 |
Laura Battle
Laura Battle B.F.A., Rhode Island School of Design; M.F.A., Yale School of Art. Awards: MTA Arts-for-Transit commission, National Endowment for the Arts grant, MacDowell Colony residency in painting, Fulbright Scholarship (Cairo), Massachusetts Council on the Arts Fellowship. Selected exhibitions: Lohin Geduld Gallery, Arsenal 16, Pace University Gallery, Albany Center Gallery (New York), Bienale (Ecuador), Van Buren, Brazilton, Cutting Gallery, Atelier du Caire (Cairo), Yale, Northeastern University, American Academy of Arts and Letters, Franklin Furnace, Vassar College. Lectured at Kanazawa College of Art (Japan), Yale School of Art, University of Massachusetts, Brown University, Boston Women’s Art Caucus. Visiting artist, Hampshire College. (1986– ) Professor of Studio Arts.
Bob Bielecki Sound designer, specializing in the creative use of technology in the electronic arts; additional expertise as audio engineer, exhibition designer, electrical engineer, software developer, and artist/collaborator. Collaborated since the mid-1970s with Laurie Anderson and La Monte Young on work including creation of unique instruments and interfaces used in performance installations. Current work in sound localization and imaging. Grants from Andy Warhol Foundation and New York State Council on the Arts. Faculty, Milton Avery Graduate School of the Arts. (1997– ) Visiting Assistant Professor of Music.
Ken Buhler B.F.A., University of Iowa; M.F.A., Indiana University, Bloomington. Painter. Solo exhibitions: Lesley Heller Gallery, O’Hara Gallery, Michael Walls Gallery, New York; Beach Museum of Art, Manhattan, Kansas. Current work included in flat files of Pierogi Brooklyn, Proteus Gowanus, and Kentler International Drawing Space, Brooklyn. Grants and awards: MacDowell Colony (1983, 2003); Pollock-Krasner Foundation grant; National Endowment for the Arts Fellowship (painting) (1987); New York Foundation for the Arts Fellowship (printmaking) (1994). Instructor and assistant professor, Pratt Institute (1995–2000). (2000– ) Artist in Residence.
Jean Churchill Studied modern dance at Connecticut College Dance Festival. Member, Boston Ballet Company (1966–72); artistic director, New England Dinosaur (1976). Performed works by James Waring, Trisha Brown, Carolyn Brown, George Balanchine, Norman Walker, and in classical and modern ballets. Choreography in Choreographer’s Showcase, Split Stream, Fresh Tracks, Men Dancing, Performance Mix, and To the Pointe festivals; venues in Scotland; and many venues in the United States. Choreography and direction for Cinderella’s Bad Magic, opera composed by Kyle Gann, premiered in Moscow (2002). (1980– ) Professor of Dance.
Barbara Ess B.A., University of Michigan. Visual artist. Attended London School of Film Technique. Performed and recorded music with bands since 1978 and edited journal of artists’ work in a variety of formats. Work, primarily large-scale photographs, shown internationally in solo and group exhibitions and reviewed extensively. Grants from LINE, Creative Artists Public Service Program, and Kitchen Media, and fellowships from Mid Atlantic Arts Foundation and National Endowment for the Arts (photography). Publication, I Am Not This Body (Aperture). Faculty, Milton Avery Graduate School of the Arts. (1997– ) Associate Professor of Photography.
Jacqueline Susan Goss B.A., Brown University; M.F.A., Rensselaer Polytechnic Institute. Recent video and web-based works include Stranger Comes to Town (2007), How to Fix the World (2004), There, There, Square (2002), The 100th Undone (2001). Recent exhibitions and screenings at American Museum of Natural History, Eyebeam Atelier, Rotterdam Film Festival, New York Film Festival, London Film Festival, Pacific Film Archives. Recipient, Alpert Award in the Arts (2007), DAAD Fellowship (2005), Creative Capital Award (2005), Jerome Foundation Award (2003), New York State Council on the Arts Award (2002), New York Foundation for the Arts Award (1998). Contributor to gURL, alt-x, and beehive websites. (2001– ) Associate Professor of Film and Electronic Arts.
Ann Lauterbach B.A., University of Wisconsin, Madison. Woodrow Wilson Fellow, Columbia University. Teacher and director of the literature program at the Institute of Contemporary Arts. Books include If in Time (2001); On a Stair (1997); And For Example (1994); Clamor (1991); Before Recollection (1987); Many Times, But Then (1979). Contributing editor, Conjunctions (1981– ). Wrote column “The Night Sky” in American Poetry Review. Grants and fellowships: New York State Foundation for the Arts, Ingram Merrill Foundation, Guggenheim Fellowship, MacArthur Fellowship (1993). Faculty, Milton Avery Graduate School of the Arts. (1997– ) David and Ruth Schwab Professor of Languages and Literature.
Nancy S. Leonard A.B., Smith College; Ph.D., Indiana University. Assistant professor of English, University of Pennsylvania (1972–77). Member, Modern Language Association. Numerous articles and reviews on Shakespeare, poetry, and aesthetics in edited books and journals including Renaissance Drama, English Literary Renaissance, Huntington Library Quarterly. Associate, Institute for Writing and Thinking (1982– ). Faculty, The Master of Arts in Teaching Program. (1977– ) Professor of English.
Richard Teitelbaum B.A., Haverford College; M.M., School of Music, Yale University. Composer and performer noted for live electronic and interactive computer music. Founder, with Frederic Rzewski and Alvin Curran, of Musica Elettronica Viva, Rome, 1966. Compositions for shakuhachi master Katsuya Yokoyama; pianists Aki Takahashi and Ursula Oppens; multimedia works with Nam June Paik, Joan Jonas, others. Works performed at Pompidou Center, Paris; Concertgebouw, Amsterdam; Almeida Theatre, London; Kennedy Center, Washington, D.C. Recordings include Blends; Golem: An Interactive Opera; Live at Merkin Hall: Duets with Anthony Braxton, Concerto Grosso; others. Awards: Prix Ars Electronica from Austrian Radio and Television (1987); commissions from Fromm Music Foundation (2004), Venice Biennale, National Endowment for the Arts, New York State Council on the Arts, Rockefeller Foundation; Fulbright grants to Italy and Japan. Received Guggenheim fellowship in 2002 to create opera, Z’vi, excerpts of which were performed at opening of The Richard B. Fisher Center for the Performing Arts at Bard College. Faculty, Milton Avery Graduate School of the Arts. (1988– )
Hap Tivey B.A., Pomona College; M.A., M.F.A., Claremont Graduate School. Monastic practice: Hofuku-ji and Tofuku-ji, Japan. Solo exhibitions include Blum Helman, Diane Brown, New York; Elizabeth Leach, Portland, Oregon; Landau-Alexander, Margo Leavin, Los Angeles; Picasso Studio, Paris. Collections include Dia Center for the Arts; Guggenheim Museum, New York and Bilbao; Museum of Modern Art and P.S. 1, New York; Albright-Knox Gallery, Buffalo; AT&T, Prudential, Federal Reserve, and Bank of America collections. Awards include National Endowment for the Arts, National Science Foundation, Lockheed, and other fellowships. Publications include The Art of Light and Space, Shift L.A./N.Y., Rooms P.S. 1, Artforum, Art in America, Art News. (1995– ) Artist in Residence. Bard College, PO Box 5000, Annandale-on-Hudson, NY 12504 integratedarts@bard.edu
|
