Course |
THTR 101 A Introduction to Acting |
|
Professor |
Lynn Hawley |
|
CRN |
17247 |
|
Schedule |
Mon
Wed 10:30 - 11:50 am Fisher PAC Studio North |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
3
credits This
course, intended for prospective theater majors, focuses on accessing the
beginning actor’s imagination and creative energy. Using theater games, movement work, and improvisational
techniques, the intent is to expand the boundaries of accepted logic and to
encourage risk-taking in the actor.
Course work includes intensive classroom sessions, individual projects
designed to promote self-discovery, and group projects focused on the process
of collaborative work.
Course |
THTR 101 B Introduction to Acting |
|
Professor |
Naomi Thornton |
|
CRN |
17252 |
|
Schedule |
Th 3:20 -5:20 pm Fisher PAC Theater Studio |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
2
credits Scene
preparation and beginning scene technique.
Emphasis on relaxation, breathing, and concentration. Teaching the actor to make choices and
implement them using sense memory and to integrate this work with the
text. Group and individual exercises
and improvisations. Continuous work on the acting instrument stressing freedom,
spontaneity, and individual attention. Materials: poems, monologues, stories,
and scenes. Reading of American plays,
1930 to present.
Course |
THTR 103 Acting Company |
|
Professor |
Jonathan Rosenberg |
|
CRN |
17409 |
|
Schedule |
Tu
Th 1:00 -2:20 pm Fisher PAC Theater Studio |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
3
credits Corresponding with
Directing Seminar, actors work with student directors on scene work for
in-class presentation. Open to first year
students.
Course |
THTR 122 Movement for Actors |
|
Professor |
Jean Churchill |
|
CRN |
17255 |
|
Schedule |
Tu 4:30 -5:50 pm Fisher PAC Theater Studio |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
1 credit Basic training in movement,
rhythm, development of technique and confidence in space.
Course |
THTR 131 Voice for Majors |
|
Professor |
Elizabeth Smith |
|
CRN |
17257 |
|
Schedule |
Tu
Fr 1:25 -2:25 pm Fisher PAC Theater Studio |
|
Distribution |
OLD: F |
NEW: Practicing
Arts
|
2 credits This course is designed
to develop an awareness of the importance of physical relaxation, breath
capacity and control, resonance and placement. There will also be an emphasis on
clarity of articulation and the use of vocal range and inflection. This course
is intended for moderated and prospective theater majors.
Course |
THTR 132 Voice for Non-Majors |
|
Professor |
Elizabeth Smith |
|
CRN |
17258 |
|
Schedule |
Tu
Fr 2:55 -3:55 pm Fisher PAC Theater Studio |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
2 credits This course will
concentrate on basic voice and speech work to enable the students to communicate
with greater clarity and confidence. Some of the demands of speaking in public
will also be addressed.
Course |
THTR 141 A Alexander Technique I |
|
Professor |
Judith Youett |
|
CRN |
17249 |
|
Schedule |
Mon 9:00 - 10:20 am Fisher PAC Studio North |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
1 credit. A world-respected
technique developed over 100 years ago; the Alexander Technique is a valuable
tool for performers, writers, scholars, and artists. It is a simple and
practical approach to improving balance, coordination and movement. During this
course we will learn about habits of thinking and moving that cause stress and
fatigue. This awareness will enable different choices to be made in ourselves
and how we respond to the environment.
Course |
THTR 141 B Alexander Technique I |
|
Professor |
Judith Youett |
|
CRN |
17267 |
|
Schedule |
Fr 9:00 - 10:20 am Fisher PAC Studio North |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
1 credit. A world-respected
technique developed over 100 years ago; the Alexander Technique is a valuable
tool for performers, writers, scholars, and artists. It is a simple and
practical approach to improving balance, coordination and movement. During this
course we will learn about habits of thinking and moving that cause stress and
fatigue. This awareness will enable different choices to be made in ourselves
and how we respond to the environment.
Course |
THTR 142 Alexander Technique II |
|
Professor |
Judith Youett |
|
CRN |
17250 |
|
Schedule |
Mon 10:30 - 11:50 am Fisher PAC Studio North |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
1 credit Level II deepens the study
of Alexander Technique including the developmental movements that children make
from birth to upright posture.
Course |
THTR 207A Playwrighting I |
|
Professor |
Dominic Taylor |
|
CRN |
17677 |
|
Schedule |
Tu 9:30 - 11:50 am Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
4
credits An
introductory course that focuses on discovering the writer’s voice. Through
writing exercises based on dreams, visual images, poetry, social issues, found text,
and music, each writer is encouraged to find his or her unique language, style,
and vision. A group project will
explore the nature of collaborative works.
