Historical
studies in the Comparative, English and American literature traditions are
organized into sequences. (Please notify the instructor if you need a sequence
course in order to moderate in the fall of 2013.)
91526 |
LIT 204B Comparative
Literature II: Baroque,
Enlightenment, and the Age of Sensibility |
Joseph
Luzzi |
. T . Th . |
10:10 - 11:30 am |
OLIN 301 |
ELIT |
We
will study the major theoretical and practical literary issues in the period 1600
to 1800. Our discussions will begin by examining the dialogue between poetry
and the other arts of the Baroque, especially the music of Bach and the
sculpture of Bernini. Then our focus will be on how principal literary debates
(e.g., the quarrel of the ancients and moderns, the aesthetic attitudes of the
New Science, the Encyclopedia project, and the emergence of modern feminism)
shaped some of the profound historical and cultural changes of the age. As part
of our sustained reflection on the role and reach and poetry, we will also
examine the critique of Enlightenment rationality and rhetoric in the Age of
Sensibility and Storm and Stress movements. A final goal will be to consider
how the idea of "literature" itself underwent changes in the 17th and
18th centuries that reflected the complex attitudes toward modernity in this
period of scientific, cultural, and political revolution. Authors will include
Descartes, Vico, Voltaire, Mme de Graffigny,
Rousseau, Goethe, and Wollstonecraft; as well as their recent critics Adorno, Culler, Eagleton, Habermas,
and Said. This
course counts as pre-1800 offering. Class
size: 20
91489 |
LIT 204C Comparative
Literature III |
Marina
van Zuylen |
. T . Th . |
3:10 -4:30 pm |
OLIN 201 |
ELIT |
Cross-listed:
French Studies, German Studies Offered as the third installment of the
Comparative Literature sequence, this course will explore some of the key
issues in nineteenth and early twentieth century poetics. It will organize its
readings around two opposing views: should literature carve for itself an
autonomous place in the increasingly commercial world of publishing or should
it be, as Balzac would have it, the scribbling secretary of the human
condition, faithfully mirroring social and economic change? Readings from:
Kant, Schlegel, Goethe, E.T.A. Hoffmann, Poe, Gogol. Dostoevsky,
Balzac, Woolf, Bergson and Proust. Class
size: 20
91524 |
LIT 250 English
Literature I |
Marisa
Libbon |
. T . Th . |
10:10 - 11:30 am |
OLIN 306 |
ELIT |
Cross-listed:
Medieval Studies
How did England begin
to take shape (and to shape itself) in the collective cultural
imagination? The aim of our work in this
course will be twofold: first, to gain experience reading, thinking, and
writing about early English literature; and second, to devise over the course
of the semester our own working narrative about the development of that
literature and its role in the construction of the idea of England. We will read widely within the early
literature of England, from the Anglo-Saxon epic Beowulf to Shakespeare’s
The Tempest, but we will also read closely, attending to language,
choices of form and content, historical context, and the continuum of
conventions and expectations that our texts enact, and sometimes pointedly
break. Our texts will include Beowulf,
Chaucer’s Canterbury Tales, Geoffrey of Monmouth’s History of the
Kings of Britain, Spenser’s Faerie Queene,
Shakespeare’s The Tempest, early descriptions and histories of England,
and several “romances”—the pop fiction about knights and their adventures—that
circulated widely in both Chaucer’s medieval and Shakespeare’s early-modern
England. This course counts as pre-1800 offering. Class size: 18
91525 |
LIT 252 English
Literature III |
Terence
Dewsnap |
M . W . . |
11:50 -1:10 pm |
OLIN 310 |
ELIT |
Cross-listed:
Victorian Studies English
Literature in the nineteenth and twentieth centuries: from
Wordsworth, Keats and Shelley through Tennyson, Carlyle and Ruskin
to modernist writings by Joyce, Lawrence, T.S. Eliot and Virginia Woolf. Class size: 18
91363 |
LIT 257 American Literature
I: Amazing Grace; The Puritan Legacy in American Literature and Culture |
Elizabeth
Frank |
. . W . . . . . Th . |
11:50 -1:10 pm 10:10 - 11:30 am |
ASP 302 ASP 302 |
ELIT |
Cross–listed:
American Studies, Theology Writings from the first
three generations of Puritan settlement in seventeenth-century Massachusetts
are closely examined not only in relation to each other but also to later
American texts bearing persistent traces of Puritan concerns. We will explore such essential Puritan obsessions
as the authority of divinely authored Scripture, original sin, predestination,
election, free grace, "the city on a hill," and covenanted relations
between mankind and God. Our focus will
be on the rich and fertile complexity, as well as the problematic features of
Puritan belief and rhetoric as they find expression in Puritan writings. We will look at Pauline theology, Puritan
plain style and metaphor, and the Puritan construction of the radically
individual American self. Authors
include notable Puritan divines, poets, historians and citizens, as well as
later writers, among them Jonathan Edwards, Washington Irving, Emerson, Emily
Dickinson, Mark Twain, Robert Lowell and Martin Luther King, Jr. This course counts
as pre-1800 offering. Class size:
22
91527 |
LIT 258 American Literature
II |
Matthew
Mutter |
. T . Th . |
11:50 -1:10 pm |
OLIN 202 |
ELIT |
Cross–listed:
American Studies This course explores the major
American writers of the mid-nineteenth century and seeks to sharpen student capacities
for close reading and historical contextualization. Careful attention to important texts will
open onto considerations of a variety of topics: the legacy of Puritanism, the
politics of westward expansion and the figurations of wilderness, the slavery
crisis, American transformations of Romanticism, and democratic poetics. Writers include Emerson, Fuller, Thoreau,
Whitman, Douglass, Melville, Hawthorne, Poe, and Dickinson. Class
size: 22