91735 |
ARTH 227
Roman Urbanism |
Diana
DePardo-Minsky |
M W 3:10
pm-4:30 pm |
OLIN 102 |
AA |
AART |
91747 |
ARTH 235
Florentine Renaissance Art |
Diana
DePardo-Minsky |
T Th 4:40
pm-6:00 pm |
OLIN 102 |
AA |
AART |
91762 |
ITAL 201 Intermediate Italian I |
Sara Marzioli |
M
T W 9:00 am-10:00 am |
OLINLC 206 |
FL |
FLLC |
This course intends to reinforce students’
skills in grammar, composition, and spoken proficiency, through intensive grammar
review, conversation practice, reading/analysis of short texts, writing simple
compositions, as well as the use of magazine articles, video and songs.
Students engage in discussion and must complete compositions and oral
reports based on Italian literary texts and cultural material. Prerequisites:
Two semesters of elementary Italian or Intensive Italian 106 (or the
equivalent). Class size: 20
91765 |
ITAL 231 THE |
Franco
Baldasso |
T 11:50 am-1:10 pm
Th 11:50 am-1:10 pm |
OLINLC 120 OLINLC 118 |
FL |
FLLC |
Since Homer, the
91766 |
ITAL 318 THE Birth of the Avant-Garde:
FUTURISM, METAPHYSICS, MAGICAL
REALISM |
Franco
Baldasso |
M 1:30 pm-3:50 pm |
OLIN 301 |
FL |
FLLC |
In his essays Traveling Theory and Traveling Theory Reconsidered, Edward
Said underscored the importance of context and geographical dispersal for
revolutionary potential to emerge—or to turn into domestication. In 1909 Filippo
Tommaso Marinetti, an Italian poet stationed in Milan, but born in Alexandria
(Egypt), founded in Paris the modern avant-garde with the publishing of his
first Futurist Manifesto.
Futurism’s breakthrough claims of refashioning Western culture from its very
foundations rapidly spread all over the world. Futurism’s inextricable
conundrum of art, politics and performance would then impact not only
historical avant-gardes, from Dada to Surrealism, but also the idea of the
intellectual as “arsonist” throughout the 20th Century. This course approaches Italian
Avant-gardes—with a focus also on Metaphysical Art and Magical Realism—in the
transnational circulation of aesthetics of the early 20th Century, between
bombastic nationalist claims and tragic negotiations with Fascism. Engaging
with both literature and art, the course unravels the intricate, yet
fascinating knot of aesthetics and politics at the core of modernism, by
studying the birth of the avant-garde and its many contradictions between
national anxieties and global movements of ideas. Class
size: 20