(Historical studies
in the Comparative, English, and American literature traditions are organized
into sequences. Please notify the instructor if you need a sequence course
in order to moderate in the spring of 2008.)
Course |
LIT 204 Comparative Literature:The Ancient Mediterranean World: Birth of Text, Birth of Reader |
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Professor |
Benjamin Stevens |
|
CRN |
18015 |
|
Schedule |
Tu
Th 9:00 - 10:20 am Olin 203 |
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Distribution |
Literature in English |
Cross-listed:
Classical Studies
What was ‘literature’ during the time of its emergence
and first developments in the West, in the combined Greco-Roman and
Judeo-Christian traditions of the ancient Mediterranean world?
In this course we
try to answer this question by exploring the interactions of two crucial terms:
‘text’ and ‘reader’. What sorts of ‘texts’ were there in antiquity, what sorts
of ‘readers’, and how did they relate to each other? We are interested not only
in what ancient readers read (i.e., the works themselves, their genres, and
traditions), but also in how they chose what to read (i.e., textual criticism:
selection, editing, and canonization), in how they read what they had chosen
(i.e., literary criticism: modes of reading including literal, ironical, metaphorical,
and allegorical), and, ultimately, in why there might be such a thing as a
‘reader’ who would want, or need, to have a ‘text’ to ‘read’ in the first
place. Our
own readings, all in English translation, include whole texts and excerpts from
authors writing originally in Greek (archaic, classical, and koiné; e.g.,
Sappho, Plato, the gospels); Latin (classical and early Christian: e.g.,
Cicero, Virgil, Augustine); and Biblical Hebrew (e.g., Genesis, Song of Songs,
Job). No Prerequisites. (Optional
concurrent tutorials on selected passages in the original Greek, Hebrew, and
Latin.)
On-line registration
Course |
LIT 204B Comparative Literature II: The Passions and the Interests: Enlightenment Culture 1600-1800 |
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Professor |
Robert Weston |
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CRN |
18439 |
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Schedule |
Tu
Th 10:30 - 11:50 am Olin 202 |
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Distribution |
Literature in English |
Often characterized simply as the "Age of
Reason," the cultural landscape of the European Enlightenment is shaped by
myriad intellectual and literary currents that cannot be reduced to any purely
rational calculus of human experience. In this course we will explore two
countervailing currents of Enlightenment thought and how their competing
visions of "human nature" inform representative literary texts of the
period. In the so-called "debate between the passions and the
interests" one can distinguish two tributaries of thought. The first—which
runs from La Rochefoucauld and Hobbes to Mandeville and French Materialists like
Helvétius, La Mettrie and D'Holbach—considers the individual to be governed
primarily by self-interest. The second current—which runs from Shaftesbury and
moral sense philosophers such as Hutcheson, Ferguson and Hume, to Rousseau and
German Neo-Humanists like Lessing, Mendelssohn and Herder—argues against the
reduction of human nature to self-interest by drawing attention to benevolent
passions such as sympathy, generosity and good will. In addition to examining
key arguments in this debate, we will trace its influence on major literary
works of the period by authors such as Pope, Congreve, Addison & Steele,
and Lillo,; La Rochefoucauld, Molière, Montesquieu, Voltaire, Diderot, and
Rousseau; Lessing, Mendelssohn, Herder, Schiller and Goethe. On-line registration
Course |
LIT 204C Comparative Literature III: Romanticism to Modernity |
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Professor |
Eric Trudel |
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CRN |
18054 |
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Schedule |
Tu
Th 9:00 - 10:20 am Olin 205 |
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Distribution |
Literature in English |
This course examines the peculiar
and perplexing Euro-American literary transformation loosely named Romanticism
to Modernity. Reading selected texts by a limited number of authors very
carefully, we will emphasize the relation between the self and others, as it
happens in language: what is it to meet others in words? How do actions and
obligations emerge and change out of encounters in language? How does what we
think or know get linked with what we do, if it does? And how does language
sustain or bear with non-human others: ideas, the dead, memories, and so on?
