91700 |
CLAS / LIT 145 The Iliad
of Homer: An Intensive Reading |
Daniel
Mendelsohn |
. T . . . |
1:30
3:50 pm |
RKC
103 |
ELIT |
This course will consist of an intensive
reading of Homers Iliad over the
course of a single semester. The course,
which mimics the design of a graduate seminara single, two-and-a-half-hour
meeting each week, focusing on in-depth discussion and textual explication,
with a heavy emphasis on how to write critically about a literary textis
designed to introduce first-year students to more profound and sophisticated
techniques of reading and thinking about texts than they will have thus far
encountered. After two prefatory
sessions, in which students will be introduced to the large issues particular
both to this genre (the archaic Greek world, oral composition, the Homeric
Question) and to this particular text (the epic cycle, the heroic code,
violence and warfare, the clash of civilizations, East vs. West, the role of
the gods in human history), we will read through the epic at a rate of two
books per week. Throughout, students will be introduced, by means of excerpts
and shorter articles, to the arc of the scholarly tradition, especially with
respect to the Homeric Question: from Wolfs Prolegomenon to Homer to M. L. Wests recent argument that the Iliad was, in fact, written down by a
single author/poet. Two summary sessions will conclude the semester as we (a)
look at the classical heritage of the Iliad
(the Aeneid, especially) and then (b) look back at the broad literary and
cultural issues raised by this essential document of the Western tradition, and
look at some modern adaptations (Logues War Music, for instance; also
attempts to dramatize the Iliadand
why they so often fail). A premium will
be placed on student participation in class discussion, and each student will
be asked to present a book of the poem (focusing on structural analysis,
interpretative issues, etc.) to the class.
At least three papers, midterm, final exam. This course is designed for First-Year Students.
91242 |
CLAS 231 Life and
Literature in the
Age of Augustus |
Benjamin
Stevens |
M . W . . |
8:30 -9:50 am |
OLIN 204 |
HUM |
An exploration of the Age of Augustus at Rome
as represented in the period's literature. Readings, all in English
translation, are drawn from poets including Virgil (epic), Horace (lyric), and
Ovid (elegy and epic), and from prose authors including Livy and Tacitus
(historiography), Suetonius (biography), and the emperor himself
(autobiography). Time permitting, some consideration may be given to our
authors' influence on the Western literary tradition, including their rich
history of translation into English. No prerequisites, but some
preference will be given to students in Classical Studies or Literature. Class
size: 22
91237 |
CLAS 242 Classical
Mythology |
William
Mullen |
M . W . . |
1:30 -2:50 pm |
OLIN 204 |
FLLC |
This course will introduce students to
selected myths of ancient Greece and Rome, through texts in a variety of
genresepic, lyric, dramatic, ancient prose summaries. Selections will be made along the lines of a
few of the principal activities in which gods, heroes and mortals all engage
and can thus be compared, e.g. war (in the sky and on the earth); speech (the
way gods are shown addressing mortals and the actual hymns and prayers in which
the ancients addressed their gods); love (everything from lust and rape to
affection and amorousness, between gods and humans as well as within each
group). Readings (all in English translation) are largely of primary texts from
Greek and Roman literature, with occasional texts for comparison from two other
sets of cultures: first, the Indo-European cousins of the Greeks and Romans,
e.g. Sanskrit, Norse and Irish texts; second, the complex Near Eastern
civilizations with whom they interacted, primarily Egyptian and Mesopotamian
texts. Along the way, we shall examine
and practice deploying various theoretical approaches to myth: psychological,
ritual, structuralist, ideological, catastrophist, environmentalist. No previous background is required. Class
size: 15
91244 |
CLAS 326 Afterlives
of Antiquity: Paradise Lost and its Classics |
Benjamin
Stevens |
. T . . . |
1:30 -3:50 pm |
OLIN 305 |
HUM/DIFF |
How does a work engage with 'classics', and
how might it bring its own 'classics' into being? What does it mean for us to
read a work whose knowledge of a literary tradition or 'canon' far surpasses
our own? In this seminar we seek to respond to these questions by examining
John Milton's epic poem Paradise Lost and by exploring
its engagement with five points along a main line in the Western literary
tradition: the Bible, Homers Iliad and Odyssey, Virgils Aeneid,
and Ovids Metamorphoses. All readings in English. Prerequisite:
moderated junior standing, esp. in Classical Studies or Literature; prior
knowledge of Paradise Lost or of one or more of our
five traditional points could be helpful but is not assumed. This course fulfills the Literature program's
junior seminar requirement. Class size:
14
ANCIENT GREEK
91219 |
GRE 101 Basic Greek
I |
Carolyn
Dewald |
M T W Th . |
10:30 - 11:30 am |
OLIN 304 |
FLLC |
In this two-part course, Greek grammar and
fundamental vocabulary are introduced, with attention given to pronunciation
and recitation of poetry and prose. Reading includes significant passages from
Homer and important classical Greek authors, in Greek. Students with high school Greek are welcome
and should see the instructor about placement. Class size: 18
91220 |
GRE 201 Intermediate
Greek: The
Historian and the Dramatist |
Carolyn
Dewald |
M . W . . . . . Th . |
1:30 -2:50 pm 1:30 -2:30 pm |
OLIN 307 OLIN 307 |
FLLC |
Herodotus was the first historian and is often
called 'the father of history'; we will read the earliest portion of his text,
exploring "the causes why Greeks and barbarians went to war with one
another" in the Persian Wars of 481-479 BCE. We will also continue reading the Alcestis of
Euripides, and will explore ways in which Herodotus and Euripides were both
important participants in what we still call "The Greek
Enlightenment." Throughout the semester, we will continue to review
grammar, syntax, and morphology to help strengthen command of the language.
