19018 |
ITAL 111 Accelerated Italian II |
Anna Ferrari |
M T W Th F |
1:00
pm -2:00 pm |
OLINLC
115 |
FLLC |
Part
two of the year-long Accelerated Italian course, open only to those students
who completed the first segment of the course in fall 2008 and the interterm in
Florence. The course will continue to cover the major topics of grammar through
intensive practice in the four skills (speaking, comprehension, reading and
writing). In this semester, the textbook is supplemented by regular multimedia
work in the Bard Foreign Language Resource Center and a required weekly
tutorial with the foreign language tutor to practice oral skills.
19019 |
ITAL 202 Intermediate Italian II |
Joseph Luzzi |
. T W Th . . . . . .F |
10:30 -11:50 am 10:30
– 11:30 am |
RKC
200 RKC
200 |
FLLC |
A
continuation of ITAL 201: Intermediate Italian I. Comprehensive review through
practice in writing and conversation. Discussion, compositions and oral reports
based on Italian literary texts and cultural material.
19020 |
ITAL 275 To
Remake Italy”: Italian Film from Rossellini and Fellini to the Present |
Joseph Luzzi |
. T . Th . |
1:00
pm -2:20 pm |
OLIN
205 |
FLLC |
|
|
Screenings: |
. T . . . |
6:00
pm -8:00 pm |
OLIN
102 |
FLLC |
The phrase rifare l’Italia (remake Italy) was a refrain for
many of the Italian filmmakers of the 1940s and 1950s who created works that
dealt in some way with their nation’s struggle to rebuild itself after two
decades of Fascism and years of world (and civil) war. In particular, the
famous postwar cinematic movement Neorealism revolutionized filmmaking by
employing documentary-style techniques to address the pressing sociopolitical
issues of the day. A focus of this course on the history of Italian film will
be the works and legacies of the vaunted Neorealist movement, whose directors
(Roberto Rossellini, Vittorio De Sica, Luchino Visconti) trained or influenced
a generation of the so-called auteur filmmakers (Federico Fellini,
Michelangelo Antonioni, Pier Paolo Pasolini). We will also study the richly
interdisciplinary realm of the silent film era as well as the major recent
Italian directors who continue to produce “art cinema” in the tradition of the
Neorealist and auteur masters. All course work/readings in English;
films with English subtitles.
19378 |
ITAL 317 The Fantastic Tale |
Amelia Moser |
. . W . . |
4:00
pm -6:20 pm |
OLIN
309 |
FLLC |
Italo
Calvino once stated that fantastic fiction “meditates on the nightmares and
hidden places of contemporary man”.
This course aims to discuss this seminal idea through a reading of
classic short stories by important modern Italian authors including, among
others, Luigi Pirandello, Calvino, Umberto Eco, Anna Maria Ortese and Antonio
Tabucchi. Students will investigate the
unique contribution of Italian writers to the fantastic tale, which was – and
continues to be – intensely present in the literary production of the
peninsula. Special attention will be
devoted to contextualizing Italian fantastic fiction within the international
trend of this body of writings. Topics
include the inherently subversive nature of the fantastic, the link between
fantastic texts and politics, the relation between Magical Realism in Italy and
in South America, and the theoretical debate about the fantastic in critics
such as Freud and Todorov. A final
project could include the writing of an original fantastic tale. Film screenings will also be included. All course work/readings in English; qualified
students will have the option of doing the course work in Italian.