16380 |
ANTH 101 Intro to Cultural
Anthropology |
Sophia Stamatopoulou-Robbins |
T Th 10:10 am-11:30 am |
RKC 101 |
SSCI DIFF |
Cross-listed: Environmental & Urban Studies; Global &
International Studies Anthropology is the study of ‘culture,’ a concept
that has been redefined and contested over the discipline’s long development.
This course will trace the history of the ‘culture concept’ from the nineteenth
century to the present. In doing so, it will explore anthropological approaches
to ‘primitive’ societies, group and personal symbols and systems of exchange.
It will examine how anthropology came to focus on questions of identity, race,
gender, sexuality, nationalism, colonial and
post-colonial conditions. Our ethnographic gaze will be turned inward as well
as outward. We will therefore consider the reasons behind, and ramifications
of, anthropology’s self-reflexive turn in and around the 1980s. We will
juxtapose that turn’s questioning of the discipline’s authority to represent
other societies with debates about anthropologists’ engagement in activism,
policy and government (e.g. the
16337 |
ANTH 212 Historical Archaeology: Mohicans,
Colonial Germans, and African Americans near Bard |
Christopher Lindner |
T 4:40 pm-6:00 pm F 11:50 am-4:30 pm |
HEG 300 |
SSCI DIFF |
Cross-listed: American Studies; Environmental & Urban Studies; Historical
Studies Our research and excavations will focus on a religious center
in the former agricultural
16334 |
ANTH 220 Doing Ethnography: Cultural Memory |
Laura Kunreuther |
T Th 1:30 pm-2:50 pm |
OLIN 205 |
SSCI DIFF |
What are the ethical stakes,
practical questions, and methodological tools that we use when we “do
ethnography”? Ethnography is the cornerstone of contemporary cultural
anthropological methodology, and includes both fieldwork and writing. This
course is a survey of and practicum in ethnographic field methods with a
thematic focus on cultural studies of memory. We will survey and critique
traditional methods of ethnographic engagement such as participant-observation,
interviews, archival research, visual, sonic and textual analysis, and address
the challenges of doing fieldwork in a variety of contexts, including the
virtual domain. Intensive writing exercises will raise important questions
about how ethnographic research can be ethically and effectively “translated”
into written text. Students will develop an ethnographic research project of
their own design throughout the course of the semester that may be connected to
an ethnographically grounded senior project. The practical aspects of
conducting ethnographic fieldwork such as getting Internal Research Board (IRB)
approval will be covered. This course
satisfies the “field methods” requirement needed for moderation into
anthropology.
Class size: 22
16339 |
ANTH 226 Anthropology of |
Yuka Suzuki |
T Th 11:50 am-1:10 pm |
OLIN 203 |
SSCI DIFF |
Cross-listed: Asian Studies; Gender and Sexuality Studies; Global &
International Studies From post-war devastation to
rapid economic recovery and affluence,
16331 |
ANTH 243 African Diaspora Religions |
Diana Brown |
M
W 1:30 pm-2:50 pm |
OLIN 203 |
SSCI DIFF |
Cross-listed: Africana Studies; Global & International Studies; LAIS; Religion The many contemporary religions in Latin American and the Caribbean that
draw upon African theology and practice testify to the vitality of the African
heritage in the New World. The course examines these religions within their
historical context as dimensions of the African diaspora and as they are
currently practiced. We will be particularly concerned with issues of identity,
empowerment, and appropriation. In this
light will explore the religious and symbolic dimensions of these religions,
from those that claim African orthodoxy to those that have embraced innovation
and heterodoxy, and their sociopolitical structures. Issues concerning the
race, class, gender, and politics of the leaders who guide these religions and
the followers attracted to them will be examined in relation to the degree to
which such affiliations may strengthen African identities and foster movements
for cultural and racial political empowerment or may represent appropriations
of the African heritage serving the interests of dominant groups. Throughout,
the class will be attentive to the ways in which these religions are
represented in ethnography and film. Religions examined include Candomble,
Umbanda, and Batuque in Brazil; Santeria in Cuba and the Dominican Republic; Maria
Lionza in Venezuela; Shango in Trinidad; and Vodun in Haiti. Class
size: 20
16381 |
ANTH 277 IN THE |
Sophia Stamatopoulou-Robbins |
T Th 3:10 pm-4:30 pm |
OLIN 201 |
SSCI DIFF |
Cross-listed: Environmental & Urban Studies; Global &
International Studies; Human Rights; Midde
Eastern Studies; Science, Technology, Society
“Culture” has
long been a key explanatory framework for scholars studying the modern Middle East.
