BARD COLLEGE SPRING 2013
COURSE LIST ADDENDUM
(1-8-13)
COURSES ADDED
12229 |
WRIT 224 Literary
Reportage |
Ian Buruma |
M . W . . |
10:10am – 11:30am |
HEG 201 |
ELIT |
This course will introduce the students to the art of journalism. At best, journalism can rise to literary excellence. We will be studying reportage as well as criticism, looking at examples of both genres since Macaulay’s contributions to the Edinburgh Review. The question is what lifts journalism to a higher literary level. We will consider some famous examples: John Hersey on Hiroshima, Michael Herr’s dispatches on the Vietnam War, Alma Guillermoprieto on Latin American politics, Hunter S. Thompson on the party conventions, V.S. Naipaul on Trinidad. Other questions dealt with in this course include the vexed one of literary license. Reportage by Ryszard Kapuscinski and Curzio Malaparte is fine literature, to be sure. Both claimed to be writing journalism. But they clearly made things up. Can a writer have it both ways: the license of fiction, and the claim to be presenting the truth? Finally, we will read some of the best critics, including Cyril Connolly, Edmund Wilson, and Pauline Kael. Class size: 15
11896 |
MUS 241 History and
Literature of Electronic and Computer Music |
David Behrman |
M
. . . |
1:30 pm-3:50 pm |
BLM N119 |
AART |
Beginning with a brief survey of the earliest electronic instruments such as the Theremin and Ondes Martenot, this course examines the post-war development of the French School of Musique Concrete, German Elektronische Musik and American Tape Music, among others. Computer Music from early sound synthesis experiments at Bell Labs and elsewhere; Live Electronic Music from Cage and Tudor’s pioneering work to recent and current PC-based interactive “live” computer music; and multi-media works from ‘60’s “classics” to the present. Music studied will be drawn from the works of Varese, Schaeffer, Henry, Stockhausen, Cage, Leuning, Ussachevsky, Babbitt, Arel, Davidovsky, Boretz, Berio, Nono, Boulez, Pousseur, Xanakis, Martirano, Young, Reich, Oliveros, Subotnik, Musica Elettronica Viva (Rzewski, Curran, Teitelbaum) Takemitsu, Kosugi, Takahashi, Amacher, Sonic Arts Union (Mumma, Ashley, Lucier, Behrman) Matthews, Risset, Tenney, Laurie Spiegel, Laurie Anderson, Brian Eno, George Lewis, Laetitia Sonami and other recent and current developments, including the Ambient, Illbient and DJ scenes. Assignments will include extensive listenings, reading, research and analysis, as well as possible recreations of “classical” pieces from the repertoire and original compositional and performance projects inspired by these studies. The class is a continuation/complement to Music 240 and is strongly recommended as a preparation for all electronic music studio courses. Class size: 15
12173 |
EUS 102
B Intro to Environmental Science |
Gidon Eshel |
M
.
W |
10:10am-11:30am |
Albee 106 |
SSCI |
Description to follow. Class size: 20
11886 |
BLC 107
Intensive ESL |
Denise Minin |
M . W Th . . T . . . |
10:00am – 12:30pm 10:00am – 12:30pm |
HDR 106 HDR 101A |
|
This course is designed to give incoming international
students an overview of the Liberal Arts experience through exploring some of
the fields of study Bard has to offer. Through this investigation, students
will develop the academic and study skills needed to survive this challenging
academic environment. An emphasis on reading and writing will provide
opportunities for students to develop vocabulary,
improve grammar and strengthen their grasp of the written language. Class size: 14
11889 |
LIT 2159 Into the Whirlwind: Literary Greatness and Power |
Jonathan Brent |
. . . . F |
2:00 – 4:20 pm |
OLIN 201 |
ELIT/DIFF |
Cross-listed: Russian
and Eurasian Studies This course will examine the fate of the literary
imagination in
11908 |
LIT 405 CH Senior Colloquium: Literature |
Cole Heinowitz |
M . . . . |
4:45pm -6:30 pm |
OLIN LC 115 |
N/A |
Literature Majors writing a project are required to enroll in the year-long Senior Colloquium. Senior Colloquium is an integral part of the 8 credits earned for Senior Project. An opportunity to share working methods, knowledge, skills and resources among students, the colloquium explicitly addresses challenges arising from research and writing on this scale, and presentation of works in progress. A pragmatic focus on the nuts and bolts of the project will be complemented with life-after-Bard skills workshops, along with a review of internship and grant-writing opportunities in the discipline. Senior Colloquium is designed to create a productive network of association for student scholars and critics: small working groups foster intellectual community, providing individual writers with a wide range of support throughout this culminating year of undergraduate study in the major. Class size: 25
12159 |
MATH 106 Mathematics
and Politics |
John Cullinan |
.
