Course |
PHOT 105 A Photographic Seeing |
|
Professor |
Stephen Shore |
|
CRN |
15353 |
|
Schedule |
Mon 9:30 am – 12:30 pm Woods Studio |
|
Distribution |
OLD: F
|
NEW: Practicing
Arts
|
Beyond the material technique of photography lies a
visual technique. This involves learning to see the way a camera sees; learning
how a photograph, by its nature, transforms the world in front of the camera.
The first half of the semester is devoted to exploring this visual grammar of
photography and how it clarifies a photograph's meaning and the photographer's
intent. During the second half of the semester, students pursue independent
projects, putting their visual understanding into practice.
Prerequisite:
Photography 101 or 103.
Course |
PHOT 105 B Photographic Seeing |
|
Professor |
Barbara Ess |
|
CRN |
15354 |
|
Schedule |
Tu 1:30 - 4:30 pm Woods Studio |
|
Distribution |
OLD: F
|
NEW: Practicing
Arts
|
Beyond the material technique of photography lies a
visual technique. This involves learning to see the way a camera sees; learning
how a photograph, by its nature, transforms the world in front of the camera.
The first half of the semester is devoted to exploring this visual grammar of
photography and how it clarifies a photograph's meaning and the photographer's
intent. During the second half of the semester, students pursue independent
projects, putting their visual understanding into practice.
Prerequisite:
Photography 101 or 103.
Course |
PHOT 105 C Photographic Seeing |
|
Professor |
Tim Davis |
|
CRN |
15467 |
|
Schedule |
Wed 1:00 – 4:00 pm Woods Studio |
|
Distribution |
OLD: F
|
NEW: Practicing
Arts
|
Beyond the material technique of photography lies a
visual technique. This involves learning to see the way a camera sees; learning
how a photograph, by its nature, transforms the world in front of the camera.
The first half of the semester is devoted to exploring this visual grammar of
photography and how it clarifies a photograph's meaning and the photographer's
intent. During the second half of the semester, students pursue independent
projects, putting their visual understanding into practice.
Prerequisite:
Photography 101 or 103.
Course |
PHOT 201 The View Camera |
|
Professor |
Stephen Shore |
|
CRN |
15356 |
|
Schedule |
Tu 9:30am- 12:30 pm Woods Studio |
|
Distribution |
OLD: F
|
NEW: Practicing
Arts
|
View cameras were the first cameras and were the
primary photographic tool for the first half of photography’s history. They
offer unexcelled clarity, tonality, and image control. The operation of the
view camera and advanced darkroom techniques are demonstrated in this course.
The class explores the expressive potential of the conscious use of the
camera’s precise control of the image. Students are supplied with 4" x
5" camera outfits. Admission by
portfolio.
Prerequisite:
Photography 105 or 106.
Course |
PHOT 203 A Color Photography |
|
Professor |
Barbara Ess |
|
CRN |
15357 |
|
Schedule |
Mon 6:00 – 9:00 pm
Woods Studio |
|
Distribution |
OLD: F
|
NEW: Practicing
Arts
|
An introduction to the problem of rethinking
photographic picture‑making through the medium of color photography.
Transparencies, color negatives, and type C prints are the technical areas
explored. Interested students should bear in mind the higher costs of color
materials. Admission by portfolio.
Course |
PHOT 203 B Color Photography |
|
Professor |
Tim Davis |
|
CRN |
15358 |
|
Schedule |
Th 1:30 - 4:30 pm Woods Studio |
|
Distribution |
OLD: F
|
NEW: Practicing
Arts
|
An introduction to the problem of rethinking
photographic picture‑making through the medium of color photography.
Transparencies, color negatives, and type C prints are the technical areas
explored. Interested students should bear in mind the higher costs of color
materials. Admission by portfolio.
Course |
PHOT 302 A Advanced Photography |
|
Professor |
Tim Davis |
|
CRN |
15360 |
|
Schedule |
Wed 6:00 – 9:00 pm Woods Studio |
|
Distribution |
OLD: F
|
NEW: Practicing
Arts
|
To prepare the student for ongoing independent
work, this course emphasizes the exploration of visual problems. At the heart
of this exploration is asking good questions of oneself and one's work, seeing
how other photographers and artists in other media have dealt with such
questions, and "answering" the questions for oneself through
individual projects.
Course |
PHOT 307 Advanced Digital Imaging |
|
Professor |
John Pilson |
|
CRN |
15359 |
|
Schedule |
Fr 1:30 - 4:30 pm Henderson
106 |
|
Distribution |
OLD: F
|
NEW: Practicing
Arts
|
This is a course designed for students with a basic
understanding of the Adobe Photoshop software application. Emphasis will be
placed on exploring digital photography from both a technical and theoretical
perspective. In addition to learning various advanced imaging techniques,
students will be encouraged to critically examine the ways in which digital
imaging effects how we make and look at photographs. Through hands on practice
and in-class critique and dialogue, the class will examine a variety of issues
central to photography in the digital era, such as “What is the relationship of
digital photography to traditional, analog photography? To what degree has our
faith in the veracity of the photographic image been altered by the seamless editing
capabilities of digital photography? How have issues of authorship, ownership,
and copyright been effected? How might photographers best utilize the
interactive arenas of multi-media and the internet? Students will be expected
to bring work to class on a weekly basis and to participate in class critiques.
Open to both photo and non-photo students.
Prerequisite: Digital Imaging 1, or permission of
the instructor.
Course |
PHOT SEM Senior Seminar |
|
Professor |
Faculty |
|
CRN |
15362 |
|
Schedule |
Alternate Mon
7:00 - 10:00 pm Woods Studio |
The senior seminar is a requirement of
all seniors majoring in photography. The seminar meets on a bi-weekly basis and
carries no credit.