Course |
PHOT 101 Introduction to Photography |
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|
Professor |
Stephen Shore |
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|
CRN |
90294 |
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|
Schedule |
Mon
9:30 - 12:30 pm Woods |
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Distribution |
OLD: F |
NEW:
Practicing Arts
|
An introduction to both the techniques and the
aesthetics of black and white photography as a means of self expression.
Systematic instruction in darkroom techniques and weekly criticism of
individual work provide the student with a solid basic understanding of the use
of the camera as an expressive tool. The student must obtain within the first
week of classes a camera (35mm or 2 1/4) with fully adjustable f/stops and
shutter speeds and a handheld reflected light exposure meter. No previous
photography experience is required.
Course |
PHOT 103 A Basic Photography I |
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|
Professor |
An-My Le |
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|
CRN |
90295 |
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|
Schedule |
Th 9:00 - 12:00 pm Woods |
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|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
This course is intended for beginning students who
have had some previous photography experience.
Course |
PHOT 103 B Basic Photography I |
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|
Professor |
Tim Davis |
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|
CRN |
90296 |
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|
Schedule |
Tu
1:30 -4:30 pm Woods |
|
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
This course is intended for beginning students who
have had some previous photography experience.
Course |
PHOT 103 C Basic Photography I |
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|
Professor |
Tim Davis |
|
|
CRN |
90297 |
|
|
Schedule |
Wed
1:00 -4:00 pm Woods |
|
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
This course is intended for beginning students who
have had some previous photography experience.
Course |
PHOT 201 The View Camera |
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|
Professor |
An-My Le |
|
|
CRN |
90298 |
|
|
Schedule |
Wed
6:30 -9:30 pm Woods |
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|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
View cameras were the first cameras and were the
primary photographic tool for the first half of photography’s history. They
offer unexcelled clarity, tonality, and image control. The operation of the
view camera and advanced darkroom techniques are demonstrated in this course.
The class explores the expressive potential of the conscious use of the
camera’s precise control of the image. Students are supplied with 4" x
5" camera outfits. Admission by portfolio.
Prerequisite:
Photography 105 or 106.
Course |
PHOT 203 A Color Photography |
|
|
Professor |
Tim Davis |
|
|
CRN |
90299 |
|
|
Schedule |
Mon 1:00 -4:00 pm Woods |
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|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
An introduction to the problem of rethinking
photographic picture making through the medium of color photography.
Transparencies, color negatives, and type C prints are the technical areas
explored. Interested students should bear in mind the higher costs of color
materials. Admission by portfolio.
Course |
PHOT 203 B Color Photography |
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|
Professor |
Liz Deschenes |
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CRN |
90300 |
|
|
Schedule |
Fr 1:30 -4:30 pm Woods |
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|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
An introduction to the problem of rethinking
photographic picture making through the medium of color photography.
Transparencies, color negatives, and type C prints are the technical areas
explored. Interested students should bear in mind the higher costs of color
materials. Admission by portfolio.
Course |
PHOT 222 Photography and the Modernist Creed |
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|
Professor |
Luc Sante |
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CRN |
90698 |
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|
Schedule |
Mon Wed 10:30 – 11:50 am Woods |
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|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
The development of photography might have been the
single most important factor in the birth of modernism. It effortlessly beat academic painting at
its own game, juxtaposed high and low elements of culture, emphasized the
importance of process in art, and opened eyes to the incongruous and
unexpected. This course will examine
both photographic modernism and photography's relationship with other
expressions of modernism, in a timeline from Maurice Denis's declaration of
independence of the picture plane in the 1880s to the use of deadpan
photographs by artists beginning with Ed Ruscha in the 1960s. In between we will cover the photomontage,
rayograms, found objects, advertising, newspapers, documents, as well as photographers
from Degas and Zola to Frank, Arbus, and Winogrand. There will be concurrent readings from relevant examples of
literary modernism.
Course |
PHOT 305 A Digital Imaging |
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|
Professor |
John Pilson |
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|
CRN |
90301 |
|
|
Schedule |
Th
1:30 -4:30 pm HDR 106 |
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|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
This is an introductory class in the use of Adobe
Photoshop for image processing. The first third of the semester will be spent
studying techniques for color management, scanning, image processing, and
outputting. For the last two thirds of the semester students will pursue
individual projects, which will be critiqued in class. This class is open to
Photography students who have taken 200-level Photography classes; admission is
by permission of the instructor. Lab is required.
Course |
PHOT 305 B Digital Imaging |
|
|
Professor |
John Pilson |
|
|
CRN |
90302 |
|
|
Schedule |
Fr
9:30 - 12:30 pm HDR 106 |
|
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
This is an introductory class in the use of Adobe
Photoshop for image processing. The first third of the semester will be spent
studying techniques for color management, scanning, image processing, and
outputting. For the last two thirds of the semester students will pursue
individual projects, which will be critiqued in class. This class is open to
Photography students who have taken 200-level Photography classes; admission is
by permission of the instructor. Lab is required.
Course |
PHOT SEM Senior Seminar |
|
|
Professor |
Larry Fink |
|
|
CRN |
90303 |
|
|
Schedule |
Mon
7:00 - 10:00 pm Woods |
|
The senior seminar is a requirement of all seniors
majoring in photography. The seminar meets on a biweekly basis and carries no
credit.