T . Th . |
11:50 am -1:10 pm |
RKC 101 |
MATC |
This course considers applications of mathematics to political science. Five major topics will be covered: a model of escalatory behavior, game-theoretic models of international conflict, yes-no voting systems, political power, and social choice. For each model presented, the implications of the model as well as the limitations of the model will be discussed. Students will be actively involved in the modeling process. There is no particular mathematical prerequisite for this course though we will do some algebraic computations from time to time and discuss deductive proofs of some of the main results. Prerequisite: passing score on Part I of the Mathematics Diagnostic. Class size: 22
12148 |
MUS WKSHI Intro to Electronic Music |
Miguel Frasconi |
. . W . . |
1:30 – 3:50 pm |
BLM N119 |
PART |
4 credits This hands-on workshop will serve as an introduction to music technology and will focus primarily on the creation of original work, including a final project, through the use of digital and analog recording techniques and devices. Topics to be covered include the physics of sound, psychoacoustics, and foundational practices in electro-acoustic sound production and their contemporary/digital analogues, with particular emphasis on digital signal processing, instrument "discovery" and exploration, field recording, and modes of electronic diffusion, including multichannel installation, live performance and multimedia. Students will be given instruction in the use of digital audio workstations (DAWs), and will become familiar with sampling, multi-track recording, editing, and mixing. Throughout the semester, students will produce field recordings and other original recordings in diary format and will receive instruction and guidance in utilizing this work for electronic composition, performance and installation. Examples from the history of electronic music will assist students in exploring the aesthetic, political, historical and personal implications of music technology and its uses. Enrollment in this course automatically gives students access to the Bard electronic music studios. In addition to the digital workstations, students can also explore analog synthesis techniques using the vintage Serge modular synthesizer. Class size: 15
11909 |
WRIT 405 EM Senior Colloquium: Written Arts |
Edie Meidav |
M . . . . |
4:45pm -6:30 pm |
OLIN LC 118 |
N/A |
Written Arts Majors writing a project are required to enroll in the year-long Senior Colloquium. Senior Colloquium is an integral part of the 8 credits earned for Senior Project. An opportunity to share working methods, knowledge, skills and resources among students, the colloquium explicitly addresses challenges arising from research and writing on this scale, and presentation of works in progress. A pragmatic focus on the nuts and bolts of the project will be complemented with life-after-Bard skills workshops, along with a review of internship and grant-writing opportunities in the discipline. Senior Colloquium is designed to create a productive network of association for student scholars and writers: small working groups foster intellectual community, providing individual writers with a wide range of support throughout this culminating year of undergraduate study in the major. Class size: 20