Students learn elements of playwriting through writing a one-act play,
reading assignments, and class discussions.
This course is for sophomores and upper-college students only. On-line registration
Course |
THTR 207B Playwrighting I |
|
Professor |
Chiori Miyagawa |
|
CRN |
17266 |
|
Schedule |
Fr 3:00 -5:20 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
4
credits An
introductory course that focuses on discovering the writer’s voice. Through
writing exercises based on dreams, visual images, poetry, social issues, found text,
and music, each writer is encouraged to find his or her unique language, style,
and vision. A group project will
explore the nature of collaborative works.
Students learn elements of playwriting through writing a one-act play,
reading assignments, and class discussions.
This course is for sophomores and upper-college students only. On-line registration
Course |
THTR 208 Playwrighting II |
|
Professor |
Dominic Taylor |
|
CRN |
17412 |
|
Schedule |
Mon 3:00 -5:20 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
4
credits This
course will function as a writer’s workshop. Students focus on developing a
full-length play, with sections of the work-in-progress presented in class for
discussions. Students grow as playwrights by developing characters and
themes that are sustained through a full-length play. The students will
also read a wide range of dramatic literature and be exposed to diverse styles
of playwriting. Prerequisite:
Playwriting I or Theatrical Adaptations.
On-line
registration
Course |
THTR 209 Scene Study |
|
Professor |
Lynn Hawley |
|
CRN |
17248 |
|
Schedule |
Mon 1:00 -4:00 pm Fisher PAC Theater Studio |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
3 credits A
course intended for students who have taken one semester of Intro to Acting and
would like to continue their study. The course deals with movement from a games
oriented curriculum into work with theatrical texts and discovery of the
processes of scene study.
Course |
THTR 209 Scene Study |
|
Professor |
Jonathan Rosenberg |
|
CRN |
17253 |
|
Schedule |
Tu
Th 10:30 - 11:50 am Fisher PAC Theater Studio |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
A course intended for students who have taken one
semester of Intro to Acting and would like to continue their study. The course
deals with movement from a games oriented curriculum into work with theatrical
texts and discovery of the processes of scene study.
Course |
THTR 210 History of Theater II |
|
Professor |
Jean Wagner |
|
CRN |
17410 |
|
Schedule |
Tu
Th 10:30 - 11:50 am OLIN 202 |
|
Distribution |
OLD: F |
NEW: Analysis
of Art
|
4
credits This course
looks at the major periods of dramatic literature, from the renaissance to the
twentieth century. Plays will be read with particular reference to historical
context and dramatic convention informing theater practice during these
periods. Along with the plays, we’ll look at critical and theoretical essays
that elucidate these social and aesthetic conditions. Playwrights will include Moliere, Ibsen, Chekhov, Brecht and
Beckett. On-line registration
Course |
THTR 215 Physical Comedy |
|
Professor |
James Calder |
|
CRN |
17259 |
|
Schedule |
Wed 9:30 - 12:30 pm Fisher PAC Theater Studio |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
2
credits Beginning
with exercises in broad physicality, balance, rhythm, discovery, physical mask
and surprise, this class explores what about the individual student is unique and funny. When we begin to forget
what is an appropriate response, and imagine what we would be like if we were
never socialized, we begin to discover “the clown” that lives in each of us. By
embracing the archetypes of childhood and reclaiming the “internal response”
without the diminishing filter of socialization, we start to lose the
inhibitions that block us from being purely expressive. This class encourages
openness, invention, playfulness, generosity, sensitivity, and courage
Prerequisite: Introduction to Acting
Course |
THTR 227 Neutral Masks |
|
Professor |
Shelley Wyant |
|
CRN |
17256 |
|
Schedule |
Tu 9:00 - 12:00 pm Fisher PAC Studio North |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
2 credits The
roots of this work with the mask come from a diverse system of traditions
including the Balinese, the great teachers and theorists Pierre LeFevre, Michel
St. Denis, Jaques LeCoq and Francis Delsarte. Neutral Mask is an exploration of
the world of the mask and all the freedom inherent to performers within that
world. We discover the essence of transformation by using the tools of breath
and focus. Students learn to identify the elements that contribute to physical
freedom through the four stages of man and mythological stories.On-line
registration
Course |
THTR 231 Voice and Verse I |
|
Professor |
Elizabeth Smith |
|
CRN |
17263 |
|
Schedule |
Fr 10:30 - 12:30 pm Fisher PAC Theater Studio |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
2
credits Verse is a
significant part of drama and learning to interpret it and speak it is essential
for the performer. This course deals with verse from the great poets and
dramatists, with an emphasis on Shakespeare. Prerequisite: THTR 131
Course |
THTR 303 Directing Seminar |
|
Professor |
Jean Wagner |
|
CRN |
17261 |
|
Schedule |
Wed 1:00 -4:00 pm Fisher PAC Studio North |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
4 credits This is a studio course
that covers the practice of directing from text analysis, ‘table work’, imagining
the world of the play, design, casting, space, rehearsal and blocking in
different configurations. The work will proceed from scenes to a full-length
work. By permission of the instructor. On-line registration
Course |
THTR 307 Advanced Acting |
|
Professor |
James Calder |
|
CRN |
17260 |
|
Schedule |
Wed 1:00 -4:00 pm Fisher PAC Theater Studio |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
4 credits This is a studio acting class
where students will explore scenes from challenging plays of varied styles.
