexuality Studies; Sociology |
||||||
Social Psychology is the scientific study of human thought,
behavior, and feelings in their social contexts. This class will survey many of
the processes that influence and are influenced by our interactions with
others, such as attitude formation and change, conformity and persuasion. We
will also use principles of social psychology to understand the ordinary
origins of benevolent (e.g., altruism, helping behavior) and malevolent (e.g.,
aggression, prejudice) aspects of human behavior. Throughout the course, we
will emphasize the influence of culture, race, and gender on the topics
addressed. Students should have completed Introduction to Psychological Science
or its equivalent. This course fulfills the Cluster B requirement for the
Psychology Major.
Course:
|
PSY 231 Neuroscience |
|||||
Professor:
|
Frank Scalzo |
|||||
CRN: |
15388 |
Schedule/Location: |
Tue Thurs 10:10 AM
– 11:30 AM Hegeman 102 |
|||
Distributional Area: |
SA Social Analysis |
|||||
Credits:
4 |
|
Class cap: 22 |
||||
Crosslists: Mind, Brain, Behavior |
||||||
The ability to express thoughts and emotions, and to interact
with the environment, is dependent in large part on the function of the nervous
system. This course will examine basic concepts and methods in the study of
brain, mind, and behavior. Topics include the structure and function of the
central nervous system, brain development, learning and memory, emotion,
sensory and motor systems, the assessment of human brain damage, and clinical
disorders such as schizophrenia, epilepsy and Parkinson’s disease.
Prerequisite: Introduction to Psychological Science, Foundations of Mind, Brain
and Behavior, Introduction to Neurobiology, or permission of the instructor.
Course:
|
REL 117 Hindu
Religious Traditions |
|||||
Professor:
|
Hillary Langberg |
|||||
CRN: |
15615 |
Schedule/Location: |
Tue Thurs 3:30 PM
– 4:50 PM Olin 202 |
|||
Distributional Area: |
MBV Meaning, Being, Value D+J Difference and Justice |
|||||
Credits:
4 |
|
Class cap: 22 |
||||
Crosslists: Asian Studies |
||||||
Hinduism is a living religion with an expansive history. In
this course, we will investigate a series of religious movements in India, past
and present, which have been collectively labeled “Hinduism.” Students will
analyze the roles, myths, and symbolism of Hindu deities in both classical
literary texts and visual art. We will also examine foundational concepts from
the Vedas (karma, jnana), the paramount importance of the epic literature
(Ramayana, Bhagavad Gita), the devotional songs and poetry of the medieval
bhakti saints, and the role of Hinduism in Indian politics. Along the way, we
also consider ethnographic accounts of how Hinduism is lived in India and the
United States today, looking closely at the construction of sacred space
through temples and pilgrimage sites. Within these contexts, students will
address issues of difference in devotees’ access to worship based on
class/caste, gender, and sexual orientation.
Course:
|
SOC 213 Sociological
Theory |
|||||
Professor:
|
Laura Ford |
|||||
CRN: |
15647 |
Schedule/Location: |
Mon Wed 3:30 PM
– 4:50 PM Olin Language Center 115 |
|||
Distributional Area: |
SA Social Analysis |
|||||
Credits:
4 |
|
Class cap 22 |
||||
Crosslists: Human Rights |
||||||
This class introduces students to classical and contemporary
sociological theories. It considers foundational theories that emerged from the
social upheavals of modernization in the 19th Century, including
those of Marx, Weber, Durkheim, Simmel, and DuBois. The course thus introduces
many enduring themes of sociology: alienation and anomie; social structure and disorganization;
group conflict and solidarity; secularization and individualism; bureaucracy
and institutions, the division of labor, capitalism, and the nature of
authority. We then follow these conversations into the contemporary era,
examining traditions such as functionalism, conflict theory, rational choice,
symbolic interactionism, feminist theory, and critical theory, including
thinkers such as G.H. Mead, Robert Merton, Pierre Bourdieu, Jürgen Habermas,
and Michel Foucault. Students will learn the key concepts of major theoretical
approaches in sociology, and will consider questions such as the relationship
between theory and research, and the relationship of social conditions to the
production of knowledge.
Course:
|
THTR 367 Race, Class,
and Gender in Modern Theater: A Public Writing Seminar |
|||||
Professor:
|
Miriam Felton-Dansky |
|||||
CRN: |
15844 |
Schedule/Location: |
Tue 12:30 PM
- 2:50 PM Fisher PAC Sosnoff Balcony |
|||
Distributional Area: |
AA Analysis of Art |
|||||
Credits:
4 |
|
Class cap: 15 |
||||
From reviews to playbill essays to social media posts, modern
theater calls upon an ecology of public communication—among audiences, critics,
producers, funders, and more. This course invites students to build practical
writing skills through the investigation of identity construction in selected
twentieth-century plays. Using questions of race, class, and gender as
conceptual lenses, we will imagine ourselves as dramaturgs, critics, producers,
and art makers, writing and editing collaboratively each week. Our case studies
will be international in scope, encompassing modern dramas from Indonesia,
Norway, Argentina, and Martinique, as well as U.S.-based musical theater. We
will advocate for productions, create contextual materials that invite
audiences into theatrical worlds, and engage in public dialogue around
theater’s significance as a mode of interrogating identity and situating
individuals in communal and collective worlds. Assessment will be based on
weekly short-form writing and editing projects.