It has also been critical to the sorting, surveiling,
managing and mobilizing techniques used by colonial and post-colonial regimes.
Meanwhile nature, culture’s doppleganger, has been
quietly at work “purifying” the category of “culture” from the objects and
processes assumed to be external to it. This course brings “nature” out of
culture’s shadows in order to examine how ideas about nature and the natural
have shaped social scientific and historical scholarship on, and political and
cultural formations within, the modern
16330 |
ANTH 304 World Anthropologies |
Mario Bick |
M
10:10 am-12:30 pm |
OLIN 310 |
SSCI DIFF |
Most American
students of anthropology are made aware of the histories of, and the
contemporary foci of anthropology in the
16338 |
ANTH 323 The Politics of
Infrastructure |
Sophia Stamatopoulou-Robbins |
W 1:30 pm-3:50 pm |
OLINLC 210 |
SSCI DIFF |
Cross-listed: Environmental & Urban Studies; Science,
Technology, Society Infrastructure
is said to be invisible until the point at which it breaks down. Drawing on
ethnographic and historical readings from a number of disparate geographical
locales (e.g.
16340 |
ANTH 346 Surveillance: From the
human to the Digital |
Laura Kunreuther |
W 10:10 am-12:30 pm |
OLIN 310 |
HUM DIFF |
Cross-listed: Experimental Humanities; Human Rights What
does it mean to say we live in a culture of surveillance? How do surveillance practices secure or
undermine state sovereignty and citizen solidarity in a digital age? This
course will look at a variety of surveillance techniques, ranging from low-tech
forms of social surveillance to state and corporate surveillance in visual,
audio, and digital forms. Drawing on ethnographic, artistic, and theoretical
works, we will consider the importance of visual media to enhance state or
corporate power/knowledge over citizens and workers. We will also study the
uses of sound technology for surveillance purposes, from Anathasius Kircher’s
17th century listening tubes to 20th century telephone wiretapping (a metaphor
now used to also describe monitoring digital data). Acoustic surveillance
intervenes in human beings’ most primary form of social communication - talking
and listening – and draws our attention to the ways that social groups monitor
themselves through practices like gossip and rumor. Surveillance is therefore not only related to
the power of corporations or governments, but also gets at the heart of what it
means to be social beings who constantly monitor each other and ourselves with
or without technology. The course will traverse practices of surveillance in
different parts of the globe and from both sides of the “digital divide” - from
informal informants who spy on fellow refugees in Italy, to police surveillance
in Gaza, to hacker groups like Anonymous or Wikileaks, or Snowden's exposure of
the NSA, to more public citizen campaigns like #wearewatchingyou that also
target state surveillance practices. As a student-generated Experimental
Humanities course, this class will require significant participation on the
part of the students to research a specific surveillance practice over the
course of the semester and design their own experimental projects based around
their research and our readings. Class size: 15
16557 |
ANTH 352 Exhibiting Cultures:
ANTHROPOLOGY IN AND OF THE MUSEUM |
Aaron Glass |
Th 1:30 pm-3:50 pm |
RKC 102 |
SSCI DIFF |
Cross-listed: Art History Over
the past two centuries, the museum has emerged as one of the primary
institutional venues for intercultural encounter mediated by objects. Practices
of both collection and display have been central to the imagining and valuing
of various kinds of cultural others, and to the construction and communication
of knowledge about the world’s peoples. This course will examine multiple
historical and theoretical points of articulation (and disarticulation) between
the museum and the discipline of anthropology. Topics include: the place of the
“exotic” curio in early European and colonial collections; the rise of natural
history and social evolutionary paradigms for exhibiting non-Western objects
and people; the development of professional anthropology in the museum; popular
forms of ethno-spectacle (e.g. the world’s fair, cinema, and commercial
culture) and the lasting tension between education and entertainment; debates
surrounding “primitivism” and avant-garde interest in non-Western art; nationalism,
sovereignty, and repatriation in the wake of decolonization; and contemporary
anthropological and ethnographic studies of museums as sites of cultural
production and contest. Through critical readings, discussions, and a visit to
museums in
CROSS-LISTED
IN ANTHROPOLOGY:
16318 |
MUS 224 Socialist Musical
Imaginaries |
Maria Sonevytsky |
M
W 10:10 am-11:30 am |
BLM N210 |
SSCI DIFF |