11277 |
GRE 102 Basic Greek II |
Carolyn Dewald |
M T W Th . |
10:30 - 11:30 am |
OLIN 304 |
FLLC |
A continuation of Greek 101. Students will master advanced grammar and syntax and begin preliminary readings in Plato, Demosthenes, Sophocles, Euripides, and other Classical authors. Class size: 15
11278 |
GRE 202 Intermediate Greek II |
Carolyn Dewald |
M . W . . |
1:30 - 2:50 pm |
OLIN 304 |
FLLC |
In order to enter the spirit of Greek lyric, we
will begin by reading for a couple of weeks the opening the Homeric Hymn to Apollo, which sings of
the birth, haunts and skills of the god who presides over lyric composition and
performance. We will then read selected
poems of the two great poets of Lesbos, Sappho and Alcaeus, and later in the
spring enter the world of victory song in odes of Pindar and Bacchylides. For a final stretch we will study a few of
the great choruses of the Aeschylus, Sophocles, Euripides and Aristophanes, to
be chosen in consultation with student interest. Careful attention will be paid from the beginning to meter, to
questions of original performance practices, and to the occasions for which the
texts we have were first fashioned. Class size: 15
11300 |
LAT 102 Elementary Latin II |
Benjamin Stevens |
M T W Th . |
8:50 - 9:50 am |
OLIN 305 |
FLLC |
The second semester of a year-long survey of Latin language and literature. Our goals are: (1) to master morphology, syntax, and essential vocabulary; (2) to achieve sufficient fluency for continuous readings in prose and poetry; and (3) to continue exploring classical Latin literary history and aspects of ancient Roman culture. Prerequisite: successful completion of Latin 101 or permission of instructor. Class size: 22
11276 |
LAT 202 Intermediate Latin II |
William Mullen |
M . W . . |
3:10 - 4:30 pm |
OLIN 301 |
FLLC |
A partial survey and close study of the great, 'late' or 'post-classical' Latin author who, more than any other, is the bridge between Roman antiquity and the Christian middle ages. We read substantial portions of three important works -- Confessiones, De Doctrina Christiana, and De Ciuitate Dei -- in Latin, all three and some others completely in English, and some criticism and scholarship. Our goals are: (1) to solidify knowledge of essential vocabulary, morphology, and syntax; (2) to develop fluency in reading Latin, especially Latin prose; and (3) to consider from a variety of critical perspectives aesthetic and thematic questions raised by Augustine and his writing. Prerequisite: successful completion of Latin 201 or permission of instructor. Class size: 15
11669 |
CLAS / LIT 125
The Odyssey of Homer |
Daniel Mendelsohn |
. . . . F |
10:10 - 12:30 pm |
OLIN 205 |
ELIT |
This course will consist of an intensive reading of
Homer’s Odyssey over the course of a single
semester. The course is designed to introduce freshmen to more
profound and sophisticated techniques of reading and thinking about texts than
they will have thus far encountered. After two introductory
sessions, in which students will be introduced to the large issues particular
both to this genre (the archaic Greek world, oral composition, the Homeric
Question) and to this particular text (“sequels,” epic cycle, the prominence of
women, narrative closure), we will read through the epic at a rate of two books
per week; two summary sessions will conclude the semester as we look back at
the large literary and cultural issues raised by this essential document of the
Western tradition: travel as a narrative vehicle for (self-) discovery, the
competing satisfactions of the journey and the arrival, the poem’s special
interest in poetry and narrative creation. A premium will be placed on student
participation in class discussion, and each student will be asked to present a
book of the poem (focusing on structural analysis, interpretative issues, etc.)
to the class. At least two papers, midterm, final exam. This
course is designed particularly for first-year students. Class size: 22
11402 |
CLAS / LIT 204A Comp Lit I: Ancient Quarrels – Literature
and Critique in Classical Antiquity |
Thomas Bartscherer |
. T . Th . |
10:10 - 11:30 am |
RKC 200 |
ELIT |
See
Literature section for description.
Class size: 20
11368 |
ARTH 248 Roma in Situ |
Diana Minsky |
. T . Th . |
4:40 -
7:00 pm |
FISHER ANNEX |
AART |
See Art History section for description.
11275 |
CLAS 257 Archaic Greece |
William Mullen |
. T . Th . |
1:30 - 2:50 pm |
OLIN 201 |
FLLC |
This course has been designed as a complement to Classical
Studies’ regularly offered CLASSICS 157, “The Athenian Century”, and can be
taken before or after that course. Its
temporal span is roughly 7th through 5th century, and its
readings are non-Athenian, even though some are in the 5th century
itself. Because of the fragmentary
nature of so many of these archaic texts—literary, philosophical,
proto-scientific, proto-historical—it will be possible for us to read in
translation many authors in their entirety.
