Course |
THTR 101 A Introduction to Acting |
|
Professor |
Lynn Hawley |
|
CRN |
16398 |
|
Schedule |
Tu Th 10:30 - 11:50 am Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
3
credits This course,
intended for prospective theater majors, focuses on accessing the beginning
actor’s imagination and creative energy.
Using theater games, movement work, and improvisational techniques, the
intent is to expand the boundaries of accepted logic and to encourage
risk-taking in the actor. Course work
includes intensive classroom sessions, individual projects designed to promote
self-discovery, and group projects focused on the process of collaborative
work.
Course |
THTR 101 B Introduction to Acting |
|
Professor |
Naomi Thornton |
|
CRN |
16399 |
|
Schedule |
Th 3:20 -5:20 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
2
credits Scene
preparation and beginning scene technique.
Emphasis on relaxation, breathing, and concentration. Teaching the actor to make choices and
implement them using sense memory and to integrate this work with the
text. Group and individual exercises
and improvisations. Continuous work on the acting instrument stressing freedom,
spontaneity, and individual attention. Materials: poems, monologues, stories,
and scenes. Reading of American plays,
1930 to present.
Course |
THTR 122 Movement for Actors |
|
Professor |
Jean Churchill |
|
CRN |
16400 |
|
Schedule |
Tu 4:00 -5:20 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
1
credit Basic
training in movement, rhythm, development of technique and confidence in space.
Course |
THTR 131 A Voice for Majors |
|
Professor |
Elizabeth Smith |
|
CRN |
16401 |
|
Schedule |
Tu Fr 1:25 -2:25 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
2
credits This
course is designed to develop an awareness of the importance of physical relaxation,
breath capacity and control, resonance and placement. There will also be an emphasis on clarity of articulation and the
use of vocal range and inflection. This
course is intended for moderated and prospective theater majors.
Course |
THTR 132 Voice for Non-Majors |
|
Professor |
Elizabeth Smith |
|
CRN |
16402 |
|
Schedule |
Tu Fr 2:55 -3:55 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
2
credits This course will concentrate on basic voice and speech
work to enable the students to communicate with greater clarity and
confidence. Some of the demands of
speaking in public will also be addressed.
Course |
THTR 141 A Alexander Technique I |
|
Professor |
Judith Youett |
|
CRN |
16403 |
|
Schedule |
Mon 9:00 - 10:20 am Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
1
credit. A
world-respected technique developed over 100 years ago; the Alexander Technique
is a valuable tool for performers, writers, scholars, and artists. It is a simple and practical approach to
improving balance, coordination and movement.
During this course we will learn about habits of thinking and moving
that cause stress and fatigue. This
awareness will enable different choices to be made in ourselves and how we
respond to the environment. Register
for one 90-minute group per week, THTR 141A or THTR 141B.
Course |
THTR 141 B Alexander Technique I |
|
Professor |
Judith Youett |
|
CRN |
16428 |
|
Schedule |
Fr 9:00 - 10:20 am Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
See description above.
Course |
THTR 142 Alexander Technique II |
|
Professor |
Judith Youett |
|
CRN |
16404 |
|
Schedule |
Mon 10:30 - 11:50 am Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
1
credit Level II
deepens the study of Alexander Technique including the developmental movements
that children make from birth to upright posture.
Course |
THTR 207 A Playwrighting I |
|
Professor |
Chiori Miyagawa |
|
CRN |
16405 |
|
Schedule |
Tu 1:30 -3:50 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
4
credits An introductory
course that focuses on discovering the writer’s voice. Through writing
exercises based on dreams, visual images, poetry, social issues, found text,
and music, each writer is encouraged to find his or her unique language, style,
and vision. A group project will
explore the nature of collaborative works.
Students learn elements of playwriting through writing a one-act play,
reading assignments, and class discussions. On-line
Course |
THTR 207 B Playwrighting I |
|
Professor |
Dominic Taylor |
|
CRN |
16419 |
|
Schedule |
Wed 1:30 -3:50 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
See description above.
Course |
THTR 208 Playwrighting II |
|
Professor |
Dominic Taylor |
|
CRN |
16406 |
|
Schedule |
Tu 4:00 -6:20 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
4
credits This
course will function as a writer’s workshop. After writing a short play,
students focus on developing a full-length play, with sections of the
work-in-progress presented in class for discussions. Students grow as
playwrights by being exposed to diverse dramatic literature and doing a short
adaptation project either of a classic play or a short story.
Prerequisite: Playwrighting I.
Course |
THTR 209 A Scene Study |
|
Professor |
Jonathan Rosenberg |
|
CRN |
16407 |
|
Schedule |
Mon Wed 10:30 - 11:50 am Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
3
credits A course intended
for students who have taken one semester of Intro to Acting and would like to
continue their study. The course deals with a movement from a games oriented
curriculum into work with theatrical texts and discovery of the processes of
scene study.
