Course |
LIT 121 First Fiction Workshop |
|
Professor |
Mat Johnson |
|
CRN |
15176 |
|
Schedule |
Tu Th 4:30 -5:50 pm OLIN 101 |
|
Distribution |
OLD: B/F
|
NEW: Practicing
Arts
|
This course is for students who propose a commitment
to writing and have already written stories or worked toward narrative text of
any length. Also, reading of selected writers. Group response, analysis, and
evaluation. Discussion of general principles.
(Candidates
must submit samples of their work before registration, with optional cover
letter, to Professor Johnson via campus mail by noon on Monday, November 29th.)
Course |
LIT 123 First Poetry Workshop |
|
Professor |
Michael Ives |
|
CRN |
15127 |
|
Schedule |
Mon Th 3:00
-4:20 pm OLIN 307 |
|
Distribution |
OLD: B/F
|
NEW: Practicing
Arts
|
This
workshop is for students who strongly desire to experiment with making their
own writing a means of learning, both about literature and poetry, and about
the discipline of making works of art. Stress is on growth: in the student's
own work, and in the individual’s awareness of what sorts of activities,
rhythms, and tellings are possible in poetry, and how poets go about learning
from their own work. The central work of the course is the student's own
writing, along with the articulation, both private and shared, of response to
it. Readings will be undertaken in contemporary and traditional poets,
according to the needs of the group, toward the development of familiarity with
poetic form, poetic movement, and poetic energy. Attendance at various evening
poetry readings and lectures is required.
(Candidates
must submit samples of their work before registration, with optional cover
letter, to Prof. Ives via campus mail by noon on Monday, November 29th.)
Course |
LIT 2181 Reading and Writing the Essay |
|
Professor |
Susan Rogers |
|
CRN |
15137 |
|
Schedule |
Th 1:30 -3:50 pm OLIN 107 |
|
Distribution |
OLD: F |
NEW: Practicing
Art
|
This course
will involve equal parts reading and writing and is for students who want to
develop their creative writing, and their analytic thinking. Readings will be taken from Philip Lopate's
The Art of the Personal Essay, which traces the long tradition of the personal
essay from Seneca, through Montaigne (the father of the personal essay) to
contemporary stylists such as Richard Rodriguez and Joan Didion. The personal essay is an informal essay that
begins in the details of every day life and expands to a larger idea. Emphasis
will be placed on reading closely to discover the craft of the work: how scenes
and characters are developed, how dialog can be used, how the form can fracture
from linear narrative to the collage.
Student' s work--three essays--will be critiqued in a workshop
format. This course is for students
with experience in writing workshops, fiction writers and poets who want to
explore another genre, and writers who enjoy expressing ideas through the lens
of personal experience. Those who bring
knowledge from other disciplines are encouraged to apply. Candidates must submit samples of their work via
campus mail to Susan Rogers by noon
on Monday, November 29th.
Course |
LIT 221 Writers Workshop:Prose Fiction |
|
Professor |
Peter Sourian |
|
CRN |
15125 |
|
Schedule |
Tu 10:30 - 12:50 pm ASP 302 |
|
Distribution |
OLD: B/F
|
NEW: Practicing
Arts
|
Practice in imaginative writing. Students will
present their own work for group response, analysis, and evaluation. Also
reading of selected writers. Permission of the instructor is required. (Candidates must submit samples of their
work before registration, with optional cover letter, to Professor Sourian via
campus mail by noon on Monday, November 29th.)
Course |
LIT 322 Poetry Workshop |
|
Professor |
Robert Kelly |
|
CRN |
15210 |
|
Schedule |
Th 1:30 -3:50 pm OLIN 101 |
|
Distribution |
OLD: B/F
|
NEW: Practicing
Arts
|
Students present their own work to the group for
analysis and response. Suggested readings
in contemporary poets. Optional writing assignments are given for those poets
who may find this useful. The course is open to sophomores, juniors and
seniors.
(Candidates
must submit samples of their work before registration, with optional cover letter,
to Professor Kelly via campus mail by noon on Monday, November 29th.)
Course |
LIT 3241 Advanced Narrative Strategies |
|
Professor |
Bradford Morrow |
|
CRN |
15374 |
|
Schedule |
Mon 10:30 - 12:50 pm OLIN 101 |
|
Distribution |
OLD: F
|
NEW: Practicing
Arts
|
This fiction workshop, intended for experienced and
committed writers, is devoted to the conception, design, and composition of
short stories as well as novels. Students will be expected to
complete from first to final draft three works of short fiction or chapters of
a novel, and also learn how to edit the manuscripts of fellow writers in the
workshop. We will also read books by established writers in order to investigate various
approaches to narrative
challenges and form a better understanding of how fiction is written. (Candidates must submit
samples of their work before registration, with optional cover letter, to
Professor Morrow via campus mail by noon on Monday, November 29th.)
Course |
LIT 422 Writers Workshop for Non-Majors |
|
Professor |
Robert Kelly |
|
CRN |
15471 |
|
Schedule |
Tu 1:30 -3:50 pm OLIN 101 |
|
Distribution |
OLD: B/F
|
NEW: Practicing
Arts
|
A course designed for juniors and seniors, preference to seniors, who are not writing majors, but who might wish to see what they can learn about the world through the act of writing. Every craft, science, skill, discipline can be articulated, and anybody who can do real work in science or scholarship or art can learn to write, as they say, "creatively"--that is, learn how to make what concerns them also interest other people by means of language. This course will give not more than a dozen students the chance to experiment with all kinds of writing. Poetry is the name of an activity, and that activity will sometimes produce objects called poems and sometimes other sorts of texts. Towards all resultant texts our attention will turn. This is not a course in self-expression, but in making new things. No portfolio is required but prospective students must consult with Prof. Kelly prior to registration.