Curriculum Vitae
Personal information:
Born: May 19, 1939; New York, NY
Address:
250 Cold Brook Road
Bearsville, NY 12409
Telephone: 914-679-7068 Fax: 914-679-2697
e-mail: teitelba@.bard.edu
Educational Background and Degrees:
Post-Secondary
Degrees:
1964: M.Mus., School of Music, Yale University, New Haven, CT
Theory with Allen Forte, Composition with Mel Powell
1960: B.A. in music, Haverford College, Haverford, PA
Other Advanced Study:
1976-77: Ono Gagaku kai, Tokyo, Japan
Hichiriki class with Masataro Togi;
Shakuhachi studies with Katsuya Yokoyama
1970: Wesleyan University, Middletown, CT
Special Research in Ethnomusicology:
Shakuhachi, Javanese gamelan, West African drumming
1965-66: Private studies in Composition with Luigi Nono
Venice, Italy
1964-65: Accademia di Santa Cecilia, Rome, Italy
Corso di Perfezionamento (Composition) with Goffredo Petrassi
1964: Darmstadt Ferienkurse fur Neue Musik
Studies with Karlheinz Stockhausen, Georgy Ligeti, Milton Babbitt
Darmstadt, West Germany
1960-61: Mannes College of Music, New York, NY
1960: Aspen Music School, Aspen, CO
Primary and Secondary School Education:
Hunter College Elementary School, New York, NY
Walden High School, New York, NY
Piano lessons from age 6,
with Mark Goldin and Edith Oppens
Teaching Experience:
Current Acedemic Position:
1988-present: Bard College, Annandale-on-Hudson, NY
Associate Professor of Music, and
Director, Electronic/Computer Music Studios
Previous Appointments:
1987-91: Vassar College, Poughkeepsie, NY
Visiting Associate Professor of Music
Jan. 1990: University of California at San Diego, San Diego, CA
2-week Residency as Visiting Distinguished Artist
1984: German Academic Exchange Program (DAAD), West Berlin, West Germany
Guest Artist
1980: State University of California at San Jose, CA
Visiting Associate Professor of Music
1973-76: York University, Toronto, Canada
Visiting Assistant Professor
Co-Director, Electronic Music Studio
1975: Antioch College, Antioch, OH
Visiting Artist
1972-73: School of the Art Institute of Chicago, Chicago, IL
Assistant Professor and Director, Electronic Music Studio
1971-72: School of Music, California Institute of the Arts, Valencia, CA
Faculty, Department of Composition
1970-71: Wesleyan University, Middletown, CT
Teaching Fellow, Department of Music
Courses taught at th College Level:
1988-present: Bard College, Annandale-on-Hudson, NY
Introduction to Electronic Music
Advanced Media Arts Workshop
Integrated Electronic Music and Arts
Electronic Music Workshop
World Music Seminar
Improvisation Workshop
Music Conference III
Introduction to Experimental Music
Introduction to the History and Literature of Electronic and Computer Music
Live Electronic Music Ensemble
1987-91: Vassar College
Analog and Digital Electronic Music
Introductory Composition
1990: University of California at San Diego
Electronic Music/Improvisation Workshop
1980: State University of California at San Jose
Electronic Music
Composition
20th-Century American Music
1973-76: York University, Toronto
Introduction to Electronic Media
Upper Level Composition Studio
Music Writing Workshop
Sources of Contemporary Style
1975: Antioch College
Improvisation and Live Electronic Music Residency and Workshop
1972-73: School of the Art Institute of Chicago
Sound Synthesis
History of 20th-Century Music
World Music Survey
Improvisation Workshop
1972: California Institute of the Arts
Analysis of Early 20th-Century Music
Acoustic Instruments and Electronic Sound
Improvisation Workshop
Live Electronic Music Workshop
The Music of John Cage
Non-Western Influences in Western Music
Commissions, Grants and Awards:
1999: Rockefeller Foundation Residency at Bellagio, Italy
Bogliasco Foundation Residency at Liguria Study Center, Italy
1997: Joint Commission from Meet the Composer/National Endowment for the Arts and the Mary Flagler Cary Charitable Trust, for SEQ TRANSIT PARAMMERS, for Two Disklaviers and Interactive Computer System, for pianist Ursula Oppens (premiered Merkin Hall, New York, March, 1998)