Course |
THTR 209 B Scene Study |
|
Professor |
Lynn Hawley |
|
CRN |
16427 |
|
Schedule |
Tu 1:30 -4:30 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
3
credits A course intended
for students who have taken one semester of Intro to Acting and would like to
continue their study. The course deals with a movement from a games oriented
curriculum into work with theatrical texts and discovery of the processes of
scene study.
Course |
THTR 210 History of Theater II |
|
Professor |
Jean Wagner |
|
CRN |
16421 |
|
Schedule |
Mon Wed 1:30 -2:50 pm OLIN 309 |
|
Distribution |
OLD: F |
NEW: Analysis
of Arts
|
4
credits This course
looks at the major periods of dramatic literature, from the renaissance to the
twentieth century. Plays will be read with particular reference to historical
context and dramatic convention informing theater practice during these
periods. Along with the plays, we’ll look at critical and theoretical essays
that elucidate these social and aesthetic conditions. Playwrights will include Moliere, Ibsen, Chekhov, Brecht and
Beckett. On-line
Course |
THTR 215 Physical Comedy |
|
Professor |
James Calder |
|
CRN |
16408 |
|
Schedule |
Fr 9:30 - 12:30 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
2
credits Beginning
with exercises in broad physicality, balance, rhythm, discovery, physical mask and
surprise, this class explores what about the individual student is unique and funny. When we begin to forget
what is an appropriate response, and imagine what we would be like if we were
never socialized, we begin to discover “the clown” that lives in each of us. By
embracing the archetypes of childhood and reclaiming the “internal response”
without the diminishing filter of socialization, we start to lose the
inhibitions that block us from being purely expressive. This class encourages
openness, invention, playfulness, generosity, sensitivity, and courage
Prerequisite:
Introduction to Acting
Course |
THTR 227 Neutral Masks |
|
Professor |
Shelley Wyant |
|
CRN |
16409 |
|
Schedule |
Tu 9:00 - 12:00 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
2
credits The roots
of mask work come from a diverse system of traditions including the Balinese,
the great teachers and the theorists Pierre LeFevre, Michel St. Denis, Jaques
LeCoq and Francis Delsarte. Neutral
Masks is an exploration of the world of the mask and all the freedom it has to
offer performers, using tools of breath and focus. Students learn to identify the elements that contribute to
physical expression.
Course |
THTR 228 Character Mask |
|
Professor |
Shelley Wyant |
|
CRN |
16420 |
|
Schedule |
Th 1:30 -4:30 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
2
credits Building
on the work of Neutral Mask, students will work with masks that have very stylized
and recognizable expressions. This
leads the performer into liberation behind the mask that assists in the
development of characters. Through the
body, the story of the person in the mask is explored.
Course |
THTR 231 Voice and Verse I |
|
Professor |
Elizabeth Smith |
|
CRN |
16410 |
|
Schedule |
Fr 10:30 - 12:30 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
2
credits Verse is a
significant part of drama and learning to interpret it and speak it is
essential for the performer. This course deals with verse from the great poets
and dramatists, with an emphasis on Shakespeare. Prerequisite: THTR 131
Course |
THTR 240 Theatrical Adaptation |
|
Professor |
Chiori Miyagawa |
|
CRN |
16411 |
|
Schedule |
Mon 3:00 -5:20 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
Adapting classic and contemporary fiction
or biographies to a theatrical form is a creative process that integrates the
original intention of the material with the writer’s imagination. It is an
exciting collaboration between two writers, though only one is writing the
script. Adaptations have an important place in all storytelling fields -
musicals, plays, television shows and movies – and their popularity is
increasing. In this class students will
read examples of successfully adapted scripts and examine different approaches
and styles of writing. They will adapt
several short stories into short plays and choose a significant person in
history, research his or her biographical information, and write a play based
on his or her life. The students will
choose the subject matter for the final project. Students who are interested in
taking this course should have taken at least one introductory writing workshop
in any genre. Email Prof. Miyagawa at [email protected]
a brief statement of interest by December 1st. On-line
Course |
THTR 303 Directing Seminar |
|
Professor |
JoAnne Akalaitis |
|
CRN |
16412 |
|
Schedule |
Wed 1:00 -4:00 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
4 credits This is a studio course that covers the practice of
directing from text analysis, “table work”, imagining the world of the play,
design, casting, space, rehearsal and blocking in different configurations. The
work will proceed from scenes to a full-length work. By permission of the instructor.
Course |
THTR 303CO Acting Company |
|
Professor |
JoAnne Akalaitis |
|
CRN |
16413 |
|
Schedule |
Wed 1:00 -4:00 pm Fisher P. Arts Th 10:30 - 11:50 am Fisher P. Arts |
|
Distribution |
OLD: F |
NEW: Practicing
Arts
|
4 credits Corresponding with Directing Seminar, actors work
with student directors on scene work for in-class presentation. Open to first year students.