In literature we will omit the
Homeric epics (too large for this course) and start with Hesiod and the Homeric
Hymns, then move on to some of the greatest lyric poets: Alkman, Sappho,
Alcaeus, Archilochus, Anacreon, Simonides, Bacchylides, Pindar. Elegiac poets such as Terpander in Sparta,
Theognis in Boeotia, and Solon in Athens (our sole early Athenian author) have
much to tell us about values in their respective societies and epochs. We will
read most of the pre-Socratics, in whom the beginnings of both science and
western philosophy are internested.
The study of Hecataeus gives a glimpse into proto-historical
writing. All these readings will be
framed by present-day historical scholarship on the archaic period. Some of the masterpieces of archaic
sculpture and architecture will also be looked at for their kinship in spirit
with our chosen texts. Class size: 15
11303 |
CLAS 326 Afterlives of Antiquity: Posthumanism and
its Classics |
Benjamin Stevens
Screenings: |
M . W . . Su . . . |
10:10 - 11:30 am 7:00 - 10:00 pm |
RKC 200 OLIN 102 |
HUM/DIFF |
Cross-listed:
Literature If the
classics have been used to define 'humanity', then how may 'classics' be
defined for a posthuman world? What would it mean to speak of the
'posthumanities'? In this seminar, we
consider how processes of classification and canon-formation -- i.e., the
selection of items in, as, and for 'culture' -- may serve as material for
cultural critique: viz., by exposing superficially factual claims about what is
essential, timeless, or real for their deeper complicity in what is, properly,
the products of historically contingent and materially mediated ideologies. We focus on works that suggest
reclassifications, even decanonizations, of a liberal humanist subject -- 'the
human being' -- in discursible relations to its others. Beginning with a study
of philology or textual criticism, we consider alternatives to a classical
image of 'human subject(ivity)'. Areas of interest include gender and
ethnicity; anthropology and zoology; other(ed) organic biologies, including
genetic, surgical, and extraterrestrial; inorganic 'biologies', including
artificial intelligence and life; and transhumanism, including the 'coming
singularity', in which we may (be) witness (to) a posthumanist return to an
image of "transcendental Man".
Literary and otherwise artistic texts from, e.g., Apuleius, Atwood,
Dick, Edson, LeGuin, Shakespeare, Sophocles, Stoppard, and Wells; films by,
e.g., Cameron, Cronenberg, Demme, Kubrick, Lang, Scott, Tarkovsky; critical
readings in, e.g., Baudrillard, Benjamin, Dawkins, Deleuze and Guattari, Eliot,
Feyerabend, Foucault, Haraway, Hayles, Jameson, Lyotard, Mandelbrot, Sontag. We
conclude by attempting posthumanist readings of Bardian 'canons', including the
Language & Thinking anthology, the First-Year Seminar syllabus, and the
book of Genesis. Regular film screenings. Prerequisite: moderated junior or
senior standing or permission of instructor; knowledge of ancient Greek or
Latin potentially helpful but not required. Preference to Classical Studies and
other L&L program concentrators, or to students with some familiarity with
textual criticism. Class size: 15
11421 |
CLAS 362 Plato's Writing:Dialog and Dialectic |
Thomas Bartscherer |
. T . . . |
3:10 - 5:30 pm |
OLIN 305 |
HUM |
Cross-listed: Literature, Philosophy Interpreters of Plato have often asked why he wrote
in dialogue form, and the answers proposed have frequently appealed to Plato’s conception
of dialectic, although the meaning of that term in his texts is itself a matter
of considerable debate. In this course, we shall be examining Plato’s writings
from both a literary and a philosophical perspective. Our main business will be
close and careful reading of whole dialogues, paying particular attention to
the hermeneutical implications of the dialogue form—including such features as
dramatic setting, character, and the interrogative mode itself—and the
conception of dialectic as it emerges both in and through Plato’s writing.
Readings from Plato will include Euthyphro,
Euthydemus, Meno, Phaedrus, Republic, and Sophist. Primary readings will be complemented by a sampling of
secondary scholarship that illustrates the wide range of modern approaches to
Plato. All readings in English. Class size: 15
11413 |
HIST 2110 Early Middle Ages |
Alice Stroup |
. T . Th . |
10:10 - 11:30 am |
OLIN 308 |
HIST |
See History section for description.
11139 |
REL 242 Hinduism in the Epics |
Richard Davis |
. T . Th . |
8:30 - 9:50 am |
OLIN 202 |
FLLC/DIFF |
See Religion section for description