Core Course
91863 |
ANTH 240 Introduction to Media |
Laura Kunreuther |
. T . Th . |
11:50 am -1:10 pm |
OLIN 204 |
HUM |
Cross-listed: Experimental Humanities (core course), Science, Technology & Society This course offers a foundation in media
history and theory, with a focus on how to use aspects of traditional humanistic
approaches such as close reading and visual literacy to critically engage with
both traditional and new media. As
people around the world engage on a daily (and even hourly) basis with a
variety of different media and technology, humanities scholars have turned
their attention to ways new and old media shape people’s perception of time,
space, publicity, knowledge, social and personal identity. Just as culture is being reshaped by everyday
media practices, media itself has reshaped our idea of culture and
humanity. The premise of this course is
that the new-ness of new media can only be approached against the background of
humanistic experimentation and imagination with both old and new media. Drawing
on key media theorists, such as, Walter Benjamin, Fredrick Kittler, Marshall
McLuhen, Donna Haraway, Katherine Hayles, Henry Jenkins, and others, we will
examine topics that include “old media” like money and writing/print culture,
as well as the rise of electronic media like the motion picture, radio, and
digital media - what Jenkins has called the “convergence culture” of today. As
part of our ongoing examinations of how material conditions shape discourse, we
will assess our own positions as users, consumers, and potential producers of
media. This course fulfills a
requirement for the Experimental Humanities concentration, and will involve a
“practice” component that complements our engagement with media theory.
Class
size: 22
92266 |
LIT 2032 signs and symbols: pattern recognition in literature and
code |
Collin Jennings |
M . W . . |
3:10 pm -4:30 pm |
OLINLC 115 |
ELIT |
92353 |
ARTH 132 THE CULTURAL PRACTICE OF MAPPING |
Gretta Tritch-Roman |
M . W . . |
11:50 am -1:10 pm |
HDR 106 |
AART |
91979 |
FILM 251 Small Screens |
Jacqueline Goss |
M . . . . |
1:30 pm -4:30 pm |
AVERY 333/338 |
PART |
91729 |
FILM 320 Internet Aesthetics |
Ed Halter |
. . . Th . |
1:30 pm -4:30 pm |
AVERY 217 |
AART |
91794 |
THTR 349 The Exorcist |
David Levine |
. T . . . |
1:30 pm -4:30 pm |
FISHER PAC STUDIO NO. |
PART |
91791 |
THTR 347 Adapting Shakespeare |
Neil Gaiman |
TBA |
TBA |
|
PART |
91767 |
LIT 3122 The Revenge Tragedy |
Lianne Habinek |
. . W . . |
1:30 pm -3:50 pm |
OLIN 309 |
ELIT |
91553 |
LIT 325 Why Do They Hate Us? REPRESENTING THE MIDDLE EAST |
Dina Ramadan |
. T . . . |
10:10 am -12:30 pm |
OLIN 309 |
FLLC |
91551 |
LIT 2081 Mass Culture of Postwar |
Nathan Shockey |
. T . Th . |
11:50 am -1:10 pm |
OLIN 202 |
FLLC |
91742 |
WRIT 345 Imagining Nonhuman ConsciousnESs |
Benjamin Hale |
. T . . . |
1:30 pm -3:50 pm |
OLIN 304 |
PART |
91902 |
HIST 2123 FROM ANALOG TO DIGITAL: PhotoGRAPHY & Visual
History in |
Drew Thompson |
M . W . . |
11:50 am -1:10 pm |
OLINLC 120 |
HIST |
91934 |
PS 285 Privacy: Why Does It Matter? |
Roger Berkowitz |
. . W . . |
5:00 pm -6:20 pm |
RKC 103 |
HUM |