Course:

ART 100 MH Digital I: Digital Image Making

Professor:

Maggie Hazen  

CRN:

90448

Schedule:

Mon       2:00 PM - 5:00 PM Fisher Studio Arts 161

Distributional Area:

PA Practicing Arts

Class cap:

12

Credits:

4

This class is designed to introduce students to both the technical and conceptual aspects of developing a creative practice within a digital context. Students will learn software skills, including Adobe Photoshop, Illustrator and InDesign tools, and will also explore the creative possibilities found within the digital platforms and spaces that foster contemporary image making. In addition, we will explore the rise in popularity of NFT's and the new emerging market of digital assets and benefits for digital artists. The course emphasizes building critical analysis and increased agency as creators within the complex networks of digital information and social media space.  Prerequisite: none

 

Course:

ART 100 AC Digital I

Professor:

Adriane Colburn  

CRN:

90465

Schedule:

  Wed     2:00 PM - 5:00 PM Fisher Studio Arts 161

Distributional Area:

PA Practicing Arts

Class cap:

12

Credits:

4

Cross-listed:  Environmental & Urban Studies This course is an introduction to digital image creation and manipulation for display in print and on screen. With Adobe Photoshop and Illustrator at the center, we will explore the possibilities of creating imagined and composite landscapes that are feasible only through digital fabrication.  As inspiration we will look at the ways that human intervention has transformed our physical world through garden design, suburban sprawl, urban grids, mining sites, managed forests, zoos, constructed waterways and earthworks.  In addition, we will survey a range of contemporary artists who are wrestling with the human impact on our biosphere. Coursework will foster a body of work consisting of on-line sketchbooks, site-specific installation, digital collage, gifs, large scale printing and laser cutting. These projects will emerge out of a series of exercises that will build image making skills and establish a digital workflow.

 

Course:

ART 101 JG Painting I

Professor:

Jeffrey Gibson  

CRN:

90456

Schedule:

 Tue      2:00 PM - 5:00 PM Fisher Studio Arts 140

Distributional Area:

PA Practicing Arts

Class cap:

10

Credits:

4

Through lectures, demonstrations, exercises, and assigned projects, students will experience and explore color mixing and handling as well as different attitudes towards art and painting.  There will be a review of various composition/color organization principles as they relate to painting.  Work will be done on a variety of supports including canvas, wood, and paper. This class is reserved for First-year and Transfer Students.

 

Course:

ART 101 KF Painting I

Professor:

Kenji Fujita  

CRN:

90464

Schedule:

  Wed     2:00 PM - 5:00 PM Fisher Studio Arts 141/149

Distributional Area:

PA Practicing Arts

Class cap:

10

Credits:

4

Through lectures, demonstrations, exercises, and assigned projects, students will students will begin by working from observation to explore the basics of line, shape, gesture, texture, value, composition and color. Towards the second half forays into more imaginary and abstract approaches will be explored. The medium will be oil paint on canvas, paper and wood.  Presentations of relevant artwork drawn from the 20th century will be used to shape the assignments. There are no prerequisites for the class, however all Painting 1 students must buy a material and supply kit ($200-225). Additional materials will be supplied by the art department. 

*Please note: The Fund for Visual Learning (FVL) provides support to students on financial aid to help them with the cost of supplies. Students taking a Level 1 Studio Art class may be eligible for this grant (as long as they haven't already received one). After the course registration period closes, late FVL requests are not eligible for consideration. Contact the professor for further details (http://bardfvl.com).

