Please Note: There is a $150.00 Photography Department Fee each semester for any student taking one or more photography classes.  If a student decides to drop a photgraphy class they must fill out a Drop/Add form, have it signed by the appropriate department faculty and deliver it to the Office of the Registrar on or before Wednesday, February 15, 2012, 5 PM or they will be charged and responsible for the $150.00 Department Fee.

 

12361

PHOT 104   Photography for Non-majors

David Bush

. . . Th .

6:00 -9:00 pm

WDS

PART

An introduction to both the techniques and aesthetics of black and white photography as a means of self-expression. Systematic instruction in darkroom techniques along with weekly criticism of individual work will provide the student with a solid basic understanding of the use of the camera as an expressive tool. The student must obtain within the first week of class: 1) a camera (35mm or 21/4”) with fully adjustable f/stops and shutter speeds,  2) a hand-held reflected light exposure meter. No previous darkroom experience is required. This class is open only to Upper College students who have successfully moderated in disciplines other than Photography. Not available for on-line registration.   Class size: 12

 

12358

PHOT 105 A  Photographic Seeing

Stephen Shore

. T . . .

10:10 -1:10 pm

WDS

PART

Beyond the material technique of photography lies a visual technique. This involves learning to see the way a camera sees; learning how a photograph, by its nature, transforms the world in front of the camera. The first half of the semester is devoted to exploring this visual grammar of photography and how it clarifies a photograph's meaning and the photographer's intent. During the second half of the semester, students pursue independent projects, putting their visual understanding into practice. Prerequisite: Photography 101 or 103. Not available for on-line registration.  Class size: 12

 

12359

PHOT 105 B  Photographic Seeing

Gilles Peress

. . W . .

6:00 -9:00 pm

WDS

PART

See above.  Class size: 12

 

12360

PHOT 106   Light

Larry Fink

M . . . .

2:30 -5:30 pm

WDS

PART

Light is the co-author of image. Light can be brazen or bland. It can dramatize or simply describe. This course deals with the exploration of found light or artificially detonated light - strobe. Each week the assignments alternate between real or natural light and artificial or created light. These exercises attempt to clarify the differences and the similarities between the two kinds and how light serves the vision of the light within. In the second half of the semester each student undertakes an individual project based on what has already been experienced. Learning how to control light broadens a photographer's perception of the ambient options it offers.  Prerequisite: Photography 101 or 103. Not available for on-line registration.  

Class size: 12

 

12362

PHOT / FILM 109   Photography for Filmmakers

Tim Davis

. . . Th .

1:30 -4:30 pm

WDS

PART

This course is designed to instruct film students in the inextricable importance of the camera in the construction of all photographic images, both moving and still. Each weekly assignment will be prompted by a thematic lecture from the history of photography, and will culminate in a seven-week-long individual project. Emphases will be placed on the role of form and the pressures, both conceptual and practical, in building a body of work. Students are expected to have their own digital cameras, even if only point-and-shoots. Class size: 12

 

12363

PHOT 201 A  The View Camera

Stephen Shore

M . . . .

10:10 -1:10 pm

WDS

PART

View cameras were the first cameras and were the primary photographic tool for the first half of photography’s history. They offer unexcelled clarity, tonality, and image control. The operation of the view camera and advanced darkroom techniques are demonstrated in this course. The class explores the expressive potential of the conscious use of the camera’s precise control of the image. Students are supplied with 4" x 5" camera outfits. Admission by portfolio.  Prerequisite: Photography 105 or 106. Class size: 12

 

12364

PHOT 201 B  The View Camera

An-My Le

. . W . .

1:30 -4:30 pm

WDS

PART

See above.  Class size: 12

 

12365

PHOT 203 A  Color Photography

Barbara Ess

. . W . .

10:10 -1:10 pm

WDS

PART

An introduction to the problem of rethinking photographic picture making through the medium of color photography. Transparencies, color negatives, and type C prints are the technical areas explored. Interested students should bear in mind the higher costs of color materials. Admission by portfolio.   

Class size: 12

 

12366

PHOT 203 B  Color Photography

Tim Davis

. . . . F

10:10 -1:10 pm

WDS

PART

See above.  Class size: 12

 

12367

PHOT 302 A  Advanced Photography

An-My Le

. . . Th .

10:10 -1:10 pm

WDS

PART

To prepare the student for ongoing independent work, this course emphasizes the exploration of visual problems. At the heart of this exploration is asking good questions of oneself and one's work, seeing how other photographers and artists in other media have dealt with such questions, and "answering" the questions for oneself through individual projects. Not available for on-line registration.  Class size: 12

 

12368

PHOT 302 B  Advanced Photography

John Pilson

. . . . F

1:30 -4:30 pm

WDS

PART

See above.  Class size: 12

 

12369

PHOT 316   Art & the Uses of Photography

Barbara Ess

. T . . .

1:30 – 4:30 pm

WDS

PART

Cross-listed: Studio Arts   Open to 300+ level students (and others by permission of the instructor) with backgrounds in the arts. Students in other fields and academic disciplines such as electronic arts, philosophy, anthropology, human rights etc. with some experience and/or a strong interest in investigating and producing art using photographic imagery are encouraged to apply. The course will focus on the use of photography as a material or tool in artmaking. The emphasis will be on students developing ideas and using photographic imagery as a means to express them. Students will create a body of work using snapshots, transparencies, xerox, polaroids, found photographs, digital and print media and other means of representation and reproduction. There will be readings and discussions on the history, meaning and theory of the use of photographic imagery in art. The class will visit New York City galleries and museums to look at and consider photographic based work in contemporary art practice. The course does not involve darkroom instruction and facilities will only be available on a limited basis to students who have prior experience. There will be basic instruction and access to digital printing and scanning.  Admission by interview and portfolio. Class size: 12

 

12370

PHOT SEM   Senior Seminar

Larry Fink

M . . . .

8:00 - 11:00 pm

WDS

AART

The senior seminar is a requirement of all seniors majoring in photography. The seminar meets on a bi-weekly basis and carries no credit. Not available for on-line registration.  Class size: 12