1996: Commission from Yokohama City Cultural Council for "...dal niente... " for MIDI Piano, Sampler, Interactive Computer System, for pianist Aki Takahashi (premiered Yokoyhama, Japan, January, 1997)
Asian Cultural Council travel grant to Bangkok, Thailand
1995: New York Foundation for the Arts Award in Music Composition
1994: De Ijsbreker, Amsterdam, Holland for new production of
GOLEM: An Interactive Opera
1992: Hebbel Theater/Inventionen Festival, Berlin, Germany
Commission for production of GOLEM: An Interactive Opera
Music from Japan-New York State Council on the Arts Commission for INTERA, new work for yokobue (Japanese bamboo flute), Saxophones and interactive computer music system
1990: Ars Electronica Festival, Linz, Austria and
West German Radio, Cologne, Germany
Commission for GOLEM: An Interactive Opera
1989: Reader's Digest/Meet the Composer
Commission for New American Radio Series,
broadcast over American Public Radio Network, 1990
Foundation for Contemporary Performance Arts Award
1988: National Endowment for the Arts
Inter-Arts Grant for creation of live interactive video performance piece, GOLEMS, premiered at Jewish Museum
New York State Council on the Arts
Individual Artist Media Production Grant
Massachussetts Arts Council
Grant for residency and creation of new work at
Media Lab of Massachussetts Institute of Technology
1987: New York State Council on the Arts and Rensselaer Polytechnic Institute
Composition Commission for GOLEM I
New York Foundation for the Arts
Composition Award
Prix Ars Electronica, Austrian Radio and Television (ORF)/Siemens AG, Linz, Austria, 1987 Computer Music Prize for CONCERTO GROSSO
1986: Asian Cultural Council Grant to Japan
1985: Westdeutscher Rundfunk, Cologne, West Germany
Commission for CONCERTO GROSSO
German Academic Exchange Program (DAAD), Berlin, West Germany
Guest Artist Fellowship
1984: New York State Council on the Arts Commission
Radio Bremen, Bremen, West Germany
Commission for SOLO FOR PIANOS
1983: Venice Biennale, Venice, Italy
Commission for BARCAROLA
Hessicher Rundfunk
Commission for RUN SOME BY YOU
1979: National Endowment for the Arts Award in Composition
1977: Downbeat Magazine
Winner, International Critics Poll
1976: Senior Fulbright Research Grant to Japan
for studies in traditional and contemporary musics
1976: National Endowment for the Arts Award in Composition
1964: Wesleyan University, Middletown, CT
Graduate Fellowship, 1964-70
1964: Fulbright Fellowship to Italy
(Renewed in 1965)
Ditson Travel Fellowship from Yale University
Selected Discography:
1998: SHIFT: Trio with Gunther Mueller and Hans Burgener)
For 4 Ears (Switzerland)
1997: DOUBLE CLUTCH: Duets with Andrew Cyrille
Silkheart (Sweden)
1996: DUET with Anthony Braxton: Live at Merkin
Music and Arts Records (USA)
1995: GOLEM, Interactive opera, with Shelley Hirsch,
David Moss, George Lewis, Carlos Zingaro: Tzadik Records (USA)
1994: CYBERBAND, live recording with Tom Cora, Fred Frith, George Lewis, Otomo Yoshihide, Michel Waisvisz and Carlos Zingaro: Moers Music (Germany)
OPEN ASPECTS (CD release of LP): duets with Anthony Braxton, Hat Art (Switzerland)
1993: THE SEA BETWEEN (CD release of LP), duets for violin and synthesizer, with Carlos Zingaro: Victo Records (Canada)
1992: RUN SOME BY YOU, solo for one human-played and two computer-controlled
player pianos: Wergo Schallplatten (Germany) and Stanford University (CCRMA)
1989: ONCE, live recording of 1986 London Company Week,
with Derek Bailey, Lee Konitz and others: Incus CD (England)
TIME ZONES (CD release of LP), with Anthony Braxton: Tokuma CD (Japan)
1988: GOLEM I, Consortium for the Distribution of Computer Music (CDCM), Vol. 2: Centaur Records (USA)
CONCERTO GROSSO, for piano, winds and trombone, two robotic pianos, synthesizers and interactive computer music system: Hat Hut Records CD (Switzerland)
THE SEA BETWEEN (LP), with Carlos Zingaro: Le Disque Victo (Quebec)
1984: BLENDS AND THE DIGITAL PIANOS: Lumina Records (USA)
1982: OPEN ASPECTS (LP), duets with Anthony Braxton: Hat Art (Switzerland)
1979: HIUCHI ISHI: Nippon Columbia (Japan)
SPACE MINDS, NEW WORLDS, with Leroy Jenkins: Tomato (USA)