Prerequisite:one year of classical Greek.
Class size: 15
91341 |
GRE 301 Advanced
Greek: The Historian and the Dramatist |
Carolyn
Dewald |
M . W . . . . . Th . |
1:30 -2:50 pm 1:30 -2:30 pm |
OLIN 307 OLIN 307 |
FLLC |
See above.
Class size: 5
LATIN
91235 |
LAT 101 Beginning
Latin I |
James
Romm |
M T W Th . |
10:30 - 11:30 am |
OLIN 310 |
FLLC |
This two-semester sequence is designed to bring
students with no prior knowledge of Latin to the level of reading ancient
poetry and prose. In the first semester we will focus on grammatical exercises
and drills, but gradually work toward reading short selections from classical
Roman and medieval literature. Class
size: 15
91259 |
LAT 201 Intermediate
Latin: Caesar, Catullus, Lucretius |
James
Romm |
. T . Th . |
11:50 1:10 pm |
OLIN 304 |
FLLC |
This class will build reading proficiency by focusing
on the prose and poetry of the Late Republican period. Grammar drill and review will accompany
selections from the three great stylists of the 60's and 50's B.C. Students
with high-school Latin are welcome to enroll but should consult with the instructor. Class
size: 10
91239 |
LAT 301 Advanced
Latin: Horace |
William
Mullen |
M . W . . |
3:10 -4:30 pm |
RKC 200 |
FLLC |
We will read samples of all four genres Horace
chose to work in at successive phases of his literary life, which spanned from the uncertainty of the late phases of the Civil War to an
eminence and security so great under Augustus that when the Princeps asked
him to be his personal secretary Horace modestly declined, preferring to
continue composing verses on his Sabine farm.
Thus we will read a few Epodes and Satires, then many of the Odes, and
finally one or two of the great final Epistles.
Much attention will be paid to the poets positioning of his own persona
over against that of chosen Greek predecessors, most notably Alcaeus in lyric
poetry, and his virtuoso transformation of Greek lyric meters into Roman
equivalents with their own differentiating weight and wit. Since many students will have read recently
the two other great Augustan writers, Vergil and Livy, we will pause at a few
points to take the literary measure of The Age of Augustus, and to that end
will look at the varying points of view on that phenomenon from a range of
scholars. As final treat, we will survey
the prodigious variety of masterful English translations, from Elizabethan
times to the present, of Horace into English, most the odes. Class
size: 8
91240 |
LAT 404 Horace |
William
Mullen |
M . W . . |
3:10 -4:30 pm |
RKC 200 |
FLLC |
See above.
Class size: 5
91523 |
ARTH 227 Roman
Urbanism |
Diana Minsky |
. T . Th . |
4:40 -6:00 pm |
OLIN 102 |
AART |
91331 |
HIST 2110 The Early
Middle Ages |
Alice Stroup |
. T . Th . |
11:50 -1:10
pm |
OLIN 308 |
HIST |
91335 |
HIST 300 Major
Conference: Creating History |
Carolyn Dewald |
. T . . . |
1:30 -3:50 pm |
OLIN 101 |
HIST |
91382 |
REL 140 Sanskrit |
Richard Davis |
. T W Th . |
9:00 - 10:00
am |
OLIN 101 |
FLLC |