Course |
THTR 101 Introduction to Acting |
|
Professor |
Lynn Hawley |
|
CRN |
90305 |
|
Schedule |
Mon Wed 10:30 - 11:50 am Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
3
credits This
course, intended for prospective theater majors, focuses on accessing the
beginning actor’s imagination and creative energy. Using theater games, movement work, and improvisational
techniques, the intent is to expand the boundaries of accepted logic and to
encourage risk-taking in the actor.
Course work includes intensive classroom sessions, individual projects
designed to promote self-discovery, and group projects focused on the process
of collaborative work.
Course |
THTR 101 Introduction to Acting |
|
Professor |
Jonathan Rosenberg |
|
CRN |
90309 |
|
Schedule |
Tu Th 10:30 - 11:50 am Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
3
credits This
course, intended for prospective theater majors, focuses on accessing the
beginning actor’s imagination and creative energy. Using theater games, movement work, and improvisational
techniques, the intent is to expand the boundaries of accepted logic and to
encourage risk-taking in the actor.
Course work includes intensive classroom sessions, individual projects
designed to promote self-discovery, and group projects focused on the process
of collaborative work.
Course |
THTR 101 Introduction to Acting |
|
Professor |
Naomi Thornton |
|
CRN |
90317 |
|
Schedule |
Th 3:20 –5:20 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
2
credits Scene
preparation and beginning scene technique.
Emphasis on relaxation, breathing, and concentration. Teaching the actor to make choices and
implement them using sense memory and to integrate this work with the
text. Group and individual exercises
and improvisations. Continuous work on the acting instrument stressing freedom,
spontaneity, and individual attention. Materials: poems, monologues, stories,
and scenes. Reading of American plays,
1930 to present.
Course |
THTR 103CO Acting Company |
|
Professor |
Jonathan Rosenberg |
|
CRN |
90432 |
|
Schedule |
Tu Th 1:30 -2:50 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
4 credits Corresponding with
Directing Seminar, actors work with student directors on scene work for
in-class presentation. Open to first year students.
Course |
THTR 122 Movement for Actors |
|
Professor |
Lenore Latimer |
|
CRN |
90311 |
|
Schedule |
Tu
4:30 -5:50 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
1 credit Basic training in
movement, rhythm, development of technique and confidence in space.
Course |
THTR 131 Voice for Majors |
|
Professor |
Elizabeth Smith |
|
CRN |
90312 |
|
Schedule |
Tu Fr
1:25 -2:25 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
2 credits This course is designed
to develop an awareness of the importance of physical relaxation, breath
capacity and control, resonance and placement. There will also be an emphasis
on clarity of articulation and the use of vocal range and inflection. This
course is intended for moderated and prospective theater majors.
Course |
THTR 132 Voice for Non-Majors |
|
Professor |
Elizabeth Smith |
|
CRN |
90313 |
|
Schedule |
Tu Fr
2:55 -3:55 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
2 credits This course will
concentrate on basic voice and speech work to enable the students to
communicate with greater clarity and confidence. Some of the demands of
speaking in public will also be addressed.
Course |
THTR 141 Alexander Technique I |
|
Professor |
Judith Youett |
|
CRN |
90304 |
|
Schedule |
Mon Fr
9:00 - 10:20 am Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
1 credit. A world-respected
technique developed over 100 years ago; the Alexander Technique is a valuable
tool for performers, writers, scholars, and artists. It is a simple and
practical approach to improving balance, coordination and movement. During this
course we will learn about habits of thinking and moving that cause stress and
fatigue. This awareness will enable different choices to be made in ourselves
and how we respond to the environment. Register for one 90-minute group per
week, THTR 141A or THTR 141B.
Course |
THTR 142 Alexander Technique II |
|
Professor |
Judith Youett |
|
CRN |
90306 |
|
Schedule |
Mon 10:30 - 11:50 am Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
1 credit Level II deepens the
study of Alexander Technique including the developmental movements that
children make from birth to upright posture.
Course |
THTR 206 History of Theater |
|
Professor |
Jean Wagner |
|
CRN |
90414 |
|
Schedule |
Tu Th
9:00-10:20 am Preston Theater |
|
Distribution |
OLD: A |
NEW: Analysis
of Arts
|
Cross-listed: Classical Studies, Theology
4
credits This
course looks at the major periods and forms of Western dramatic literature from
its primal roots, through Greek and Roman Tragedy and Comedy, Medieval Theater,
Tudor Comedy, Renaissance Drama, Commedia dell-arte, Elizabethan Theater, and
the Spanish Golden Age. We will read plays from each of these periods as well
as theoretical and critical writings which will elucidate the social and
aesthetic conditions of the day. This course will provide the student with an
understanding of the development of theater as an art form, and explore how
theater relates to and reflects the intellectual, social, political and
spiritual climate of the broader culture. This course is open to all students,
and is a requirement for moderation in Theater.
Course |
THTR 207 Playwriting I |
|
Professor |
Dominic Taylor |
|
CRN |
90413 |
|
Schedule |
Mon 4:00 – 6:20 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
4
credits An
introductory course that focuses on discovering the writer’s voice. Through
writing exercises based on dreams, visual images, poetry, social issues, found
text, and music, each writer is encouraged to find his or her unique language,
style, and vision. A group project will
explore the nature of collaborative works.
Students learn elements of playwriting through writing a one-act play,
reading assignments, and class discussions.
This course is for sophomores and upperclass students only.