HOMAGE TO CHARLES PARKER, with George Lewis: Black Saint, (Italy)
1978: UNITED PATCHWORK, with Musica Elettronica Viva: Horo (Italy)
1977: TIME ZONES, with Anthony Braxton: Arista-Freedom (USA)
re-released on CD by Tokuma (Japan), 1989
1976: CREATIVE ORCHESTRA MUSIC, with Anthony Braxton
1975: TRIO AND DUET, with Anthony Braxton and Leo Smith: Sackville (Canada)
1974: NEW YORK, FALL 1974, with Anthony Braxton: Arista (USA)
1970: Musica Elettronica Viva (MEV):
MEV: FRIDAY: Polydor (England)
MEV: THE SOUND POOL: Actuel (France)
MEV: LIVE ELECTRONIC MUSIC IMPROVISED: Mainstream (USA)
SELECTED COMPOSITIONS:
1998: SEQ TRANSIT PARAMMERS, for Two Disklaviers and
Interactive Computer System
REIBO UNIVERSE, for Shakuhachi, Computer and Visual Projections
1997: DAL NIENTE, for MIDI Piano, sampler and computer
1995: KYOTAKU/DENSHI, for shakuhachi, sampler/synthesizer, computer, bass and drums
1994: MOUNTAIN DREAMS, CITY SCENES, for shakuhachi and sampler/synthesizer
1993: THE EMPEROR WALKS, for Disklavier with synthesizer obliggato
1992: INTERA, for Yokobue (Japanese bamboo flute), Western reeds, and interactive computer music system
1990: MELOG XRAM, radio soundpiece
1989-94:
GOLEM: An Interactive Opera, for voices, trombone, violin, percussion, robotic pianos and interactive video system
1988: CONCERTO GROSSO NO. 2, for piano, robotic piano, trombone, synthesizers, and interactive computer music systems (with Robert Rowe)
GOLEMICS, for robotic piano, amplified zither, synthesizers and musicians
1987: GOLEM STUDIES, for synthesizers, digital sampler, computers and musicians
GOLEM I, for synthesizers, digital sampler, computers and
musicians
AGORA NADA, for violin, synthesizers, and computers
(with Carlos Zingaro)
THE SEA BETWEEN, for violin, synthesizers and computers
(with Carlos Zingaro)
GOLEM SKETCHES, for violin, synthesizers and computers
(with Carlos Zingaro)
MAN MADE EARS, for synthesizers, violin and shamisen
1986: IRO WA NIOEDO, choral work for 20 Japanese Shingon Buddhist monks
DUET, for two pianos and two synthesizers (with Haruna Miyake)
TRIO, for synthesizers, wind and trombone
(with Anthony Braxton and George Lewis)
1985: DIGITAL KEYBOARD MUSIC, for digital pianos and synthesizers
1985: CONCERTO GROSSO, for winds, brass, digital pianos and synthesizers
INTERLACE, for digital pianos, trombone and synthesizer
(with George Lewis)
1984: DIGITAL MUSIC AND JAZZ LIVE, for synthesizers and winds (with Anthony Braxton)
IMPROVISATIONS, for two synthesizers and two violins
1983: DIGITAL PIANO MUSIC, for digital piano system
RUN SOME BY YOU, for digital piano system
FRANKFURT CAKEWALK, for digital piano system
REVERSE POLISH NOTATION, for digital piano system
DRAMLAND, for digital piano system
SHORT SHIFT, for digital piano system
1982: SOLO FOR THREE PIANOS, for digital piano system
IN THE ACCUMULATE MODE, for digital piano system
INTERLUDE IN POLOG, for digital piano system
SOLO FOR PIANOS, for digital piano system
1981: COLOURLESS GREEN IDEAS SLEEP FURIOUSLY,
for solo performer, synthesizers and microcomputer
BLT, for synthesizers and computers
(with David Behrman and George Lewis)
DUETS, for synthesizers and winds (with Anthony Braxton)
1980: ODE, for voice and Harmonizer
MIRROR ON THE MALL, environmental music for tape and outdoor Muzak system
IS THIS THE BOID?, for film, vocoder and synthesizers
(with Suzan Pitt)
1979: SHRINE, for solo synthesizers
1979: SOLO, for synthesizers
1978: ASPARAGUS, film soundtrack for synthesizers, trombone and saxophones
1977: BLENDS, for shakuhachi and two synthesizers
IN MEMORIAM, for synthesizers, soprano saxophone, piano, trombone and trumpet
VIA DELLA LUCE, for synthesizer, vibraphone, melodica, soprano saxophone, trumpet, trombone and piano
KING WILLIAM'S TOWN, for piano, flute, saxophone and synthesizers
IN MEMORIAM: H.M., for piano, flute, saxophone, percussion and synthesizers
HEADLINES, for synthesizers, soprano saxophone, piano,
trombone and vibraphone
1976: RANBYOSHI, for violin and synthesizers
CROSSING, for synthesizers and winds (with Anthony Braxton)
