STUDIO ARTS


CRN

15426

Distribution

F

Course No.

ART 001 AC

Title

Foundations: Basic Perceptual and Interpretive Drawing

Professor

Alan Cote

Schedule

Wed 9:00 am - 12:00 pm Fisher
This course will utilize basic drawing abilities to explore the two dimensional surface and three dimensional illusion in the construction of simple geometric shapes and forms, the nude, and landscape space. Materials used will be mainly vine charcoal (small and large), Bond paper as well as some rag paper for longer projects. Open to majors and non-art majors.


CRN

15416

Distribution

F

Course No.

ART 001 AG

Title

Foundations: Assemblage Becoming Environment

Professor

Arthur Gibbons

Schedule

Tu 9:30 am - 12:30 pm Fisher

CRN

15422

Distribution

F

Course No.

ART 001 BG

Title

Foundations: The Artist's Log

Professor

Bernard Greenwald

Schedule

Tu 1:30 pm - 4:30 pm Fisher
This is an introductory art course based on visits to visually stimulating sites, on campus, in the Hudson Valley and beyond, where students will work in their logs/journals/sketchbooks. Alternate weeks will be spendt working in the studio transforming visual and verbal notes into artworks and discussion. Projects will be compared to their antecedents in the history of art and students will be encouraged to make experimental use of materials and techniques, leading to a culminating project. There will be some weekend trips.

CRN

15420

Distribution

F

Course No.

ART 001 JV

Title

Foundations: Silkscreen

Professor

Juana Valdes

Schedule

Tu 9:30 am - 12:30 pm Fisher

CRN

15434

Distribution

F

Course No.

ART 001 KF

Title

Foundations: 2D - 3D

Professor

Kenji Fujita

Schedule

Th 9:30 am - 12:30 pm Fisher
An introductory studio art course that will explore visual language using traditional and non-traditional materials and techniques. We will draw from both observation and the imagination to make art works in a variety of mediums. Attention will be paid to the interrelation between two-dimensional and three-dimensional work. No prior experience required. For prospective art majors and non-majors alike.


CRN

15430

Distribution

F

Course No.

ART 001 LO

Title

Foundations:Cyber Graphic and Print

Professor

Lothar Osterburg

Schedule

Wed 1:00 pm - 4:00 pm HDR 106

CRN

15414

Distribution

F

Course No.

ART 101 AC

Title

Painting I: The Stepped Relation of Tone and Color from Shape to Object

Professor

Alan Cote

Schedule

Mon 1:30 pm - 4:30 pm Fisher
The content of the first five weeks will be flat shapes (2-dimensional) to be articulated in black, white and gray as observed in the tonal collages of the class subject. The fourth and fifth week will present color on the two dimensional collages. The student is expected to articulate tone and color with accurate interrelation. Outside of class for this period will include a tonal mix (black to white) on 1 & 2 inch squares, also a color range of complementary as well as analogous color. Black, white and grey still lifes will also be worked on outside of class in preparation for the following five-week sessions. The second five weeks will contain color in and on three-dimensional objects in actual space. These still life sets will start simple (a few objects) and continue to a more complex configuration with different surfaces, scale, and position. Outside of class work will complement the in class work. Alternate possibilities will refer to a historical model such as Cézanne or Chardin better to comprehend arrangement and approach. The last five weeks will approach the clothed figure including the head as subject. The out side problems will complement the in class work with alternative problems referring to historical models. The last week of the semester will be a final review of the semester's work done in an individual review with the instructor of twenty to twenty five pieces selected from the three segments of the semester work plus outside work. It is suggested that acrylic paint on white bond paper (spiral pad) be used for this class.


CRN

15427

Distribution

F

Course No.

ART 101 JS

Title

Painting I

Professor

Joseph Santore

Schedule

Wed 9:00 am - 12:00 pm Fisher
See description above.


CRN

15417

Distribution

F

Course No.

ART 101 KB

Title

Painting I

Professor

Kenneth Buhler

Schedule

Tu 9:30 am - 12:30 pm Fisher
See description above.


CRN

15436

Distribution

F

Course No.

ART 105 ES

Title

Basic Sculpture

Professor

Edward Smith

Schedule

Th 1:30 pm - 4:30 pm Fisher
A practical and systematic study of the generation of volume, from drawing, through linear and planar construction (wood, glue gun) into (clay) modeling and (plaster) casting and carving. We will work on the realization of such concepts as solid and void (space); mass and gravity' axis (direction) and movement; compression and expansion; working in clay and plaster, with the complementary study from art and nature.


CRN

15413

Distribution

F

Course No.

ART 105 JV

Title

Sculpture I: Mixed Media

Professor

Juana Valdes

Schedule

Mon 1:30 pm - 4:30 pm Fisher

CRN

15438

Distribution

F

Course No.

