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"When I look at a student's work, I recall when I was at his or her stage of development and think about what someone could have said to lead me to the next stage." |
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professor of photography Stephen Shore's work has been widely published and exhibited for the past thirty-five years. He was the first living photographer to have a one-man show at the Metropolitan Museum of Art in New York. He has also had one-man shows at the Museum of Modern Art, New York; George Eastman House, Rochester; Kunsthalle, Dusseldorf; Hammer Museum, Los Angeles; Jeu de Paume, Paris; and Art Institute of Chicago and has received fellowships from the Guggenheim Foundation and the National Endowment for the Arts. His series of exhibitions at Light Gallery in New York in the early 1970s sparked new interest in color photography and in the use of the view camera for documentary work. Books of his photographs include Uncommon Places; Uncommon Places: 50 Unpublished Photographs; Essex County; The Gardens at Giverny; Stephen Shore: Photographs 1973 - 1993; and The Velvet Years, Andy Warhol's Factory, 1965 - 1967. In 1998, Johns Hopkins University Press published The Nature of Photographs, a book he wrote about how photographs function visually. Most recently, Aperture has published Uncommon Places: The Complete Work and Phaidon has published American Surfaces. His work is represented by 303 Gallery, New York; Sprüth Magers Lee, London; and Sprüth Magers, Cologne and Munich. Since 1982 he has been the director of the Photography Program at Bard.
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