BEHEMOTH DREAMS, for contrabass clarinet and synthesizers (with Anthony Braxton)
1975: KEI-SAN, for percussion and synthesizer
VALLEY, for percussion and tape
GHOSTS, for tape and bells
TRIO, for winds, piano and synthesizer
1974: HI KAESHI HACHI MI FU, for shakuhachi solo
THRESHOLD MUSIC, for soft instruments and environmental sounds
TAI CHI ALPHA TALA, for Tai Chi performer, biomedical telemetry system, synthesizer and mrdangam (and video synthesizer)
A SPACE, for indeterminate instrumentation
1973: TUNING II, for wind instruments, piano, synthesizer, trumpet and percussion
1972: BORDER REGION, for Optigan, voice, film, slides and tape
1970-71:
HIGH CULTURE IMPORTS, for World Band
TUNING, for wind instruments and keyboards
LA MATTINA PRESTO, for magnetic tape
1967: IN TUNE, for amplified brainwaves, heartbeats, breath and Moog synthesizer
1965: CONCERTO DA CAMERA, for 14 instruments
TUTTO E PERDUTO, for voice and instruments
1963: INTERSECTIONS, for piano
THE ROSE, for voice and piano
MUSIC FOR FLUTE ALONE, for flute
Major Concerts:
1998: Solo and Collaborative Performances with Cuban and American Musicians, Primavera en Habana, VI International Festival of Electro-Acoustic Music, Havana
World Premiere of SEQ TRANSIT PARAMMERS, for Two Disklaviers and Interactive Computer System, played by Ursula Oppens; New York Premiere of DAL NIENTE for MIDI Piano, Sampler and Interactive Computer System, played by Aki Takahashi and Richard Teitelbaum; Merkin Hall, New York City
World Premiere of REIBO UNIVERSE, for Shakuhachi, Computer and Projections, with Katsuya Yokoyama, World Shakuhachi Festival, Fiske Planetarium, University of Colorado, Boulder, CO
European Tour of Electro-Acoustic Meeting Quartet (Carlos Zingaro, Gunther Mueller, Hans Burgener, Richard Teitelbaum) (Austria, Switzerland, Germany, Holland France), Fall
1997: Experimenta Festival, Buenos Aires, with Carlos Zingaro
Swiss Tour Zurich, Bern, Sierre and Solothurn, Switzerland with Hans Burgener and Gunther Mueller
Premiere of DAL NIENTE, for piano and synthesizer, with pianist Aki Takahashi, Yokohama and Takefu City, Japan
1996: Roulette Benefit Concert, with Ursula Oppens, Shelley Hirsch and Mark Feldman, The Knitting Factory, New York City
Musica Elettronica Viva 30th Anniversary Concerts,
American Academy and Teatro delgi Artisti, Rome, Italy
Trio Concert, Milton Avery School of the Arts, Bard
College, Annandale-on-Hudson, NY
Goethe Institute, Chulalongkorn University, and Lumpini
Park, First International Festival of the Arts, Bangkok, Thailand
American Shakuhachi Music, Tokyo, Japan; Acte Kobe, Benefit for Kobe Earthquake Victims, Kobe
1995: GOLEM, concert version, Radical Jewish Culture Festival,
Merkin Hall, New York City
Duet with violinist Mark Feldman, Kleinert Gallery, Woodstock Guild, Woodstock, NY
Collaborative performance with dancer Alison Salzinger,
Roulette, New York City
Musica Elettronica Viva, WDR, Cologne, Germany and
Padua, Italy
Premiere of Kyotaku Denshi for Shakuhachi and Synthesizer, with Katsuya Yokoyama, Japan Society, New York City; repeated, Olin Auditorium, Bard College,
Annandale-on-Hudson, NY
1994: International Shakuhachi Festival, Bisei, Japan (with Katsuya Yokoyama)
Tampere Festival, Tampere, Finland
Festival International du Musique Actuel de Victoriaville,
Victoriaville, Quebec (GOLEM opera production)
Merkin Hall, New York City (duet with Anthony Braxton)
Nancy Festival, Nancy, France
Taktlos Festival, Bern, Basel and Zurich, Switzerland
de Isjbreker, Amsterdam, Holland (Golem opera production)
1993: Donaueschingen Musiktage, Donaueschingen, Germany (Nam June Paik Video Opera)
1993: Moers Music Festival, Moers, Germany (Cyberband project and Musica Elettronica Viva)
1992: Inventionen Festival, Hebbel Theater, Berlin, Germany GOLEM, An Interactive Opera
Gulbenkian Foundation, Lisbon, Portugal
INTERA for yokobue, (Japanese bamboo flute), western reeds and interactive computer music system (tour with Meisho Tosha and Anthon Braxton)
The Kennedy Center for the Performing Arts, Washington, DC;
The Asia Society, New York, NY;