ART 108 ES

Title

Drawing I: Drawing From the Masters

Professor

Edward Smith

Schedule

Fr 9:30 am - 12:30 pm Fisher

CRN

15425

Distribution

F

Course No.

ART 108 KB

Title

Drawing I

Professor

Kenneth Buhler

Schedule

Wed 9:00 am - 12:00 pm Fisher
Drawing is considered the most basic form of visual expression and the acquisition of drawing skills essential to all art disciplines. The goals of this course include developing the ability to compose the basic elements of line, shape, and value into representations of form and space. The work in this class will largely be based on observation-model, interior, still life-with a focus on developing fluency and confidence in the realization of visual ideas. This course is structured to give the student an appreciation and understanding of all the elements of drawing while challenging them to develop a respect for careful looking and thinking.


CRN

15431

Distribution

F

Course No.

ART 108 LB

Title

Drawing I

Professor

Laura Battle

Schedule

Wed 1:00 pm - 4:00 pm Fisher

CRN

15412

Distribution

F

Course No.

ART 109 BG

Title

Printmaking I: Intaglio

Professor

Bernard Greenwald

Schedule

Mon 1:30 pm - 4:30 pm Fisher
This course is an introduction to making prints from metal plates: etching, drypoint, engraving, aquatint, mezzotint, monoprints, monotypes, and color printing. The history of printmaking will be discussed and there will be a visit to a museum printroom to examine masterprints. Students will learn about the archival care of works of art on paper. Some experience with drawing or painting is a prerequisite.


CRN

15380

Distribution

F

Course No.

ART 109 LO

Title

Printmaking I

Professor

Lothar Osterburg

Schedule

Th 9:30 am - 12:30 pm Fisher
This class gives the students an introduction into the print techniques possible at Bard. The first part of the semester will be dedicated to mono printing and woodblock. In both techniques multiple run color printing will be introduced. In the second part of the semester primarily drypoint techniques in intaglio will be explored, but the basics of etching techniques will be introduced as well.


CRN

15424

Distribution

F

Course No.

ART 200 HT

Title

Cybergraphics II

Professor

Hap Tivey

Schedule

Tu 1:30 pm - 4:30 pm Fisher

Cross-listed: Integrated Arts

Level II digital imaging offered in conjunction with level II printmaking. This class is designed to develop images for use in printmaking using mutually dependent techniques and processes. Students may enroll in both classes simultaneously and use products created in each class to create another generation of products in the parallel class. Transparencies and color separations made from digital images may be converted to silk screen, cyanotype and/or photogravure prints. Prints may be scanned and recreated digitally and reprinted from large-scale ink processes. In the first half of the semester, the printing class would examine the basics of silk screen and photogravure printing with simple exposure techniques; simultaneously, the digital class would develop transparency printing, image control and color separation techniques. In the second half of the semester, students in the printing class would use the acquired digital techniques to expose silk screens and/or photogravure plates; simultaneously, the digital class would embark on advanced compilation printing involving multi-layered final products that would include prints made from the non-digital processes. Photoshop skills or permission of the instructor required. Students enrolling in both classes are given priority.


CRN

15418

Distribution

F

Course No.

ART 201 LB

Title

Painting II

Professor

Laura Battle

Schedule

Tu 9:30 am - 12:30 pm Fisher
This studio course will extend the perceptual articulation learned in Painting I. Observation of various natural subjects will continue with more ambitious painting as well as the beginning of abstract and simplification of the various subjects. Different technical and expressive approaches will be encouraged and explored. Outside of class work will relate to the current class problem. A minimum of three hours per week will be required of the serious student. Drawing II is recommended to accompany this course.


CRN

15421

Distribution

F

Course No.

ART 205 WT

Title

Sculpture II: Figure

Professor

William Tucker

Schedule

Tu 1:30 pm - 4:30 pm Fisher
This class will be based on the representation of the figure in sculpture. Students will be expected to make extensive studies in drawing from the model, as a basis for making whole and part figures in clay or plaster.


CRN

15423

Distribution

F

Course No.

ART 208 AC

Title

Drawing II

Professor

Alan Cote

Schedule

Tu 1:30 pm - 4:30 pm Fisher
The first half of the semester, concern with mass, will involve various internal and external marking systems that will interpret the presence of the body with individually chosen concepts that focus on particular aspects of the specific pose and the visual communications of these drawn priorities. Weekly outside of class assignments will follow the in-class instruction throughout the semester. The second half of the semester will engage the drawn relation of the students fixed position to the space of landscape, proceeding with the establishment of the ground plane and the location of the interrelationships of the base of the objects in the field of vision before the embellishment of the object with mark, tone, and textural interpretation. The semester's work will be reviewed during the last week of the semester. This review will consist of at least twelve drawings from each of the two sections including outside assignments; a total of twenty-five drawings. Material for the class will include soft charcoal, soft lead, newsprint and white bond paper. Higher grade paper and different marking materials to be encouraged on an individual basis, by instructor.