 

Course:

ART 101 KB Painting I

Professor:

Ken Buhler  

CRN:

90467

Schedule:

   Thurs    10:10 AM - 1:10 PM Fisher Studio Arts 141/149

Distributional Area:

PA Practicing Arts

Class cap:

12

Credits:

4

Instruction in this class emphasizes the acquisition of a basic visual vocabulary of painting while recognizing a wide range of individual interests and strengths among students.    The students pursue assignments that focus their attention on issues such as value contrast, warm and cool contrast, creating tonality, understanding the expressive and structural possibilities of the materiality of paint, as well as how all of these elements factor in the composition of form and space.  The projects are sequenced in a way that the students move from a simple dialogue of light and dark and gradually begin to incorporate a fuller range of elements from the vocabulary of painting during the semester.  Assignments are designed to promote a recognition that expression in painting is rooted in its form – color, light, materiality, composition, etc.  While much of the work will be done from observation - still life, landscape (weather permitting) and model - there will be assignments that incorporate abstraction as well. There are no prerequisites for this studio class.  Estimated cost of materials is $200-$250.

 *The Fund for Visual Learning provides material support to students on financial aid to help them with art supplies. Eligible students may be considered for a non-major introductory grant to cover wholly or partially the material supply kits for Level 1 Studio Arts classes. Sophomores, Juniors, and Seniors who have not previously received a non-major introductory grant may notify the professor that they would like to receive this financial support when registering for classes in the spring/fall, and First Year students can indicate their interest in support when registering on Super Advising days.  http://bardfvl.com    

 

Course:

ART 105 JS Sculpture I

Professor:

Julianne Swartz  

CRN:

90446

Schedule:

Mon       10:10 AM - 1:10 PM Fisher Studio Arts 138

Distributional Area:

PA Practicing Arts

Class cap:

12

Credits:

4

The definition of sculpture is always expanding to absorb new materials, media and strategies. It can include objects, actions, time-based media, sound, and light. This course will introduce the language of contemporary sculpture through building objects and installations, looking at slides and videos, drawing, writing, verbal critique and discussion. We will explore how meaning is communicated through sculpture, using a variety of materials such as wood, plaster, metal, and found objects. Technical demonstrations will include woodworking, welding and mold-making.  Projects will also engage more ephemeral materials: light, sound, space and time. Art history will inform our discussion. The course is designed to develop fundamental art making skills and the ability to interpret visual art.

 

Course:

ART 105 AG Sculpture I: The Chair

Professor:

Arthur Gibbons  

CRN:

90450

Schedule:

Fri       10:10 AM – 1:10 PM Fisher Studio Arts 138

Distributional Area:

PA Practicing Arts

Class cap:

10

Credits:

4

Sculpture One will explore materials, tools and the making of objects.  Sculpture is an object and a verb… we join, break, cut, mix, mold, melt, mend, make mistakes and have successes.  We work through thinking, planning, working, drawing, instinct, emotion, guessing, risking, seeing, not seeing, laughing, crying, screaming, throwing, wrecking, destroying, loving, cherishing…finding ourselves and others through making. Sculpture One is subtitled “The Chair” as the chair will serve as a proposition, a placeholder, a site, a condition, a glue, a condition, and an event where we, the class, can touch base in commonality whilst in search of sculpture.  The use of wood, steel, plaster, silicon, fabric, and found objects as sculptural materials will be explored.    

 

Course:

ART 106 KF Sculpture I

Professor:

Kenji Fujita  

CRN:

90469

Schedule:

   Thurs    2:00 PM - 5:00 PM Fisher Studio Arts 138

Distributional Area:

PA Practicing Arts

Class cap:

10

Credits:

4

In this Sculpture 1 class students will work with materials and processes to investigate form, space, surface, material, location and gesture.  Particular emphasis will be placed on direct and improvisational ways of working.  The class will be structured around weekly and bi-weekly assignments that usually begin with an exercise that introduces the class to a medium, technique and set of ideas. Students will work with cardboard, string, found objects and other simple materials to make their three-dimensional artworks. They will then move on to work with basic mold making and casting, light carpentry and welding. While the department will supply most of the materials for this class, students will be expected to collect some on their own. These materials may come from sources such as the 99-cent store, the fabric store etc. Group critiques of projects will be supplemented by demonstrations in materials and techniques, presentations of related modern and contemporary artwork. This class is reserved for First-year and Transfer Students.