Japan-America Theater, Los Angeles, CA
Whitney Museum, New York, NY;
Opening Concert of the Black Center for Curatorial Studies, Bard College Nam June Paik Video Opera
Florida State University, Tallahassee, FL: Residency and Concert
Subtropics Music Festival, Miami, FL: Solo and Chamber Concert
Nickelsdorf Festival, Nickelsdorf, Austria
1991: Kunstmuseum, Bern, and Rotefabrik, Zurich, Switzerland:
Concerts with Musica Elettronica Viva
Ars Musica Festival, Brussels, Belgium (Musica Elettronica Viva)
October Meeting (Festival), Amsterdam, Netherlands
Museum of the Moving Image, New York, NY
Music Faculty Concert, Bard College, Annandale-on-Hudson, NY
1990: Ars Electronica Festival, Linz, Austria
Hochschule fur Musik, (WDR) Cologne, West Germany
University of California San Diego, La Jolla, CA
Bard College, Annandale-on-Hudson, NY,
with George Lewis and Leo Smith
1989: 2nd International Media Festival of Abiko, Tokyo, Japan
Kawasaki City Museum, Kawasaki, Japan
The Jewish Museum, New York, NY
New Music America Festival, New York
Aspen Music Festival, Aspen, CO (Fromm Foundation New Music Week)
1988: Goethe Institute, Athens, Greece
Improvisations II Festival, Symphony Space, New York, NY
Paula Cooper Gallery, New York, NY
North American New Music Festival, SUNY, Buffalo, NY
Hyperinstruments Festival, Massachusetts Institute of Technology, Cambridge, MA
1987: New Music Festival, Basel, Switzerland
Electronic Arts Festival, Camerino, Italy
Music Festival, Bielefeld, West Germany
Stadtgarten Theatre, Cologne, West Germany
Arts Theatre, London, England
Het Appollohuis, Eindhoven, Netherlands
Actuel Festival, Victoriaville, Canada
New Music America Festival, Philadelphia, PA
Roulette, New York, NY
Alternative Museum, New York, NY
Art Awareness, Lexington, NY
Rensselaer Polytechnic Institute, Troy, NY
1986: Jazz and New Music Festival, Salonika, Greece
Mozart Salon, Tokyo, Japan
Gulbenkian Foundation, Lisbon, Portugal
Brucknerhaus, Ars Electronica Festival, Linz, Austria
1986:
Inventionen Festival, Berlin, West Germany
Palace of Fine Arts, San Francisco, CA
Mills College, Oakland, CA
1985: Inventionen Festival, Berlin, West Germany
Institut Unzeit, Berlin, West Germany
Computer und Klaviere Festival WDR, Cologne, West Germany
Rensselaer Polytechnic Institute, Troy, NY
Meet the Composer Series, Fine Arts Center, Miami, FL
1984: The Holland Festival, Concertgebouw, Amsterdam, Netherlands
Centre Georges Pompidou, Festival d'Automne, Paris
Musica Interattiva Festival, Rome, Italy
Digital Music and Jazz Live Festival, Technische Universitat, Berlin, West Germany
Free Music Production, Berlin, West Germany
Pro Musica Nova Festival, Bremen, West Germany
1983: Berlin JazzFest, Filharmonie, Berlin, West Germany
Almeida Festival, London, England
The Alternative Museum, New York, NY
1982: Dvorana Kina Union, Maribor, Yugoslavia
Cankarjev Dom, Ljubjana, Yugoslavia
University of Zagreb, Zagreb,Yugoslavia
Novi Sad Radio Station, Novi Sad, Yugoslavia
Stedlijk Museum, Amsterdam, Netherlands,
Musica Elettronica Viva
Stimmen der Welt Festival, Vienna, Austria
Electronic Music Festival, Toronto, Canada
Simon Fraser University, Vancouver, Canada
The Kitchen Center for Music, Dance and Video, New York, NY
The Exploratorium, San Francisco, CA
1981: Total Music Meeting, Berlin, West Germany
Lenbachhaus, Munich, West Germany
Festival International de Musique Electronique, Brussels, Belgium
American Artist and Student Center, Paris, France
Teatre Bobino, Paris, France
International Jazz Festival, Pisa, Italy
1980: Biennale di Venezia, Venice, Italy
1st International Festival of Contemporary Jazz, Setubal, Portugal
Berlin Jazz Festival, Berlin, West Germany
Moers Music Festival, Moers, West Germany
Espace Cardin, Paris, France
Palais des Beaux Arts, Brussels, Belgium
University of Zagreb, Zagreb, Yugoslavia
Public Theatre, New York, NY
New Music New York Festival, The Kitchen, New York, NY
Center for the Creative & Performing Arts, SUNY, Buffalo
New Music America, Walker Art Center, Minneapolis, MN
Museum for Contemporary Art, Chicago, IL