CRN

15435

Distribution

F

Course No.

ART 208 NB

Title

Drawing II

Professor

Nayland Blake

Schedule

Th 1:30 pm - 4:30 pm Fisher

 


CRN

15415

Distribution

F

Course No.

ART 211

Title

Painting / Sculpture II: Looking Out Loud

Professor

Sheila Pepe

Schedule

Mon 1:30 pm - 4:30 pm Fisher
This course promotes thinking in the studio that is fueled by the practice of direct and critical observation. Weekly conversations will be conducted in response to looking, reading and studio assignments.


CRN

15429

Distribution

F

Course No.

ART 300 JP

Title

Sculpture III: Installation

Professor

Judy Pfaff

Schedule

Wed 1:00 pm - 4:00 pm Fisher
An advanced level sculpture course dealing with all aspects of construction in a wide variety of materials, especially metals and plastics: actual and illusioned movement, the dynamics of scale in relation to the body, light as transparency and reflection, the communication of energy through the articulation of space. Open to 8 technically qualified students.


CRN

15419

Distribution

F

Course No.

ART 301 EM

Title

Art Talk

Professor

Elizabeth Murray/ Judy Pfaff

Schedule

Th 11:00 am - 4:00 pm Fisher, alternately Th 8:15 am - 5:00 pm New York City
This course will meet each Thursday as follows: One week with studio visits with Elizabeth Murray on campus from 11 am to 4 pm. The next week in New York City with both Judy Pfaff and Elizabeth Murray, leaving by van from the Fisher Parking lot at 8:15 am, and the following week back on campus with studio visits with Judy Pfaff again from 11 am to 4 pm. Limited to 6 - 8 students by permission of instructors.


CRN

15432

Distribution

F

Course No.

ART 301 JS

Title

Painting III

Professor

Joseph Santore

Schedule

Wed 1:00 pm - 4:00 pm Fisher
In this painting course, work and discussion will be at the advanced level. Much of the work will be independent with in-class critiques. Prerequisite: Painting I & II


CRN

15428

Distribution

F

Course No.

ART 308 KF

Title

Drawing III

Professor

Kenji Fujita

Schedule

Wed 9:00 am - 12:00 pm Fisher
This course will explore the range of drawing in its traditional and experimental forms from the observed to the imagined. Among the areas that we will focus on will be drawing from the figure, drawing in series using both sequential and non-sequential strategies, and drawing as a site-specific installation activity. Students will work in class and participate in group critiques. Students will also make a slide presentation and take one trip to galleries. Prerequisite: Drawing II or by permission of the instructor.


CRN

15439

Distribution

F

Course No.

ART FNDRY AS

Title

Foundry

Professor

Arthur Schade

Schedule

* Fr 9:30 am - 3:30 pm
This class offers an exploration of the uses of metal casting in the making of art. Initially, the focus of the class will be on learning the process involved in the creating of forms and the finishing of them. Once the basics are understood, discussion regarding the philosophical and theoretical aspects of the work being made will be integrated into the format. *Classes are alternating Fridays from 9:30 - 3:30 pm

ART SEMINARS

All studio art majors must take three graduated and required seminars (Sophomore, Junior, Senior) aimed at creating a sense of community within the program and at supplementing studio courses by addressing issues and concerns of the visual artist.


CRN

15433

Distribution

A

Course No.

ART 230 TW

Title

Sophomore Seminar

Professor

Tom Wolf

Schedule

Wed 3:00 pm - 4:20 pm Fisher

2 credits This class is designed to familiarize Studio Art majors with the leading artists and art movements of the twentieth century. The history of modern art will rapidly be surveyed with hundreds of slides, comments by the instructor and the class, and visits to New York museums.


CRN

15437

Distribution

A

Course No.

ART 406 NB

Title

Senior Seminar

Professor

Nayland Blake

Schedule

Th 6:00 pm - 9:00 pm Fisher

1 credit All studio art majors (and interested photography majors) who are engaged in the Senior Project will meet for a weekly seminar/critique/ discussion. The aim of the meeting will be to create a forum for the continual exchange of views and ideas among the senior students and to encourage and develop skill in articulating ideas in speech and writing. Its form and subject will change week to week, but will include writing assignments (toward "Work & Image" catalogue); group critiques and discussion of student work; discussion of exhibitions on campus; discussion with guest speakers. All studio art seniors must participate.