Intermediate German II |
||||||||||
|
Professor:
|
Thomas Wild |
||||||||
|
Course
Number: |
GER 202 |
CRN Number: |
10139 |
Class cap: |
22 |
Credits: |
4 |
||
|
Schedule/Location:
|
Tue Wed Thurs 11:50 AM
- 1:10 PM Olin 307 |
||||||||
|
Distributional Area: |
FL Foreign Languages and Lit |
||||||||
For students who have completed three semesters of college German
(or the equivalent). The course is designed to deepen the proficiency gained
in the German Intensive and the January program in Berlin by increasing
students’ fluency in speaking, reading, and writing, and adding significantly
to their working vocabulary. Students improve their ability to express their
own ideas and hone their strategies for understanding spoken and written
communication. We will read a contemporary novel supplemented by audiovisual
materials. Please consult with the instructor if you are unsure about your
proficiency level. |
||||||||||
Literature Between Languages |
||||||||||
|
Professor:
|
Thomas Wild |
||||||||
|
Course
Number: |
GER 326 |
CRN Number: |
10140 |
Class cap: |
15 |
Credits: |
4 |
||
|
Schedule/Location:
|
Tue Thurs 3:30 PM
- 4:50 PM Olin 308 |
||||||||
|
Distributional Area: |
FL Foreign Languages and Lit D+J Difference and Justice |
||||||||
Is it possible to become a published poet in a language that
is not your mother tongue? It absolutely is! Prominent examples for this
phenomenon from a global literature written in English include Vladimir
Nabokov, Joseph Conrad, and Nuruddin Farah. Some of the finest literary
writings in German too over the past decades are by authors whose first
language is not German. Migration and exile are the most common but not the
only reasons why an author may begin to work in another language. Their
multilingual practices create a poetically as well as politically fascinating
tension to the so-called “monolingual paradigm” which forms the core of the
powerful concept of “national literature”.
In this course, we will explore poems, prose, and essays of
contemporary writers who live and work between German and other languages.
Among them will be Japanese-born Yoko Tawada, Turkish-born Emine Oezdamar and
Feridun Zaimoglu, Israeli-born Tomer Gardi, and Ukrainian-born Katja
Petrowskaja. Related to their practice of challenging the monolingual
paradigm of traditional ‘Nationalliteratur’ are works by writers who
programmatically destabilized their German by opening it up to other
languages – a tradition we will discuss through writings, e.g., by Franz
Kafka, Paul Celan, and Ilse Aichinger. Critical writings on transnational and
multilingual literature, such as Yasemin Yildiz’ pivotal book “Beyond the
Mother Tongue”, will accompany our reflections. |
||||||||||
Dreaming the 20th Century |
||||||||||
|
Professor:
|
Jana Schmidt |
||||||||
|
Course
Number: |
GER 409 |
CRN Number: |
10141 |
Class cap: |
15 |
Credits: |
4 |
||
|
Schedule/Location:
|
Mon Wed 11:50 AM - 1:10
PM Olin 302 |
||||||||
|
Distributional Area: |
FL Foreign Languages and Lit |
||||||||
Dreams contain the utopian possibilities of the future,
says the German philosopher of hope Ernst Bloch. But what is a dream? And if
dreams harbor something like a reservoir of the “otherwise possible” then
what does it mean to pull them from the recesses of sleep into the bright
light of representation? In this course we will look at different forms of
dream narratives—protocol, diary, fragment, short story—to think about the
connection between dreams and utopias, historical truth and fiction, prophecy
and nightmare. A vital component of the course will be an experiment in dream
collecting as a mode of historical-imaginative writing. Starting with Sigmund
Freud’s Traumdeutung (1900) and his notion of the unconscious, we will
explore dream narratives in fictions around the beginning of the century and
in the art movement known as Dada. Our reading will then take us to the
experience of totalitarianism with Charlotte Beradt’s collection of anxiety
dreams in the 1930s. Moving toward mid-century, we will discuss practices of
dream sharing, the possibilities of using dreams as historical documents, and
the dream’s import for mid-century political thought. Readings may include
Wieland Herzfelde, Paula Ludwig, Walter Benjamin, Barbara Hahn, and Otto Dov
Kulka. This course is taught in German. |
||||||||||
Cross-listed Courses:
The Courage to Be: Courage in the
Universities |
||||||||||
|
Professor:
|
Maxim Botstein
|
||||||||
|
Course
Number: |
CC 108 C |
CRN Number: |
10120 |
Class cap: |
15 |
Credits: |
4 |
||
|
Schedule/Location:
|
Mon Wed 11:50 AM - 1:10
PM Olin 303 |
||||||||
|
Distributional Area: |
HA MBV Historical Analysis Meaning, Being, Value |
||||||||
|
Crosslists: German Studies; Philosophy |
|||||||||
A Haunted Union: Germany and the
Unifications of Europe |
||||||||||
|
Professor:
|
Gregory Moynahan
|
||||||||
|
Course
Number: |
HIST 141 |
CRN Number: |
10206 |
Class cap: |
22 |
Credits: |
4 |
||
|
Schedule/Location:
|
Tue Thurs 1:30 PM
- 2:50 PM Olin 201 |
||||||||
|
Distributional Area: |
HA Historical Analysis D+J Difference and Justice |
||||||||
|
Crosslists: German Studies; Global & International Studies; Human Rights |
|||||||||
Axe Novels: Intro to German Modernism |
||||||||||
|
Professor:
|
Jana Schmidt |
||||||||
|
Course
Number: |
LIT 266 |
CRN Number: |
10336 |
Class cap: |
22 |
Credits: |
4 |
||
|
Schedule/Location:
|
Mon Wed 3:30 PM - 4:50
PM Henderson Comp. Center 106 |
||||||||
|
Distributional Area: |
LA Literary Analysis in English |
||||||||
|
Crosslists: German Studies |
|||||||||
Nietzsche on Art and Music |
||||||||||
|
Professor:
|
Thomas Bartscherer
|
||||||||
|
Course
Number: |
LIT 290 |
CRN Number: |
10337 |
Class cap: |
22 |
Credits: |
4 |
||
|
Schedule/Location:
|
Mon Wed 3:30 PM - 4:50
PM Olin Languages Center 115 |
||||||||
|
Distributional Area: |
MBV Meaning, Being, Value |
||||||||
|
Crosslists: German Studies; Music |
|||||||||
Literature and Language of Music:
Medieval and Renaissance |
||||||||||
|
Professor:
|
Renee Louprette
|
||||||||
|
Course
Number: |
MUS 264 |
CRN Number: |
10484 |
Class cap: |
20 |
Credits: |
4 |
||
|
Schedule/Location:
|
Tue Thurs 1:30 PM
- 2:50 PM Olin 104 |
||||||||
|
Distributional Area: |
AA Analysis of Art |
||||||||
|
Crosslists: German Studies |
|||||||||
Life and Death in Mahler and Freud's
Vienna |
||||||||||
|
Professor:
|
Christopher Gibbs
|
||||||||
|
Course
Number: |
MUS 324 |
CRN Number: |
10475 |
Class cap: |
12 |
Credits: |
4 |
||
|
Schedule/Location:
|
Mon 3:10 PM
- 5:30 PM Blum Music Center N210 |
||||||||
|
Distributional Area: |
AA Analysis of Art |
||||||||
|
Crosslists: German Studies |
|||||||||