 

Course:

ART 107 DD Drawing I

Professor:

Daniella Dooling  

CRN:

90447

Schedule:

Mon       10:10 AM - 1:10 PM Fisher Studio Arts 141/149

Distributional Area:

PA Practicing Arts

Class cap:

10

Credits:

4

Leonardo da Vinci said, “to learn to draw is to learn to see.”  

The emphasis of this course will be the study of drawing as a tool for articulating what the eyes, hand, and mind discover and investigate when coordinated.  During class time, we will primarily work from life, forms from nature, and the still life in order to give students fundamental and essential drawing skills. Line, shape, value, gesture, volume, weight, composition and space form the basis for translating 3D to 2D, and these will each be covered through weekly homework assignments and readings.   A wide range of drawing materials will be introduced.  Students will be expected to spend at least three to six hours drawing outside of class and participate fully in class critiques.

 

Course:

ART 107 NB Drawing I

Professor:

Nayland Blake  

CRN:

90455

Schedule:

 Tue      2:00 PM - 5:00 PM Fisher Studio Arts 141/149

Distributional Area:

PA Practicing Arts

Class cap:

10

Credits:

4

The best introduction to drawing is drawing itself. This class will introduce students to basic materials and techniques of drawing through weekly in-class drawing sessions and a steady stream of homework assignments. Students will keep a drawing journal throughout the semester, and drawing from life will be emphasized. Materials covered will be charcoal, ink and pencil. Be prepared to make many drawings, both good and bad.

 

Course:

ART 107 SV Drawing I

Professor:

Sam Vernon

CRN:

90460

Schedule:

  Thurs     2:00 pM - 5:00 PM Fisher Studio Arts 141/149

Distributional Area:

PA Practicing Arts

Class cap:

10

Credits:

4

This course will be an introduction to drawing, with assignments geared towards students translating and transforming what they see into a personal vocabulary.  We will work at times from life, but the objective is to encourage dissecting/enhancing, exaggerating/editing/embellishing the seen world.  We will work in a variety of materials.  The fundamentals of color theory will be taught.  Open to all students who are open to new ways of working. This class is reserved for First-year and Transfer Students.

 

Course:

ART 109 SV Printmaking I

Professor:

Sam Vernon  

CRN:

90453

Schedule:

 Wed      2:00 PM – 5:00 PM Fisher Studio Arts 139/140

Distributional Area:

PA Practicing Arts

Class cap:

10

Credits:

4

In this class you will learn the terminology and basic as well as some advanced techniques of intaglio (Etching) from drypoint, etching and aquatint and combinations thereof, to wiping and printing. The class will consist of a large amount of technical instruction and demonstrations, complemented by the introduction of artistic methods. Original prints as well as reproductions will provide a historic background to printmaking and show how artists have used these techniques throughout the centuries. Artistic critiques will complement the technical aspect of the class. Please count on spending about $100.- on material and tools for the class.

 

Course:

ART 109 BG Printmaking I: Relief

Professor:

Beka Goedde  

CRN:

90458

Schedule:

  Thurs     10:10 AM - 1:10 PM Fisher Studio Arts 139/140

Distributional Area:

PA Practicing Arts

Class cap:

10

Credits:

4

In this course, we will work with traditional relief printmaking practices of woodcut and linocut with the aid of digital tools. Students will develop and refine their drawn, cut, carved and printed line. We will follow the tradition of Japanese mokuhanga woodblock printing, and emphasize water-based and water-soluble inks in our practice. Our processes will incorporate laser etching, as well as paper gluing and laser cutting techniques. We seek to engage with printmaking as the means to create a visual language, expand our knowledge base of printmaking as a historical and contemporary mode of art making, and broaden our experiences working on and with paper.

