Please Note: There is a $150.00 Photography Department Fee each semester for any student taking one or more photography classes. If a student decides to drop a photography class they must fill out a Drop/Add form, have it signed by the appropriate department faculty and deliver it to the Office of the Registrar on or before Wednesday, September 18, 2013, 5 PM or they will be charged and responsible for the $150.00 Department Fee.

91818

PHOT 101A Introduction to Photography

Lois Conner

. . . Th .

6:00 -9:00 pm

WDS

PART

An introduction to both the techniques and the aesthetics of black and white photography as a means of self expression. Systematic instruction in darkroom techniques and weekly criticism of individual work provide the student with a solid basic understanding of the use of the camera as an expressive tool. The student must obtain within the first week of classes a camera (35mm or 2 1/4) with fully adjustable f/stops and shutter speeds and a handheld reflected light exposure meter. No previous photography experience is required. This class is open to First-Year students only.

Class size: 12

91919

PHOT 101B Introduction to Photography

Larry Fink

M . . . .

1:30 pm -4:30 pm

WDS

PART

See above.

91920

PHOT 101 C Introduction to Photography

Stephen Shore

. T . . .

10:10 am -1:10 pm

WDS

PART

See above.

91921

PHOT 101D Introduction to Photography

An-My Lé

. . W . .

6:00 pm -9:00 pm

WDS

PART

See above.

91822

PHOT 201 A The View Camera

Stephen Shore

M . . . .

10:10 am -1:10 pm

WDS

PART

View cameras were the first cameras and were the primary photographic tool for the first half of photography’s history. They offer unexcelled clarity, tonality, and image control. The operation of the view camera and advanced darkroom techniques are demonstrated in this course. The class explores the expressive potential of the conscious use of the camera’s precise control of the image. Students are supplied with 4" x 5" camera outfits. Admission by portfolio. Prerequisite: Photography 105 or 106. Class size: 8

91823

PHOT 201 B The View Camera

An-My Lé

. . . Th .

10:10 am -1:10 pm

WDS

PART

See above. Class size: 8

91824

PHOT 203 A Color Photography

Barbara Ess

. . . Th .

1:30 -4:30 pm

WDS

PART

An introduction to the problem of rethinking photographic picture making through the medium of color photography. Transparencies, color negatives, and type C prints are the technical areas explored. Interested students should bear in mind the higher costs of color materials. Admission by portfolio.

Class size: 8

91825

PHOT 203 B Color Photography

Tim Davis

. T . . .

6:00-9:00 pm

WDS

PART

See above. Class size: 8

91703

PHOT 213 Photography and the

Human Condition

Laurie Dahlberg

. . W . F

11:50 am -1:10 pm

FISHER ANNEX

AART

Cross-listed: Art History; Human Rights Photographers have traditionally sought to depict the nature of the human experience while working as historians, journalists, social crusaders, and artists, and this tradition continues even today by photographers such as Sebastiao Salgado, Eugene Richards, and Susan Meiselas. However, in the wake of much recent and not-so-recent theoretical thought that questions old humanist assumptions of "truth" and the privilege of the viewing subject, humanistic documentary photography finds itself in a poststructuralist bind where any photographic representation of the "human condition" is rendered suspect -- dominating, controlling, and objectifying. The multifarious tradition of photography as social documentation is examined from the early 19th century to the present. Two exams, writing assignments, and research paper. No prerequisites. Class size: 22

91826

PHOT 305 A Digital Imaging

David Bush

LAB:

. T . . .

M . . . .

1:30 – 4:30 pm

9:00 - 10:30 am

WDS

PART

This is an introductory class in the use of Adobe Photoshop for image processing. The first third of the semester will be spent studying techniques for color management, scanning, image processing, and outputting. For the last two thirds of the semester students will pursue individual projects, which will be critiqued in class. This class is open to Photography students who have taken 200-level Photography classes; admission is by permission of the instructor. Lab is required. Class size: 8

91827

PHOT 305 B Digital Imaging

Lois Conner

LAB:

. . . . F

. . W . .

10:10 -1:10 pm

9:00 - 10:30 am

WDS

PART

See above. Class size: 8

91828

PHOT 305 C Digital Imaging

Tim Davis

LAB:

. . W . .

. T . . .

1:30 -4:30 pm

9:00 - 10:30 am

WDS

PART

See above. Class size: 8

91710

PHOT 314 Portrait & Its Guises

Luc Sante

. . . Th .

1:30 pm -3:50 pm

WDS

AART

Cross-listed: Art History Perhaps more than any other subject genre in art, portraiture is remarkable for the complexity that lies beneath its deceptively simple appearance. What is the object of a portrait? What constitutes the nature of 'likeness' or resemblance--is it a matter of recording the physical characteristics of a person, or rendering the "inner person" in pictorial form? In addition to considering the ontology of the portrait, this lecture course will trace historical developments in portraiture in the 19th and 20th centuries. This period is a crucial one in the history of portraiture, as it encompasses the advent of photography, which ultimately challenged (and changed) the terms of portraiture for all media. The interplay between photography and painting forms the core of the material. Artists to be considered include Ingres, Nadar, Hill and Adamson, van Gogh, Picasso, Cameron Man Ray, and Warhol. Prerequisite: Photography 110. Class size: 15

91829

PHOT SEM Senior Seminar

Larry Fink / Tim Davis

M . . . .

8:00 pm - 11:00 pm

WDS

AART

The senior seminar is a requirement of all seniors majoring in photography. The seminar meets on a weekly basis and carries no credit. Class size: 20