Conservatory Schedule:
91545 |
CNSV 100 Studio
Instruction |
|
4
credits
91546 |
CNSV 104 Secondary Piano |
|
2
credits. Students should contact Frank
Corliss
91547 |
CNSV 108 Aural Skills |
|
2
credits. Basic skills in sight-singing,
harmonic, melodic and rhythmic dictation, clef reading, keyboard harmony,
harmonic analysis and other requirements of functional musical literacy.
Instructor: John Halle
91548 0 credit |
CNSV 110 Chamber Music |
|
91549 |
CNSV 112 Orchestral
Training and Repertoire |
|
0
credits The purpose of this course is to introduce Conservatory students to the
art of orchestral playing. Weekly sessions will include preparation for
concerts, orchestral exercises, and readings of important orchestral repertoire
including concerto accompaniments for fellow students. Required for
all Conservatory performance majors (pianists as needed). Instructors:
Leon Botstein and Erica Kiesewetter. Weekly sessions, 7pm - 9:30pm M, Th
91550 |
CNSV 115 Conservatory
Seminar I |
|
4
credits An examination of the form and historical context
of chamber and solo literature of the baroque, classical and early romantic
period. In class discussion of pieces drawn from the performance repertoires of
participants will augment an introduction to the basic analytical procedures
and selected biographical and historical readings relevant to the
works. A final performance/presentation of a work of the student's choice
will demonstrate the practical application of the concepts acquired. Instructor: John Halle.
10:10-11:30 Tuesdays/Thursdays
91553 |
CNSV 204 Performance
Practice Workshop |
|
2
credits A hands-on survey of
performance styles from the Baroque through late Romantic eras. Topics to
be considered include vocal and instrumental techniques, rhetoric and gesture,
phrasing and scansion, dance forms, rubato, articulation and ornamentation, and
the performer's relationship with the audience. Participants will discuss and
experiment with different means of expression on repertoire suitable for their
instruments in a performance seminar setting. Guest instructors will be
drawn from vocal, keyboard, string, and wind performance-practice specialists
from both within and outside the Bard community. The course is open to
students throughout the College and to graduate students of the
Conservatory. Monday 4-6 p.m. Manor Gatehouse. Instructor: Steven Hammer
91554 |
CNSV 211 Alexander
Technique for Musicians |
|
1
credit The Alexander Technique provides a way of teaching us how to re-connect
with our own innate energies. For musicians this means discovering a way
of performing with greater muscular ease, less accumulated fatigue and a less
restrictive approach to technique. This course introduces both F. M.
Alexander's principles and a new set of physical experiences suited to the
musician's specific needs. The aim of the class will be learning how to
apply the Technique to practice and performance situations. Students will
have the opportunity to work with their instruments in class. Instructor: Alex
Farkas
91551 |
CNSV 215
A Conservatory Seminar III: Model Composition |
|
4
credits Instructor: Composition in tonal forms making use of skills acquired in
conservatory seminars I and II. Students complete four works for
instrumental and/or vocal ensembles of their choice, the most successful of
which are performed in an end-of-semester public recital. Instructor: John
Halle. 2:30 pm – 3:30 pm Thursdays, Olin 106.
91552 |
CNSV 215
B Conservatory Seminar III: Species
Counterpoint |
|
4
credits Instructor: A rigorous course in two and three voice counterpoint, with
careful attention to the aural significance of traditional principles of
consonance and dissonance treatment. Class consists of introducing each
species, examination of and performance of student exercises.
Instructor:
John Halle. 2:30 pm – 3:30 pm M-W, Olin 104.
91555 |
CNSV 310 Keyboard Skills |
|
2
credits Instructor: Frank Corliss
91556 |
CNSV IND A Indep.Study:
Chamber Music |
|
2
credits
91557 |
CNSV IND B Indep.Study:
Orchestral Studies 2 credits |
|