 

Course:

ART 113 MVP The Creative Self and The No Self of the Zen Arts

Professor:

Tatjana von Prittwitz und Gaffron  

CRN:

90461

Schedule:

  Fri     10:10 AM - 1:10 PM Resnick A JAMES CNTR

Distributional Area:

PA Practicing Arts

Class cap:

12

Credits:

4

The Zen arts are also called the "artless arts." Whereas in the contemporary Western art world the cultivation of an individual, unique self seems to be crucial, in the traditional Asian arts one trains by copying the masters and following established means of depiction. In fact the urge for expressing oneself is discouraged as it would hinder a liberated view on how things really are. What is the artistic self? What is being expressed? Who sees what? In this interdisciplinary course we will explore the question of the creative self. We will use methods of the Zen arts to develop an approach of no-self, becoming familiar with the Buddhist teachings of anatta, the self being empty, a mere construct. May it be traditional sumi-e ink painting, revealing the artist's state of mind while drawing classical motifs like bamboo or plum blossoms, the haiku phrasing an experience of oneness, or cha-no-yu, where host and guest merge with a cup of tea, the Zen arts always circle around the inevitable correspondence of inner and outer state, aiming for a complete immersion. Hands-on exercises, text study (Buddhist psychology, Western artists influenced by Zen) and individual art projects will be intertwined with the goal to liberate the artistic self from the burden of the self in order for the artistic expression to freely flow.

 

Course:

ART 125 AC Of Paper

Professor:

Adriane Colburn  

CRN:

90468

Schedule:

   Thurs    10:10 AM - 1:10 PM Fisher Studio Arts 142

Distributional Area:

PA Practicing Arts

Class cap:

12

Credits:

4

From the use of papyrus in 2700 BC up to the present, paper has been an integral component in the creation and distribution of art and information. Paper, ubiquitous and omnipresent in our lives, is often overlooked as an artistic medium. In this course we will explore the vast technical and conceptual possibilities of this ephemeral material. This course will be designed as a laboratory for exploring techniques and uses for the material and for pushing paper "craft" into a series of thoughtful and challenging artworks in both 2 and 3 dimensions. Techniques will include large- scale collage and assemblage, weaving, papermaking, hand and laser papercutting, embossing, pulp-drawing and casting.

 

Course:

ART 150 DM Extended Media I Video Space

Professor:

Dave McKenzie  

CRN:

90459

Schedule:

  Thurs    10:10 AM - 1:10 PM Fisher Studio Arts 161

Distributional Area:

PA Practicing Arts

Class cap:

12

Credits:

4

The ubiquity of readily available recording devices along with the proliferation of distribution platforms has had a powerful effect on an individual’s ability to create, to be seen, and to be heard. With that proliferation in mind this course will introduce the student artist to strategies of video and time based media including installation for non-traditional spaces and performance on video. Student projects may integrate a variety of forms and approaches including multi-projection set-ups and online presentations. In class discussions, readings, and other outside assignments will place emphasis on situating their art making within a broader art historical and contemporary context. 

 

Course:

ART 200 MH Digital II:Digital Sculpture

Professor:

Maggie Hazen  

CRN:

90454

Schedule:

 Tue      2:00 PM - 5:00 PM Fisher Studio Arts 161

Distributional Area:

PA Practicing Arts

Class cap:

8

Credits:

4

Today, digital machines do not simply produce images and information; they produce subjects and objects which govern ways of existing. This course will provide an introductory approach to working between digital and physical approaches to sculpture making for visual artists. We will cover versatile software options and digital equipment by designing a series of versatile, studio driven projects using the equipment in the Studio Arts digital lab—taking the work from physical to digital and back again. Students will work with various programs in the Adobe Creative Suite and should have a beginning knowledge of at least Photoshop and Illustrator. We will also explore open source 3D modeling software and emerging softwares. Projects designed with these software programs will manifest physically through the use of industry standard equipment such as laser cutting, 3D printing, and large format digital printing. Prerequisite: Digital 1 or permission by instructor

 

Course:

ART 202 JS Painting II

Professor:

Joseph Santore  

CRN:

90449

Schedule:

Mon       2:00 PM - 5:00 PM Fisher Studio Arts 140

Distributional Area:

PA Practicing Arts

Class cap:

7

Credits:

4

A continuation of  Painting I, this course is designed for students who are serious about painting,  especially painting from life.  Students will be working with still lifes but the focus of the class will be on the figure, on color relations and how the sensation of color interacting across the plane can create light and   space. The issues discussed in Painting I, mainly the language of color, value, temperature, contrast, saturation, intensity, etc. and strong structural relationships, will serve as building blocks for complex figurative compositions.  We will be also working from reproductions as we study some of the great figurative masters.  Students will be expected to be on time and have the proper equipment. This includes a good assortment of brushes, a proper palette and the required colors. Students will be working on gessoed paper over the first weeks but should know how to stretch and prime a canvas properly.  Some of the poses will extend over two weeks, which will allow students to begin to push their work into new places.  This class is for students who want to work hard and extend themselves.  Students should have experience in drawing and must have had Painting I, there will be no exceptions. 

 

Course:

ART 205 ER Sculpture II: Making an Object Speak

Professor:

Emilio Rojas  

CRN:

90452

Schedule:

 Tue      10:10 AM - 1:10 PM Fisher Studio Arts 138

Distributional Area:

PA Practicing Arts

Class cap:

10

Credits:

4

Cross-listed:  Latin American and Iberian Studies

This class will question the relationship of objects, materials and sculpture to our bodies?  Introducing students to a wide spectrum of ideas and practices in contemporary performance in relation to sculpture including performance in the every day life, rituals, actions, durational performance, installation, land art and social practice. Centering the work of BIPOC, and Latin-American artists as well as indigenous epistemologies in relation to process, place-based learning and making. 

Students will learn the history of performance practices, explore theoretical issues of material culture, object-oriented ontology and embodiment, and develop individual and collaborative works. Each of the assigned projects will help you understand not just how to make sculptures, but how to physically activate and collaborate with your creations through site-specificity, installation, poetics, movement, media and endurance. The objective of the class is to establish a dialogue with materials through time, space and our bodies, and begin a conversation that might lead to a lifetime of explorations and variations which strengthens your practice as an artist. 

 

Course:

ART 205 LS Sculpture II: Ceramics

Professor:

Lisa Sanditz  

CRN:

90471

Schedule:

   Thurs    2:00 PM - 5:00 PM UBS Studio

Distributional Area:

PA Practicing Arts

Class cap:

10

Credits:

4

                This class is designed for serious art students who want to consider exploring clay as a material in their artistic practice.  No prior experience with clay is necessary, however you must have taken a Sculpture I class.  This course will cover the basics of ceramics- concentrating on hand-building and the basic aspects of casting.  Different clay bodies and glazes will be explored as well as firing temperatures and tools.  Students will build ceramic objects as well as explore using clay with other materials and time-based disciplines such as performance or video.

 

Course:

ART 207 JS Drawing II: The Figure

Professor:

Joseph Santore  

CRN:

90445

Schedule:

Mon       10:10 AM - 1:10 PM Fisher Studio Arts 140

Distributional Area:

PA Practicing Arts

Class cap:

7

Credits:

4

This is a figure drawing class but has nothing to do with academic solutions or tradition renderings.  Students will be asked to put aside all preconceived ideas about drawing and to discard any technical solutions that they have acquired in the past.  You will be working from perception and looking hard to try to uncover the structural bones of the subject matter.  You will explore different ways of building spatial relationships and investigating the mystery of forms and the unidentified pockets of space that connect and surround them.  We will discuss light and air, weight, gravity, speed and tensions while addressing problems of scale and the potential power and pressure of how mark-making possibilities by using different materials (charcoal, pencils, cut paper, black and white acrylic paint) to create harmony that resonates throughout the composition.  Great drawings and paintings of the past will be looked at and discussed and the importance of drawing through the ages considered.  On occasion students will work from reproductions of master works.  There will be assignments and critiques usually toward the end of the session.  Class time is reserved for hard work. 