Course |
THTR 307 Advanced Acting |
|
Professor |
James Calder |
|
CRN |
16414 |
|
Schedule |
Fr 1:00 -4:00 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
4
credits. The
Kinetics of Theater: Creating New Works of Visual Drama. A performance-oriented course where students
will work primarily in a movement image realm while creating works of drama
derived from both Literature and popular culture. Extensive reading and viewing of classical and modern texts and
film will provide the basis for exploration of nee methods of presenting modern
drama. Groups will delve into
collaborative research and development of new work and the course will
culminate in a series of public performances. The course is open to upper
college students and will involve a vigorous schedule of research, in class
presentation, improvisation and physical work.
Prerequisite: Any previous Advanced Scene Study class or by
permission
Course |
THTR 308 Advanced Scene Study |
|
Professor |
Naomi Thornton |
|
CRN |
16417 |
|
Schedule |
Th 1:00 -3:00 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
3
credits Scene
Technique with work on specific rehearsal tasks and practice of their
application. Continued work on the acting instrument, understanding the actor as
artist and deepening the physical, emotional, intellectual connection and
availability of each actor. Advanced individual exercises, scenes, and
monologues from all dramatic literature. Intended for Upper College students,
others by permission. Repeatable for credit.
Prerequisite: Introduction to Acting
Survey of Drama courses study the major styles and
periods in drama from a literary, stylistic, and performance perspective, and
are at the center of the Theater Program. They are practical courses, applying
text to scene work. All theater majors are expected to take three courses over
two years from the Survey of Drama. Each
course carries 4 credits.
Course |
THTR 310F Dissent and its Performance |
|
Professor |
Thomas Keenan / Chiori Miyagawa |
|
CRN |
16415 |
|
Schedule |
Wed 9:30 - 11:50 am Fisher P. Arts |
|
Distribution |
OLD: A/B |
NEW: Analysis
of Arts
|
Cross-listed: Human Rights, Literature, & Theater
What
is dissent and how does it manifest itself? What counts as disagreement? Are
there boundaries to legitimate dissent? How do we recognize, and engage in,
fundamental debates? We will explore
the possibilities, strategies, and limits of dissent in a wide range of plays,
ethical and political statements, and theoretical texts. We will spend most of
the semester on four topics: ancient Greece, recent tyrannies and repressive
societies, war and the opposition to it, and contemporary terrorism and
counter-terrorism. After reading
selections from Greek drama -- one of the oldest known forms of dissent -- we
will focus on politics and theater from the twentieth and twenty-first centuries.
We will discuss freedom of expression (from samizdat to hate speech to jihadi
internet sites), antiwar protests in 20th century America, and the distinction
between speaking and acting, drawing from extreme forms of expressions as well
as texts in contemporary human rights theory. In addition to analyzing dissent,
the course examines the relationship between oppositional belief and its
manifestation in the form of performances. We will be especially interested in
what difference performance makes, in order to understand the relation between content
and form in dissent. Among the authors considered are Euripides, Sophocles,
Langston Hughes, Tony Kushner, Ariel Dorfman, Vaclev Havel, Emily Mann, Arthur
Miller, Naomi Wallace, Suzan-Lori Parks, Athol Fugard, August Wilson, Susan
Sontag, Arundhati Roy, Emma Goldman, Michel Foucault, and Jacques Ranciejjre.
On-line
This course is open to upper college
students and some sophomores with a permission of the instructors.
Course |
THTR 310G Survey of DramaShakespeare: The Art of Dramatic Interpretation |
|
Professor |
Jonathan Rosenberg |
|
CRN |
16418 |
|
Schedule |
Tu 1:30 -3:50 pm OLIN 202 |
|
Distribution |
OLD: A |
NEW: Analysis
of Arts
|
A director reads a play the
way a conductor reads a score; not as a work of literature but as a work to be
translated into the language of the stage. In this class we will do a close
reading of several of Shakespeare’s plays, trying to understand how the
information analyzed and then processed through the director’s imagination,
aesthetic, social and political views, emotions and dream life manifests in the
production. We will also examine (through video, pictures and written
descriptions) seminal productions of these plays and discuss how these
directors might have read these texts. Although the primary reading will be of
the plays themselves, there will be additional readings from texts including
Jonathan Miller’s Subsequent Performances, Peter Brook’s The Shifting
Point, Bert O. States’ Great Reckonings in Little Rooms, Jan Kott’s Shakespeare
Our Contemporary, Susan Bennett’s Performing Nostalgia: Shifting
Shakespeare and the Contemporary Past, Robert Edmond Jones’ Towards a
New Theatre and The Dramatic Imagination and Political Shakespeare
edited by Jonathan Dollimore and Alan Sinfield. Open to upperclassmen and qualified sophomores by permission of the instructor. Open for On-line registration, but students must
contact Prof. Rosenberg prior to Registration Day. On-line
Course |
THTR 318 Visual Imagination for the Modern Stage |
|
Professor |
Narella Sissons |
|
CRN |
16416 |
|
Schedule |
Mon 1:00 -4:00 pm Fisher P. Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
4
credits A
course taught by leading designers and directors in the field. It examines the
explosive prominence of visionary visual ideas on the stage in the past 30
years, the emergence of a new form of collaboration between directors and
designers and the inclusion of the new media on the stage. This course is
required for upper-college theater students.