Readings from Apollinaire, Balzac, Baudelaire, Chekhov, Dostoesky, Flaubert,
Goethe, Gogol, Hoffmann, Hofmannsthal, James, Kafka, Lautréamont, Mallarmé,
Novalis, Rilke, Schlegel, Schiller, Wilde and Woolf. On-line registration
Course |
LIT 251 English Literature II |
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Professor |
Mark Lambert |
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CRN |
18044 |
|
Schedule |
Mon
Wed 9:00 - 10:20 am Olin
201 |
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Distribution |
Literature in English |
This course explores seventeenth- and eighteenth-century
literature in England, during a vital transition between a period of dissent,
struggle and war to an achieved modernity, a nation of divergent identities in
compromise. The seventeenth century's characteristic figure is Satan struggling
against God in Milton's Paradise Lost.
but other poets and dramatists like John Donne, Ben Jonson, John Webster, and
Andrew Marvell helped to shape the age's passionate interest in the conflict of
political, religious, and social ideas and values. After the Civil War and the
Puritan rule, monarchy was restored, at least as a reassuring symbol, and
writers were free to play up the differences as they did in the witty, bawdy
dramatic comedies of the elites and the novels by writers such as Defoe and Fielding
which appealed to middle-class readers. On-line registration
Course |
LIT 252 English Literature III |
|
Professor |
Terence Dewsnap |
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CRN |
18038 |
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Schedule |
Mon
Wed 3:00 -4:20 pm Olin
107 |
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Distribution |
Literature in English |
Cross-listed: Victorian Studies
English Literature in the nineteenth and twentieth
centuries: from Blake and Shelley’s poetry and Mary Shelley’s Frankenstein to modernist writings by Joyce,
Lawrence, T.S. Eliot and Virginia Woolf. Some attention to contemporary and to
colonial and postcolonial writers in English. On-line registration
Course |
LIT 258 Literature of the U.S. II |
|
Professor |
Elizabeth Frank |
|
CRN |
18039 |
|
Schedule |
Wed
3:00 -4:20 pm Aspinwall
302 Th
2:30 -3:50 pm Olin 107 |
|
Distribution |
Literature in English |
Cross-listed:
American Studies
The contemporary novelist Marilynne Robinson has suggested
that the central characteristic of the writers of the American Renaissance is
“the assumption that the only way to understand the world is metaphorical, that
all metaphors are inadequate, and that if you press them hard enough you’re
delivered into something that requires a new articulation.” This is as good a
way as any of describing what is “born” in American writing between the years
1830 and 1865 (a new articulation), and how it is born (pressing on and being
delivered from metaphors). All of the authors we will study are unusually
obsessed with the problem of understanding their world and many of them are
unusually aware of language’s paradoxical status as the obstructive but
necessary medium of that understanding. Robinson observes elsewhere that the
project of the American Renaissance “ended before it was completed.” The aim of
this course is not only to restart that project but to point to its
completion in later developments in American literature, specifically
modernist fiction and poetry. Authors include Ralph Waldo Emerson,
Henry David Thoreau, Edgar Allan Poe, Frederick Douglass, Nathaniel Hawthorne,
Herman Melville, Walt Whitman, and Emily Dickinson. On-line registration
Course |
LIT 260 Literature of the U. S. IV |
|
Professor |
Paul Stephens |
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CRN |
18052 |
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Schedule |
Mon
Wed 12:00 –1:20 pm Olin 205 |
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Distribution |
Literature in English |
Cross-listed: American Studies
The postwar United States is arguably the most
influential economic and cultural power the world has ever known. This
course offers a critical introduction to the vast, complex, and dynamic
literature of the period. Our primary readings will consist of fiction and
poetry, but some attention will also be paid to film and literary non-
fiction. Some likely topics for discussion: cold war politics, feminism,
racial identification, civil rights, gay liberation, formation of literary
groupings, counter-cultures, consumerism, confessionalism,
suburbanization, rise of the information economy, transnationalism, the
nation state under threat.