 

Course:

ART 209 BG Print II: Textile Surface

Professor:

Beka Goedde  

CRN:

90451

Schedule:

 Fri      10:10 AM - 1:10 PM UBS Studio

Distributional Area:

PA Practicing Arts

Class cap:

10

Credits:

4

In this course, we will screenprint and stencil print primarily on fabric. We will explore stencil-printed dye resists, chemical and natural dyes, cliche verre and cyanotype, silkscreen watercolor monotypes, and repetitive pattern printing onto fabrics with water-based, fabric-safe silkscreen ink. We will investigate cutting, sewing, folding, assembling techniques. As an ELAS course, we will engage in two community facing projects during the semester: a pop-up printing and sewing event for our campus community, and a collaboration/exchange with a group of local early elementary aged schoolchildren. Recommended for students who have taken Print I, Digital I, or Sculpture I.

 

Course:

ART 209 LO Printmaking II: Experimental

Professor:

Lothar Osterburg  

CRN:

90466

Schedule:

   Tue    10:10 AM - 1:10 PM Fisher Studio Arts 139/ 140

Distributional Area:

PA Practicing Arts

Class cap:

10

Credits:

4

The class will take a “fast, cheap and easy” approach to complex multi plate or large-scale print projects utilizing recycled and cheap materials as much as possible. While mainly focusing on non-etching techniques we will explore potential and push the boundaries of Bard’s printshop beyond the etching presses by using the letter- and small hydraulic press and expanding platemaking through utilizing tools from the digital lab or the woodshop. The class will question the traditional notion of printmaking and its traditional components (paper metal, wood and ink). During the first part of the semester assignments will explore the question of what constitutes a print through a mix of technical exploration and theoretical assignments, then students will develop their own print-based projects.

 

Course:

ART 250 DM Extended Media II

Professor:

Dave McKenzie  

CRN:

90470

Schedule:

   Thurs    2:00 PM - 5:00 PM Fisher Studio Arts 161

Distributional Area:

PA Practicing Arts

Class cap:

12

Credits:

4

This is an advanced class, meant to encourage individual projects, questions, and approaches. As such, it follows a workshop model, and we will be using the languages and attitudes of performance art as a general methodology. Students will be encouraged to propose and pursue self-generated assignments alongside the required class assignments. In class, we will explore movement based thinking alongside alternative strategies of object making in an effort to remain flexible and even uncomfortable. Special attention will be paid to work that incorporates time-based media, installation, writing, and digital technology. Group and individual critiques will lead students along a path to determining their own approach to the expanding field of art production, and at the end of the course students will have a greater understanding of how to shape their own vision and use their own voice. Prerequisites: Permission of the instructor. 

 

Course:

ART 302 KB Advanced Studio: Painting III

Professor:

Ken Buhler  

CRN:

90463

Schedule:

  Wed     2:00 PM - 5:00 PM Fisher Studio Arts Barn

Distributional Area:

PA Practicing Arts

Class cap:

7

Credits:

4

This class offers each student the opportunity to deeply explore and expand their personal painting interests. One of its goals is to help students locate ideas essential to their art and develop those ideas in the processes of painting.  Instruction will be through individual guidance, class critique, and assignments.  Assignments are structured to allow students to evolve their painting vocabulary.  They will include prompts from the external world, from the history of painting, and from students’ own experience. The thematic development of paintings and the incorporation of new materials and processes will be a part of this focus.   Students will be expected to have specific intentions in place regarding their individual pursuits. Though there will be assignments, a great deal of emphasis will be placed upon developing independent resources in the studio. A strong work ethic and the vigorous development of a body of work are expected in addition to regular presentations of work to the class.  Material requirements will be in response to the particular needs of each exploration, but students will be expected to acquire materials and surfaces to work on as needed including large scale canvases. Prerequisites: Painting I and Painting II.