Extensive rehearsal time outside of class is required. Prerequisites: Intro to Acting and Scene Study. Maximum enrollment:
12 students.
Course |
THTR 307 Advanced Acting |
|
Professor |
Naomi Thornton |
|
CRN |
17262 |
|
Schedule |
Th 1:00 -3:00 pm Fisher PAC Studio North |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
3 credits This is a studio acting class
where students will explore scenes from challenging plays of varied styles.
Extensive rehearsal time outside of class is required. Prerequisites: Intro to Acting and Scene Study. Maximum enrollment:
12 students.
Course |
THTR 310B Survey of Drama: Musical Theater |
|
Professor |
Stephanie Fleischmann |
|
CRN |
17539 |
|
Schedule |
Wed 9:30 - 11:50 am Fisher P. Arts |
|
Distribution |
OLD: A |
NEW: Analysis
of Art
|
This course will examine the evolution of the musical
as a dynamic force in American theater. A vibrant theatricality and frequently,
a veneer of nostalgia for a simpler past are inherent to the form. But more
often than not, underneath the entertaining surface, lie complex social and
political implications. Within the frame of a larger historical context, we
will view the history of the musical – from its roots in European ballad opera,
and the quintessentially American forms of minstrelsy, vaudeville, burlesque,
and venue, to the book musical and beyond. We will discuss works by Kurt Weill,
Jerome Kern, Rogers & Hammerstein,
Leonard Bernstein, Stephen Sondheim, and others including Gershwin, Comden
& Green, and Cole Porter. We will also investigate the work of contemporary
artists making music theater outside the Broadway idiom-ranging from Robert
Wilson to Meredith Monk to the Wooster Group. The course will look at the
intricacies involved in making music theater as well as the dramaturgy of
various song/scene structures and the craft of lyrics, or how words sing.
Students will explore how they can apply their understanding of the musical and
its history to theater of their own making. Source material will include:
recordings, videos, book/lyrics, interviews, biography, and criticism. Students
will present projects in class, write papers, participate in analytical
discussions, and delve into a handful of creative exercises to gain an
understanding of the complexity of the collaborative process that is at the
core of making musical theater.
Course |
THTR 318 Visual Imagination for the Modern Stage |
|
Professor |
Narelle Sissons |
|
CRN |
17251 |
|
Schedule |
Mon 1:00 -4:00 pm Fisher PAC Studio North |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
4
credits A
course taught by leading designers and directors in the field. It examines the
explosive prominence of visionary visual ideas on the stage in the past 30
years, the emergence of a new form of collaboration between directors and
designers and the inclusion of the new media on the stage. This course is
required for upper-college theater students.
Course |
THTR 320 Theater Salon |
|
Professor |
JoAnne Akalaitis |
|
CRN |
17413 |
|
Schedule |
Th 4:30 -7:30 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
|
“salon: an assembly of guests in a drawing room,
esp. such an assembly consisting of leaders in art.”
Theater salon is an assembly of students in Prof.
Akalaitis’ apartment with leaders in the field of theater, directors, actors, designers
and playwrights. Each week a reading is assigned to students and the guest
artist for discussion (along with discussion of the artist’s work). In the
spirit of true salon, an early dinner is served. The readings will be rigorous
and eclectic, and not necessarily about theater. Besides dramatic literature
some reading might include George Steiner, Calvino, Artaud, Kantor, Benjamin,
Foucault. The discussions will have a
vast and lively range, including theater, architecture, Futurism and sports. At
least one museum visit. Writing is required.