ART 100 MM Foundations

Professor: M. MacPhee

CRN: 92547

Distribution: F

Time: W 9:00 am - 12:00 pm FISHER

An exploration of visual language through the making and study of images - photographic, drawn, printed, painted, and modeled in three dimensions. The course is open to all students and is a requirement for all prospective art majors. There is no requirement of ability or prior knowledge or experience, only a serious commitment to discovering the resources of visual art, its practice and history.


ART 100 BG Foundations

Professor: B. Greenwald

CRN: 92545

Distribution: F

Time: Tu 9:30 am - 12:30 pm FISHER

An exploration of visual language through the making and study of images - photographic, drawn, printed, painted, and modeled in three dimensions. The course is open to all students and is a requirement for all prospective art majors. There is no requirement of ability or prior knowledge or experience, only a serious commitment to discovering the resources of visual art, its practice and history.


ART 100 ES Foundations: Printmaking

Professor: E. Smith

CRN: 92548

Distribution: F

Time: F 9:30 am - 12:30 pm FISHER

This course will be a variation on the Image Identity course with building emphasis. It will attempt to show the power and persuasiveness of the object. It will oppose the quick accumulation of images to create meaning such as television and advertising. Its emphasis will be on internal invention. The course will demonstrate that internal invention is a continual renewable resource and the basis for all artistic progress and discovery. It will also show how the implication of images can be seen and developed.


ART 100 WT Foundations

Professor: W. Tucker

CRN: 92546

Distribution: F

Time: Tu 1:30 pm - 4:30 pm FISHER

An exploration of visual language through the making and study of images - photographic, drawn, printed, painted, and modeled in three dimensions. The course is open to all students and is a requirement for all prospective art majors. There is no requirement of ability or prior knowledge or experience, only a serious commitment to discovering the resources of visual art, its practice and history.