11888 |
PS 239 The United
Nations and Model U.N. |
Jonathan Becker |
. . . . F |
1:30pm – 2:50 pm |
OLIN 107 |
SSCI |
Cross-listed: Global & Int’l Studies , Human Rights 1 credit* This is a year-long course,
divided into two parts. The first part will explore the history of the United
Nations and will introduce students to its structure and principal aims. It
will also focus on the role of specialized agencies and the ways in which
alliances impact on the UN’s day-to-day operations. The second part of the
course will focus on an assigned country (for each Model UN, each college is
assigned a country to represent. It will entail a study of the country’s
history, politics and economics and will conclude with the writing of ‘position
papers’ that reflect that country’s approach to issues confronting the UN. In
addition, there will be a public speaking component. Students taking the course
will have the opportunity to participate in a Model United Nations. Students
wishing to enroll should e-mail [email protected] with 1-2 paragraphs indicating
why they would like to participate. Class size: 15
COURSES CANCELLED
11700 |
EUS 240 Advanced Readings in Environmental Science |
Gidon Eshel |
M . W . . |
10:10am - 11:30 am |
SSCI |
11884 |
HUM 253 Stalin and Power |
Jonathan Brent |
. . . . F |
2:00 – 4:20 pm |
OLIN 201 |
HUM |
11301 |
HIST 3132
History of US Urban Schooling |
Ellen Lagemann |
. T . . . |
1:30 pm -3:50 pm |
OLIN 303 |
HIST |
11705 |
HR 228 Reconsidering
Empire |
Ian Buruma |
M . W . . |
10:10am - 11:30 am |
HEG 201 |
HIST |
11315 |
LIT 3208 Junior
Seminar: Faulkner: Race,Text, and Southern
History |
Donna Grover |
. T . . . . . . Th . |
10:10am - 12:30pm 10:10am - 11:10am |
OLIN 307 OLIN 307 |
ELIT |
11694 |
LIT 332 Theories of Translation |
Peter Filkins |
. T . Th . |
10:10 am-11:30 am |
OLIN 102 |
FLLC |
11497 |
PHIL 271
Topics in the Philosophy of Language |
Robert Martin |
. . W . F |
10:10am - 11:30am |
HEG 300 |
HUM |
INSTRUCTOR CHANGE
11583 |
DAN 106
Advanced Beginning Ballet |
Peggy Florin |
. T . Th . |
1:30 pm -2:50 pm |
FISHER THORNE |
PART |
SCHEDULE CHANGES
11801 |
BLC 110
Grammar for Writers |
Denise Minin |
. T . Th . |
8:30 am-9:50 am |
HDR 101A |
|
This class examines issues of grammar, usage, and style,
with an emphasis on the difficulties encountered by non-native speakers of
English. Special attention will be given to the problems created by language
transfer issues and to the specific expectations of writing in different
disciplines. Through frequent writing and rewriting, we will study of rules and
habits that lead to clear and concise academic writing. At least 25 pages of
revised writing will be expected. Class size: 14
11637 |
FILM 242 Script to Screen |
Kelly Reichardt |
. T . . . |
10:10 am -1:10 pm |
AVERY 217 |
PART |
11640 |
FILM 344 Sound & Picture Editing |
Kelly Reichardt |
M . . . . |
1:30 pm -4:30 pm |
AVERY 217 / 333 |
PART |
11373 |
HEB 102 Elementary
Hebrew II |
David Nelson |