 

Course:

ART 305 S/S Sculpture III: Sound as a Sculptural Medium

Professor:

Julianne Swartz  + Matthew Sargent

CRN:

90425

Schedule:

 Tue      2:00 PM - 5:00 PM UBS Studio

Distributional Area:

PA Practicing Arts

Class cap:

15

Credits:

4

Cross-listed:  Music

                This course will explore methods of physicalizing sound through the creation of installations and objects. We will examine unconventional techniques, including both acoustic and electronic methods of generating, focusing, manipulating and amplifying sound. Technical demonstrations, field trips, and slide discussions will inform our study.  We will examine artists who use sound as a material, and discuss their strategies in relation to object making and sound in/as architecture. Midterm and final projects will combine artistic and technological skills in individual and collaborative works.  Requirements: Any 200 level Studio Arts or Music course, or by permission of the instructors

 

Course:

ART 305 JP Sculpture III: Installation

Professor:

Judy Pfaff  

CRN:

90472

Schedule:

    Fri   10:00 AM - 4:00 PM UBS Studio

Distributional Area:

PA Practicing Arts

Class cap:

10

Credits:

4

This is an advanced sculpture class open to qualified students only. The defining characteristic is the freedom and space that each student is given to explore their ideas and go beyond personal limits and preconceptions. All media and methods are welcome as long as they are accompanied by a consideration of the specific spaces of UBS. This class requires a MAJOR devotion of time and energy. Students are treated as working artists and are expected to completely install three site-specific projects of their own inspiration. Critique of the ideas and execution will accompany each project followed by a thorough de-installation of the work. Open to ambitious, self-guided students awaiting a challenge. It is an all day class, from 10-2 and then a two hour "lab" for demonstrations in welding, woodworking, electrical wiring and other processes. 

 

Course:

ART 405 DD Senior Seminar

Professor:

Daniella Dooling  

CRN:

90457

Schedule:

 Tue      5:40 PM - 7:40 PM Bard Chapel

Distributional Area:

 

Class cap:

30

Credits:

0

Senior Seminar is a component of the senior project and is an integral part of the 8 credits earned for Senior Project.  The Seminar will focus on Studio Arts faculty and visiting artists presenting their life and work.  Exhibitions in the fall semester will draw students out of their studios well before the presentation of their senior show.  Visits from alumni and the Director of Career Development, will provide a glimpse into the future.  The Senior Project Exhibition is the culmination of the Senior year and is evaluated before a faculty review board and a Senior Seminar critique.  Readings and a writing workshop will be assigned and scheduled.  *Any student registered in Studio Art Senior Project or any student of another discipline who has been granted studio space in either the Fisher Studio Art Center or the U.B.S. Exhibition Center in Red Hook will be required to register and participate in all aspects of Senior Seminar. 

 

Cross-listed courses:

 

Course:

ARTH 397  Art School

Professor:

Alex Kitnick  

CRN:

90239

Schedule:

Mon       2:00 PM - 4:20 PM Fisher Studio Arts ANNEX

Distributional Area:

AA Analysis of Art

Class cap:

15

Credits:

4

Cross-listed:  Studio Art

 

Course:

PHOT 208   Photography and Sculpture 

Professor:

Daphne Fitzpatrick  

CRN:

90548

Schedule:

   Thur    2:00 PM – 5:00 PM Fisher Studio Arts 140

Distributional Area:

PA Practicing Arts

Class cap:

10

Credits:

4

Cross-listed:  Studio Art

 

Course:

PHOT 230   Bookmaking for Visual Artists

Professor:

Tanya Marcuse  

CRN:

90547

Schedule:

 Class:  Tues    6:00 PM – 9:00 PM Woods Studio

Distributional Area:

PA Practicing Arts

Class cap:

10

Credits:

4

Cross-listed:  Studio Art