Real Art Ways, Hartford, CT
Center for Contemporary Music, Oakland, CA
1979: Seibu Gallery, Tokyo, Japan
The Media Festival, Japan
American Center, Kyoto and Sapporo, Japan
Centro d'Arte, University of Padova, Padova, Italy
La Fenice Opera House, Venice, Italy
Claxon Festival, Theatre T'Hoogt, Utrecht, Netherlands
Musee des Beaux Arts, Montreal, Canada
New Music Concerts, Toronto, Canada
The Music Gallery, Toronto, Canada
Simon Fraser University, Vancouver, B.C., Canada
Axis in Soho, New York, NY
Portland Center for Visual Arts, Portland, OR
And/Or Gallery, Seattle, WA
1977: Tokyo Bunka Kaikan Recital Hall, Tokyo, Japan
Donaueschingen Festival, Donaueschingen, West Germany
Workshop Theatre, Brussels, Belgium
Walker Art Center, Minneapolis, MN
1976: ABC Hall, Tokyo, Japan
New Music Concerts, Toronto, Canada
Creative Music Studios, Woodstock, NY
1975: York University, Toronto, Canada
WBAI Free Music Store, New York, NY
Merce Cunningham Dance Studios, New York, NY
University of California, Berkeley, CA
University of Wisconsin, Madison, WI
1974: Metamusik Festival, Berlin, West Germany
York University, Toronto, Canada
A Space Gallery, Toronto, Canada
Sir George Williams University, Montreal, Canada
Laval University, Quebec, Canada
Wolf Trap Farm Park, Vienna, VA
Harvard University, Cambridge, MA
University of Wisconsin, Madison, WI
Artist House, New York, NY
The Kitchen, New York, NY
Washington Square Church, New York, NY
1974: WBAI Free Music Store, New York, NY
Merce Cunningham Dance Studios, New York, NY
1973: Town Hall, New York
York University, Toronto, Canada
New York Cultural Center, New York, NY
Museum of Contemporary Art, Chicago, IL
1972: Carnegie Institute for International Peace, U.N. Plaza, New York, NY
University of California at San Diego, La Jolla, CA
California Institute of the Arts, Valencia, CA
Art Institute of Chicago, Chicago, IL
1971: California Institute of the Arts, Valencia, CA
Harvard Square, Cambridge, MA
SUNY, Buffalo, NY
Wesleyan University, Middletown, CT
1970: Brooklyn Academy of Music, Brooklyn, NY
SUNY, Albany, NY
SUNY, Stony Brook, NY
Haverford College, Haverford, PA
Brown University, Providence, RI
Wesleyan University, Middletown, CT
Bowling Green University, Bowling Green, OH
Antioch College, Yellow Springs, OH
Case Western Reserve University, Cleveland, OH
Notre Dame University, South Bend, IN
1969: American Academy in Rome, Rome, Italy
St. Paul's American Church, Rome, Italy
Accademia Filarmonica Romana, Rome, Italy
Teatro Olimpico, Rome, Italy
1969: Lunds Stadshall, Lund, Sweden
Modern Museum, Stockholm, Sweden
Henie Onstad Center, Oslo, Norway
A Art Center, Antwerp, Belgium
Festival Actuel, Amougies, Belgium
Palais des Beaux-Arts, Brussels, Belgium
University of Louvain, Louvain, Belgium
Theatre du Cite Universitaire, Paris, France
American Cultural Center, Paris, France
Museum of Modern Art, Paris, France
Purcell Room, London, England
ICA Gallery, London, England
Arts Lab, London, England
Bluecoate Arts Forum, Liverpool, England
Piccolo Teatro, Rotterdam, Netherlands
Kunstzaal, Bergen, Netherlands
Royal Conservatory of Music, The Hague, Netherlands
1968: Sixth International Festival of New Music, Palermo, Italy
Deposito d'Arte Present, Turin, Italy
National Gallery of Modern Art, Rome, Italy
Attico Gallery, Rome, Italy
Musica Elettronica Viva Studio, Rome, Italy
Palazzo Strozzi, Florence, Italy
University of Venice, Venice, Italy
La Petit Pharmaceutical Co., Milan, Italy
Rijksmuseum, Amsterdam, Netherlands
1967: American Artist and Student Center, Paris, France
International Experimental Film Festival, Knokke-le-Zoute, Belgium
Palais des Beaux-Arts, Brussels, Belgium
Autunno Musicale Napolitana, Naples, Italy
Meistersingehalle, Nuremberg, West Germany
Academie der Kunst, Berlin, West Germany
1965-66:
Academia Filarmonica Romana, Rome, Italy
Selected Radio and Television Broadcasts:
1996: Live radio broadcast of first half of Musica Elettronica Viva 30th Anniversary Concert, on Italian National Radio, (RAI Tre), October 14; delayed broadcast of second half, October 20.
