Course |
ART / IA 300 HT Major Conference: Digital Graphic / Text |
|
Professor |
Hap Tivey |
|
CRN |
90159 |
|
Schedule |
Th
1:30 -4:30 pm Fisher Arts 162 |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
Cross-listed: Integrated Arts
This class will address the theory, tools and
techniques employed in the digital creation of graphic/text artwork. Using computer software and digital printers
we will examine various approaches to creating image/text combinations in the
traditions of graphic novels, manga, and contemporary painting. The most important software will be
Photoshop and students must have a basic understanding of that package. Software instruction will include more
complex strategies in Photoshop as well as introductions to Illustrator, Manga
Studio, Poser, and Zax Animator.
Although animations are a potential area of expression, this class will
focus primarily on printed images, alone, and in sequence. The class will explore theories of how
realism, iconography, and cartoon illustration intersect text as an art form.
Course |
IA / FILM 301 MC: Live Video & Surveillance |
|
Professor |
Jacqueline Goss |
|
CRN |
90370 |
|
Schedule |
Tu 1:30 – 4:30 pm AVERY 116 |
|
Distribution |
OLD: A |
NEW:
Practicing Arts
|
Cross-listed: Human Rights; Science, Technology
& Society
This is a course intended to give students a better
understanding of live video production as a vehicle for artistic expression.
Course participants develop ways of working with video's most unique property:
its ability to produce an immediate and continuous stream of images and sounds.
Surveillance, streaming media, spinning, call-in talk shows, and cell phone
usage have primed audiences and spectators to expect immediate access to and
feedback from their media. How does the media artist respond? Course
participants will work on individual projects using cameras, monitors,
switchers, surveillance systems, and software-based video mixers. We will also
work collectively to produce one live piece which will be broadcast to an
audience. In addition, we will carry on a continued discussion about the larger
cultural and psychological impact of live video production. This conversation
will be supplemented by readings and viewings of work by Nam Jun Paik, Richard
Serra, Dan Graham, Rosalind Krauss, Raymond Carver, Julia Scher, the
Surveillance Camera Players, and others. Please contact [email protected] for information.
Course |
ART 100 Cybergraphics I |
|
Professor |
Hap Tivey |
|
CRN |
90162 |
|
Schedule |
Wed 9:30
-12:30 pm HDR 106 |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
See Studio Arts section for description.
Course |
ART 200 HT Cybergraphics II |
|
Professor |
Hap Tivey |
|
CRN |
90151 |
|
Schedule |
Fr 10:00 – 1:00 pm Fisher Arts 162 |
|
Distribution |
OLD: F |
NEW:
Practicing Arts
|
See Studio Arts section for description.
Course |
FILM 319 American Graphic Film |
|
Professor |
John Pruitt |
|
CRN |
90290 |
|
Schedule |
Mon 7:00 - 10:00 pm Avery 110 Tu 1:30 -4:30 pm Avery 217 |
|
Distribution |
OLD: A |
NEW: Analysis
of Art
|
See Film section for
description.
Course |
MUS 257 Production and Reproduction |
|
Professor |
Robert Bielecki |
|
CRN |
90497 |
|
Schedule |
Tu 4:00 -5:20 pm Blum N119 Wed 10:30 – 11:50 am Blum N119 |
|
Distribution |
OLD: A |
NEW: Analysis
of Art
|
See Music section for description.