Students interested in studying German should
note that Beginning German is only offered in an intensive format every spring
semester. For more information please see the following description or contact
Prof. Kufner directly.
GER 106: Beginning German Intensive
is designed to enable students with little or no previous experience in German
to complete three semesters of college-level German within five months: spring
semester at Bard, plus four weeks in the summer at Bard College Berlin (upon
successful completion carrying four additional credits). Students will meet ten
hours a week (including a one-hour conversation class with the German language
tutor). Outside of class, students will have the opportunity to connect and
prepare for course work with innovative teaching and learning experiences
online. The communicative approach actively involves students from day one in
this class. As the course progresses, the transition is made from learning the
language for everyday communication to the reading and discussion of classical
and modern texts (such as Goethe, Heine, Kafka, Brecht) as well as of music and
film. The concluding four weeks of the program will be spent at Bard’s sister
campus in Berlin: Students will further explore German language and culture in
a twenty hours per week course, which is accompanied by guided tours
introducing participants to Berlin’s intriguing history, architecture, and
vibrant cultural life. Students interested in this class must consult with
Prof. Stephanie Kufner before on-line registration in
December. (Need-based
financial aid for the
91526 |
GER 202 Intermediate German II |
Franz Kempf |
.T W Th . |
9:00 am -10:00 am |
OLINLC 208 |
FLLC |
For students who have completed three semesters of college
German (or the equivalent). The course is designed to deepen the proficiency
gained in the German Intensive and the summer program in
91981 |
GER
/ LIT 2194 |
Thomas Wild Screenings: |
. T . Th . . . W . . |
3:10 pm -4:30 pm 6:30 pm -9:00 pm |
OLINLC 118 LC 118/PRE 110 |
ELIT |
Cross-listed: Literature, Environmental & Urban Studies Throughout Germany's turbulent
twentieth-century history,
91527 |
GER 405 19th Century German
Literature |
Franz Kempf |
. T . Th . |
1:30 pm -2:50 pm |
OLIN 307 |
FLLC |
"Exit
Metaphysics, enter Sauerkraut" is the phrase frequently used to describe
the development of nineteenth-century German literature from
"Romanticism" to "Naturalism". The phrase also alludes to
the overwhelming experience shared by the majority of intellectuals and writers
at that time: the awareness of the loss of security that idealistic philosophy
had provided and the attempt to find new absolutes. We will investigate the
evolution and the various facets of this experience as it manifests itself in
literature through a close reading of selected works (novels, novellas, poems,
and plays) by Grillparzer, Nestroy, Grabbe, Hebbel, Heine, Morike, Droste-Hulshoff, Keller, Stifler,
C.F. Meyer, Fontane, Schnitzler, Wedekind,
Hauptmann. Conducted in German.
Class size: 12
91980 |
GER 467 CorrespondEnces: Figures of
Writng |
Thomas Wild |
. T . Th . |
11:50 am -1:10 pm |
OLINLC 118 |
FLLC |
“One alone is always wrong; but with two
involved, the truth begins,” reads an aphorism by Friedrich Nietzsche. His
criticism of the isolated genius thinker also proposes an alternative mode of
thinking and writing: creative collaboration. The seminar will explore several instances of
such creative collaborations, e.g. Hannah Arendt and Hilde Domin,
Bertolt Brecht and Walter Benjamin, Paul Celan and Ingeborg Bachmann.
These intellectual relationships are also documented in letter exchanges, so
that our seminar will unfold the word “correspondence” in a literal and in a
figurative way.
In this sense, “Correspondence” exceeds the
limits of a single literary text or a letter; its dynamics translates into
poems, novels, essays, or theoretical writings. As a consequence, fundamental
categories such as authorship, work, intertextuality, or addressing are called
into question. Our seminar will continuously reflect upon those terms based on
canonical writings of modern literary criticism, including Benjamin, and (to be
read in English) Genette, Barthes, Foucault, Lévinas. The course intends to incorporate materials of the
Hannah Arendt Library special collection at