1995: WKCR, New York
1994: WKCR, New York
Radio Finland
KPRO, Netherlands
Swiss Radio
1993: WDR, Cologne, Germany
Kol Yisrael, Israel
1992: KPFK, Los Angeles
SFB, Berlin
1991: WDR, Cologne
NOS, Hilversum, Netherlands
BRT, Brussels
Bern, Switzerland
1990: CBC, Canada
American Public Radio
1989: WNYC-TV, telecast of GOLEMS
WNYC-FM, Speaking of Music
WKCR, New York
1987: RAI, Rome, Italy
KRO, Hilversum, Netherlands
GRT, Athens, Greece
WDR, Cologne, West Germany
CBC Radio Canada, Victoriaville, Can.
National Public Radio USA, Philadelphia, PA
WRPI-FM, Troy, New York
1986: DRS, Zurich, Switzerland
DRS-TV, Zurich, Switzerland
GRT, Athens, Greece
RIAS, Berlin, West Germany
1985: WDR, Cologne, West Germany
BRT, Brussels, Belgium
WRPI, Troy, New York
1984: VPRO, Hilversum, Netherlands
Simulcast on Dutch National Television
ORF, Nickelsdorf, Austria
Radio Bremen, Bremen, West Germany
1983: SBF Radio and Television, Berlin, West Germany
Hessischer Rundfunk, Frankfurt, West Germany
1982: Novi Sad Radio Station, Novi Sad, Yugoslavia
1981: WXPN, Philadelphia, PA
1980: KPFA, Berkeley, CA
1979: WDR, Cologne, West Germany
WKCR, New York, NY
1978: RAI-TV, Italy: National telecast of HEADLINES
1977: RTB Radio, Brussels, Belgium
WDR, Cologne, West Germany
NHK, Tokyo, Japan
1976: Radio France, Live transatlantic broadcast from New York
for U.S. Bicentennial celebration CBC, Toronto, Canada
1975: CBC, Toronto, Canada
KPFA, Berkeley, CA
1974: RIAS, West Berlin, Germany
WGM, Washington, DC
1973: WFMT, Chicago, IL
1972: WBAI, New York, NY
1971: WGBH-TV, Boston, MA
1970: WBAI, New York, NY
1969: Radio Bremen, Bremen, West Germany
BBC, London, England
1969: Danmarks Radio, Copenhagen, Denmark
1967: Radio Italiana, Rome, Italy
NCRV, Amsterdam, Holland
Westdeutscher Rundfunk, Nuremberg, West Germany
Selected Publications, Conferences, and Articles:
1997: Work discussed in: American Music in the Twentieth Century, by Kyle
Gann, Schirmer Books, 1997
Member of Planning Committee and panelist, Henry Cowell Centennial, Conference and Concerts, organized by Institute of Studies in American Music at Brooklyn College, New York Public Library, The New School, 92nd Street Y and the
World Music Institute.