Course |
THTR 208 Playwriting II |
|
Professor |
Chiori Miyagawa |
|
CRN |
90415 |
|
Schedule |
Th 1:30 – 3:50 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
4
credits This
course will function as a writer’s workshop. Students focus on developing a
full-length play, with sections of the work-in-progress presented in class for
discussions. Students grow as playwrights by developing characters and
themes that are sustained through a full-length play. The students will
also read a wide range of dramatic literature and be exposed to diverse styles
of playwriting. Email the instructor ([email protected]) with a brief paragraph of an idea for a play
you would like to work on. Prerequisite: Playwriting I or Theatrical
Adaptations.
Course |
THTR 209 Scene Study |
|
Professor |
Jean Wagner |
|
CRN |
90427 |
|
Schedule |
Wed 1:00 - 4:00 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
3 credits A
course intended for students who have taken one semester of Intro to Acting and
would like to continue their study. The course deals with movement from a games
oriented curriculum into work with theatrical texts and discovery of the
processes of scene study.
Course |
THTR 227 Neutral Masks |
|
Professor |
Shelley Wyant |
|
CRN |
90315 |
|
Schedule |
Wed 9:00 - 12:00 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
2 credits The roots of mask work
come from a diverse system of traditions including the Balinese, the great
teachers and the theorists Pierre LeFevre, Michel St. Denis, Jaques LeCoq and
Francis Delsarte. Neutral Masks is an exploration of the world of the mask and
all the freedom it has to offer performers, using tools of breath and focus.
Students learn to identify the elements that contribute to physical expression.
Course |
THTR 303 Directing Seminar |
|
Professor |
Jonathan Rosenberg |
|
CRN |
90310 |
|
Schedule |
Tu
1:30 -4:30 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
4 credits This is a studio course
that covers the practice of directing from text analysis, ‘table work’,
imagining the world of the play, design, casting, space, rehearsal and blocking
in different configurations. The work will proceed from scenes to a full-length
work. By permission of the instructor.
Course |
THTR 307 Advanced Acting |
|
Professor |
Lynn Hawley |
|
CRN |
90307 |
|
Schedule |
Mon
1:00 -4:00 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
4 credits This is a studio acting
class where students will explore scenes from challenging plays of varied
styles. Extensive rehearsal time outside of class is required. Pre-requisites:
Intro to Acting and Scene Study. Maximum enrollment: 12 students.
Course |
THTR 307 B Advanced Acting |
|
Professor |
Naomi Thornton |
|
CRN |
90318 |
|
Schedule |
Th 1:00 -3:00 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
3 credits This is a studio acting
class where students will explore scenes from challenging plays of varied
styles. Extensive rehearsal time outside of class is required. Pre-requisites:
Intro to Acting and Scene Study. Maximum enrollment: 12 students.
Course |
THTR 310H Survey: Yiddish Theater |
|
Professor |
Shelley Wyant |
|
CRN |
90308 |
|
Schedule |
Mon 3:00 - 5:20 pm Fisher Perf Arts |
|
Distribution |
OLD: B |
NEW: Analysis
of Art
|
Cross-listed: Jewish Studies
In this course we examine the tradition of the
Yiddish Theater as it evolved in the United States and trace its evolution from
its European beginnings into the present day. The large numbers of eastern
European Jewish immigrants that flocked to America at the turn of the century
created a uniquely Yiddish-American culture which resulted in the development
of a Yiddish Broadway on Second Avenue. We will investigate the historical
aspect of the culture through historical books (Vagabond Stars by Nahma Sandrow) and primary resources – a visit to
NYC’s Tenement Museum and YIVO at The Jewish Historical Society. We will focus
on the recurrent themes of the promise of a just world and a longing for
another time and place. We will study the Folksbienne theatre, a
ninety-year-old professional Yiddish theatre company, classic literary texts -
particularly the stories of Isaac Bashevis Singer (Gimpel the Fool, Taibele and Her Demon) - and popular plays of the
period (God of Vengeance, The Golem).
Students will perform scenes from plays as well as watch classic film performances
of 1930’s Poland starring Molly Picon (Yidl Miten Fidl, Mirele Efros).
Completing our investigation of the relevance and importance of the Yiddish
Theatre, we will end with an analysis of Tony Kushner’s translation of Ansky’s
play The Dybuk. Topics for papers and
presentations include a translation of a Yiddish drama or an in-depth study of
some aspect of the Yiddish Theatre: Klezmer music, Second Avenue Theatres, and
notable personages (The Adlers, Boris Thoamsevsky, Maurice Shwartz, Shalom
Alecheim etc.) Our class will work collaboratively with students in “JS
115 The Golden Tradition: Yiddish Language, Literature and Culture.”
Students may enroll in both classes for additional credits, with consent of the
instructors.
Course |
THTR 315 Survey of Drama: Beckett |
|
Professor |
JoAnne Akalaitis |
|
CRN |
90314 |
|
Schedule |
Wed 1:30 -3:50 pm Fisher Perf Arts |
|
Distribution |
OLD: B |
NEW: Analysis
of Art
|
“Fail, fail, fail
better.”
Description to follow.
Course |
THTR 340 Voice in Performance |
|
Professor |
Elizabeth Smith |
|
CRN |
90319 |
|
Schedule |
Fr 10:30
– 12:30 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
2 credits This course is designed
for those students who have already had some training in voice and will
concentrate on addressing demands which occur in performance such as speaking
over underscoring, sustaining dialogue in fights or dances, and developing
power and range. Technical exercises will be used to promote coordination of
speech and movement.