M T . Th .F |
8:50 am -9:50 am |
OLIN 107 |
FLLC |
11885 |
MUS WKSH HB
Performance Workshop - American
Tableaux |
Helena Baillie |
. . . . F |
1:30pm- 3:00 pm |
OLIN AUDT |
PART |
11730 |
THTR 101
Acting for Non-Majors |
Naomi Thornton |
. . . Th . |
3:45 pm – 5:45 pm |
FISH |
PART |
11731 |
THTR 308
Advanced Scene Study |
Naomi Thornton |
. . . Th . |
1:30 pm – 3:30 pm |
FISH |
PART |
11725 |
THTR 145
Intro to Theater & Performance:
Revolutions in Time and Space |
Miriam Felton-Dansky |
. T . Th . |
3:10 pm -4:30 pm |
FISH |
AART |
11752 |
LIT 3146
T. S. Eliot & Wallace Stevens |
Matthew Mutter |
. . W . . |
10:10am – 12:30pm |
HEG 300 |
ELIT |
11453 |
LIT 3217
The Tragic Heroine in the Western
Imagination: From Euripides to |
Daniel Mendelsohn |
. . . . F |
10:10 am -12:30 pm |
OLIN 301 |
ELIT |
11691 |
LIT 328 Ideology and Politics in Modern Literature |
Justus Rosenberg |
M . . . . |
4:40pm - 7:00pm |
OLIN 101 |
ELIT |
11304 |
LIT 390
Contemporary Critical Theory |
Nancy Leonard |
M . . . . |
1:30 pm -3:50 pm |
OLIN 310 |
HUM |
11354 |
JAPN 102
Introductory Japanese II |
Mika Endo |
M T W Th . |
8:50 am -9:50 am |
OLINLC 210 |
FLLC |
11355 |
JAPN 202
Intermediate Japanese II |
Nathan Shockey |
. T W Th . |
8:50 am -9:50 am |
HEG 308 |
FLLC |
11841 |
CMSC 352
Biologically Inspired Machine Learning |
Sven Anderson |
. T . Th . |
10:10am-11:30am |
RKC 107 |
MATC |
11508 |
PS 243
Public Intellectuals in the Age of the Internet |
Walter Mead |
. . W . F |
11:50 am -1:10 pm |
RKC 200 |
SSCI |
11795 |
WRIT 330 Blown Deadlines: A Course in Journalistic
Writing |
Wyatt Mason |
M . . . . |
7:00 pm -9:20 pm |
Arendt Center |
PART |
Lab added:
11446 |
BIO 313
Animal Behavior |
Philip Johns LAB: |
. T . Th . . . . . F |
3:10 pm -4:30 pm 8:00 am – 11:30 am |
RKC 102 RKC 112 |
SCI |
Additional cross-listings:
11707 |
HR 244
Reproductive Health and Human Rights |
Helen Epstein |
. T . Th . |
1:30pm - 2:50 pm |
RKC 115 |
SSCI |
Cross-listed: Gender & Sexuality Studies, Social Policy
11657 |
REL 343
Popular Arts in Modern |
Richard Davis |
M . W . . |
3:10 pm -4:30 pm |
OLINLC 210 |
HUM |
Cross-listed: Art History
Distribution corrections:
Course does not
satisfy distributional area:
11372 |
PSY SOC
Social Psychology: Advanced Methodology |
|
. T . . . |
1:30 pm -3:30 pm |
PRE |
N/A |
11527 |
MUS 122 Introduction
to Music Theory |
Blair McMillen |
. T . . . . . . Th . |
4:40 pm -6:40 pm 11:50 am -1:10 pm |
BLM N217 |
PART |
11368 |
LIT 2194
Understanding
Contemporary |
Thomas Wild Screenings: |
. T . Th . M . . . . |
3:10 pm -4:30 pm 7:00 pm -10:00 pm |
OLIN 203 PRE 110 |
ELIT |
11360 |
JAPN 125
Asian Humanities Seminar |
Nathan Shockey |
. T . Th . |
1:30 pm -2:50 pm |
OLIN 205 |
HUM |
11432 |
SCI 162
Cosmology |
Peter Skiff |
. T . Th . |
1:30 pm -2:50 pm |
HEG 102 |
N/A |
This course can be taken for divisional credit in science, but does not meet the requirement for computational or laboratory experience.
11477 |
HIST 282
The Civil War & Reconstruction |
|
. T . Th . |
3:10 pm -4:30 pm |
OLIN 202 |
HIST/DIFF |
11504 |
PS / PHIL 167
Foundations of the Law |
Roger Berkowitz |
M . W . . |
1:30 pm -2:50 pm |
ASP 302 |
HUM |