Course |
CHI 102 Beginning Chinese I |
|
Professor |
Bruce Knickerbocker |
|
CRN |
15378 |
|
Schedule |
M T W Th 3:00
-4:00 pm Olin L.C. 206 |
|
Distribution |
OLD: D |
NEW: Foreign
Language, Literature, & Culture
|
This
course is intended for students who have completed Beginning Chinese 101, and
for those who have had the equivalent of one semester’s Beginning Chinese at
another institution. We will continue
to focus on both the oral and written aspects of the language. Regular work in the language lab and private
drill sessions with the tutor are required.
An 8-week summer immersion program in Qingdao, China will follow this
course. Upon successful completion of
the summer program, the students will receive six credits.(Financial aid is available for qualified students to cover part of the
cost of the summer program. See Prof.
Ying for details.)
Course |
CHI 202 Intermediate Chinese II |
|
Professor |
Bruce Knickerbocker |
|
CRN |
15156 |
|
Schedule |
Mon Wed 1:30
-2:50 pm Olin L.C. 210 |
|
Distribution |
OLD: D
|
NEW: Foreign
Language, Literature, & Culture
|
This course continues Intermediate Chinese I, and
is for students who have taken one and a half years of basic Chinese, and who
want to expand reading and speaking capacity and to enrich cultural
experiences. We will use audio and
video materials, emphasize communicative activities and language games, and
stress the learning of both receptive and productive skills. In addition to the central language
textbook, other texts will be selected from newspapers, journals, and fictional
works. Conducted in Chinese.
Course |
CHI 310 Reflections of China in Literature and Film |
|
Professor |
Bruce Knickerbocker |
|
CRN |
15157 |
|
Schedule |
Tu Th 4:30 -5:50 pm Olin L.C.
118 Wed 6:00 -8:00 pm Olin L.C.
118 |
|
Distribution |
OLD: D
|
NEW: Foreign
Language, Literature, & Culture
|
With the primary goal of enhancing the speaking,
listening, reading and writing skills of the third and fourth year Chinese
language student, this course continues on the path of the spring semester
course in closely examining films from China, Taiwan and Hong Kong, exploring
through lectures and discussion such possible topics as the origins of
traditional Chinese cinema, nationalism and revolution, the genre of social
realism, the visual representation of contemporary and re-created historical
themes vis-a-vis portrayals offered in literary and historical sources, the
search for roots in the post-Mao era, nativist film and literature, the Fifth
Generation and experimental fiction, Hong Kong popular culture in the
commercial age, feminism and sexuality, and representations of exile, diaspora,
and the new immigrants. Conducted in
Chinese.