Please Note: There is a $150.00 Photography Department
Fee each semester for any student taking one or more photography classes.
If a student decides to drop a photgraphy class they must
fill out a Drop/Add form, have it signed by the appropriate department faculty
and deliver it to the Office of the Registrar on or before Wednesday, February
15, 2012, 5 PM or they will be charged and responsible for the $150.00
Department Fee.
12361 |
PHOT
104 Photography
for Non-majors |
David Bush |
. . . Th . |
6:00 -9:00 pm |
WDS |
PART |
An introduction to both the
techniques and aesthetics of black and white photography as a means of
self-expression. Systematic instruction in darkroom
techniques along with weekly criticism of individual work will provide the
student with a solid basic understanding of the use of the camera as an
expressive tool. The student must obtain within the first week of class: 1) a
camera (35mm or 21/4”) with fully adjustable f/stops and shutter speeds, 2) a hand-held
reflected light exposure meter. No previous darkroom experience is required.
This class is open only to
12358 |
PHOT
105
A
Photographic Seeing |
|
. T . . . |
10:10 -1:10 pm |
WDS |
PART |
Beyond the material technique of photography
lies a visual technique. This involves learning to see the way a camera sees;
learning how a photograph, by its nature, transforms the world in front of the
camera. The first half of the semester is devoted to exploring this visual
grammar of photography and how it clarifies a photograph's meaning and the
photographer's intent. During the second half of the semester, students pursue
independent projects, putting their visual understanding into practice.
Prerequisite: Photography 101 or 103.
Not available for on-line registration.
Class size: 12
12359 |
PHOT
105
B
Photographic Seeing |
Gilles Peress |
. . W . . |
6:00 -9:00 pm |
WDS |
PART |
See above. Class
size: 12
12360 |
PHOT
106 Light |
Larry Fink |
M . . . . |
2:30 -5:30 pm |
WDS |
PART |
Light is the co-author of image. Light
can be brazen or bland. It can dramatize or simply describe. This course deals
with the exploration of found light or artificially detonated light - strobe.
Each week the assignments alternate between real or natural light and
artificial or created light. These exercises attempt to
clarify the differences and the similarities between the two kinds and how
light serves the vision of the light within. In the second half of the
semester each student undertakes an individual project based on what has
already been experienced. Learning how to control light broadens a
photographer's perception of the ambient options it offers. Prerequisite: Photography 101 or 103. Not available for on-line
registration.
Class
size: 12
12362 |
PHOT
/ FILM 109 Photography
for Filmmakers |
Tim Davis |
. . . Th . |
1:30 -4:30 pm |
WDS |
PART |
This
course is designed to instruct film students in the inextricable importance of the
camera in the construction of all photographic images, both moving and still.
Each weekly assignment will be prompted by a thematic lecture from the history
of photography, and will culminate in a seven-week-long individual project.
Emphases will be placed on the role of form and the pressures, both conceptual
and practical, in building a body of work. Students are expected to have their
own digital cameras, even if only point-and-shoots. Class size: 12
12363 |
PHOT
201
A
The View Camera |
|
M . . . . |
10:10 -1:10 pm |
WDS |
PART |
View cameras were the first cameras
and were the primary photographic tool for the first half of photography’s
history. They offer unexcelled clarity, tonality, and image control. The
operation of the view camera and advanced darkroom techniques are demonstrated
in this course. The class explores the expressive potential of the conscious
use of the camera’s precise control of the image. Students are supplied with
4" x 5" camera outfits. Admission by portfolio.
Prerequisite: Photography 105 or
106. Class size: 12
12364 |
PHOT
201
B
The View Camera |
An-My Le |
. . W . . |
1:30 -4:30 pm |
WDS |
PART |
See above. Class
size: 12
12365 |
PHOT
203
A
Color Photography |
Barbara Ess |
. . W . . |
10:10 -1:10 pm |
WDS |
PART |
An introduction to the problem
of rethinking photographic picture making through the medium of color
photography. Transparencies, color negatives, and type
C prints are the technical areas explored. Interested students should bear in
mind the higher costs of color materials. Admission by
portfolio.
Class
size: 12
12366 |
PHOT
203
B
Color Photography |
Tim Davis |
. . . . F |
10:10 -1:10 pm |
WDS |
PART |
See above. Class
size: 12
12367 |
PHOT
302
A
Advanced Photography |
An-My Le |
. . . Th . |
10:10 -1:10 pm |
WDS |
PART |
To prepare the student for ongoing
independent work, this course emphasizes the exploration of visual problems. At
the heart of this exploration is asking good questions of oneself and one's
work, seeing how other photographers and artists in other media have dealt with
such questions, and "answering" the questions for oneself
through individual projects. Not available for on-line registration. Class
size: 12
12368 |
PHOT
302
B
Advanced Photography |
John Pilson |
. . . . F |
1:30 -4:30 pm |
WDS |
PART |
See above. Class
size: 12
12369 |
PHOT
316 Art &
the Uses of Photography |
Barbara Ess |
. T . . . |
1:30 – 4:30 pm |
WDS |
PART |
Cross-listed: Studio Arts Open
to 300+ level students (and others by permission of the instructor) with
backgrounds in the arts. Students in other fields and academic disciplines such
as electronic arts, philosophy, anthropology, human rights etc. with some
experience and/or a strong interest in investigating and producing art using
photographic imagery are encouraged to apply. The course will focus on the use
of photography as a material or tool in artmaking.
The emphasis will be on students developing ideas and using photographic
imagery as a means to express them. Students will create a body of work using
snapshots, transparencies, xerox, polaroids, found
photographs, digital and print media and other means of representation and
reproduction. There will be readings and discussions on the history, meaning
and theory of the use of photographic imagery in art. The class will visit
12370 |
PHOT
SEM Senior
Seminar |
Larry Fink |
M . . . . |
8:00 - 11:00 pm |
WDS |
AART |
The senior seminar is a requirement of
all seniors majoring in photography. The seminar meets on a bi-weekly basis and
carries no credit. Not available for on-line registration. Class
size: 12