1996: Interview and discussion of work in: Electric Sound: History of Electronic Music, by Joel Chadabe, Prentice-Hall, 1996
Panelist, "Being Human: Technological Extensions of the Limits of the Body", at Union Theological Seminary, New York City
"A Conversation with Robert Moog," Annandale Magazine, Bard College
1995: "Creative Juncture: The Shakuhachi and Experimental Music," (Shakuhachi Music Meets the Computer Age), by Ralph Samuelson, in: Japan Society Newsletter, January-February
"Multimedia: A Tool for Teaching and Learning," by Cynthia Greene, in: Multimedia Today Magazine
"Program Music: Richard Teitelbaum," by Andrew Jones, in: EPULSE!, Issue 1.24 (onlinemagazine)
"Improvisation, Computers and the Unconscious Mind," paper delivered at Computer Music Conference, Simon's Rock College, Great Barrington, MA
1993: "Programming Thick Noise: Interview with Richard Teitelbaum," by Phillip Gelb, in: Nomad: An Inter-disciplinary Journal of the Humanities, Arts and Sciences
Number 4, Tallahassee, Spring, 1993
1992: Extensive discussion of Richard Teitelbaum's work, including recorded examples of his music and computer programs on a companion CD ROM, in Interactive MusicSystems, by Robert Rowe (MIT Press), June 1992
Articles on Richard Teitelbaum's Interactive GOLEM opera, by Dr. Helga de La Motte- Haber and Susanne Winterfeldt, in POSITIONEN, a New Journal of Music, Berlin, Germany, May 1992
1991: "Interview: Richard Teitelbaum," with Marion Delforge, in Les Cahiers de l'Atelier creatif electro- Acoustique Musique, Brussels, Belgium, June 1991
1990: "Special Interview with Richard Teitelbaum: The Possibilities of Improvisation Opened by the Computer," by Toshie Kakinuma and Mamoru Fujieda, in Ongaku Geijutsu (Japan's leading classical music journal), published by Ongaku-no-tomo, Vol. 48. No. 2, Tokyo, Japan,February 1990
Score of IRO WA NIHOEDO reproduced, with discussion of work by Dr.Helga de La Motte- Haber, in Musik und Bildende Kunst, Laaber-Verlag, Germany
1989: "The Arcane Experiments of Richard Teitelbaum," interview with Mark Dery, in Keyboard Magazine, July 1989
"Richard Teitelbaum on the Threshold," in The Voice of New Music, by Tom Johnson, Het Apollohuis, Eindhoven, Holland
1987: Statement by Richard Teitelbaum in Die Ars Electronica, Kunst in Zeitsprung, Landesverlag, Linz, Austria
"Intelligente Musikinstrumente," by Helga de La Motte-Haber, in: Musik Psychologie, Florian Noetzel Verlag, Heinrichshofen-Bucher, Wilhelshaven, Germany
Three compositions, CONCERTO GROSSO, IRO WA NIHOEDO, and DIGITAL PIANO MUSIC, reproduced in Meisterwerke der Computerkunst, Verlag H.S. Sauer Ed., Linz, Austria
1986: "Richard (Lowe) Teitelbaum," biographical entry by Joan La Barbara in: The New Grove Dictionary of American Music, Vol. 4; H. Wiley Hitchcock and Stanley Sadie, eds.; Macmillan, London
1984: "The Digital Piano and the Patch Control Language System" (paper delivered at ICMC at IRCAM, Paris, 1984), in Proceedings of the International Computer Music Conference, William Buxton, ed., Paris, France
1977: "Creative Music in Japan," Swing Journal, Vol. 32, No. 12, Tokyo, Japan
1976: Interview with Richard Teitelbaum in Desert Plants: Conversations with 23 American Musicians, by Walter Zimmerman, Aesthetic Research Centre of Canada Publications, Vancouver, B.C., Canada
Two compositions, HI KAESHI HACHI MI FU and THRESHOLD MUSIC, reproduced in Pieces, Michael Byron, ed., ARC, Toronto, Canada
1974: "In Tune: Some Early Experiments in Biofeedback Music," in Biofeedback and the Arts, Results of Early Experiments, D. Rosenboom, Ed., Aesthetic Research Centre of Canada, Toronto, Canada
1972: "World Band," in Soundings, No. 1, Valencia, CA
1970: "Live Electronic Music," in John Cage, Documentary Monographs in Modern Art, Richard Koselanetz, ed., Praeger, New York, NY
1969: "Ecrits de Musica Elettronica Viva," in Actuel, Paris, France
1968: "Musica Elettronica Viva," in Source, No. 3, Music of the Avant Garde, Davis, CA
1965: "Intervallic Relations in Atonal Music," (Master's thesis, Yale University), in The Journal of Music Theory, 9/1, New Haven, CT
1964: "Son Nova 1988: Electronic music of Arel, Davidovsky and Ussachevsky,"
in Perspectives of New Music, Vol. 3, No. 1, Princeton, NJ