Course |
DAN 250 Anatomy for the Performer |
|
Professor |
Maria Simpson |
|
CRN |
95102 |
|
Schedule |
Fr 10:30 - 12:50 pm Fisher Annex |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
This course is designed
as an anatomy class for dancers, prospective dance teachers, and anyone
interested in the application of anatomy to dance technique. Scientific information is limited to a need
to know basis, focusing on the musculoskeletal system, with immediate transfer
of lecture material to dance-movement concepts. This course will present a
scientific basis for the human body that will aid in the technical and
aesthetic growth of dance performance. In addition to the weekly lecture, the
class will make frequent visits to the dance studio, in which students will be
guided in applying scientific concepts to movement.
Intensive technique studies are essential to a
serious dance student’s training. Intending and current dance majors must register
for four credits of dance technique each semester of their four years at Bard.
Students are welcome to watch classes currently being offered to learn about
the different modern dance styles/methods of teaching and the ballet for modern
dancers.
DAN
103- Introduction to Dance
One
credit each. Classes in modern dance and ballet intended for
the beginner; no previous dance
experience necessary. Open to all students. In the fall, two classes may be
taken for 2 credits which are indivisible: both sections must be passed in
order to receive credit. New students with previous dance experience should
speak with the dance professors before registration.
Course |
DAN 103 MS Introduction to Dance-Ballet |
|
Professor |
Maria Simpson |
|
CRN |
95104 |
|
Schedule |
Mon 10:30 - 11:50 am Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 103 LBA Introduction to Dance |
|
Professor |
Leslie Boyce |
|
CRN |
95101 |
|
Schedule |
Tu 9:00 - 10:20 am Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 103 LB Introduction to Dance – Level II |
|
Professor |
Leslie Boyce |
|
CRN |
95103 |
|
Schedule |
Tu 10:30 - 11:50 am Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 103 LL Introduction to Dance |
|
Professor |
Lenore Latimer |
|
CRN |
95105 |
|
Schedule |
Tu 1:30 -2:50 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 103 PF Introduction to Dance |
|
Professor |
Peggy Florin |
|
CRN |
95106 |
|
Schedule |
Wed 12:00 -1:20 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 103 JC Introduction to Dance |
|
Professor |
Jean Churchill |
|
CRN |
95107 |
|
Schedule |
Th 9:00 - 10:20 am Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 103 SO Introduction to Dance |
|
Professor |
Susan Osberg |
|
CRN |
95109 |
|
Schedule |
Fr 12:00 -1:20 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
DAN
211 – Intermediate Dance Technique and
DAN
311 – Advanced Dance Technique
One
credit each. Intensive technique studies are essential to a serious
dance student’s training. Intending and current dance majors must register for
four credits of dance technique each semester of their four years at Bard. The
4 credits are indivisible: all four one credit sections must be passed in order
to receive credit for the course. Open to non-majors with experience,
inclination, and permission of the instructor.
Course |
DAN 211 MS Intermediate Dance - Ballet |
|
Professor |
Maria Simpson |
|
CRN |
95110 |
|
Schedule |
Mon 9:00 - 10:20 am Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 211 LB Intermediate Dance |
|
Professor |
Leslie Boyce |
|
CRN |
95111 |
|
Schedule |
Mon 4:30 -5:50 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 211 GR-A Intermediate Dance |
|
Professor |
Garry Reigenborn |
|
CRN |
95112 |
|
Schedule |
Tu 12:00 -1:20 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 211 LL Intermediate Dance |
|
Professor |
Lenore Latimer |
|
CRN |
95113 |
|
Schedule |
Wed 9:00 - 10:20 am Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 211 PF Intermediate Dance |
|
Professor |
Peggy Florin |
|
CRN |
95114 |
|
Schedule |
Wed 4:30 -5:50 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 211 GR-B Intermediate Dance |
|
Professor |
Garry Reigenborn |
|
CRN |
95115 |
|
Schedule |
Th 1:30 -2:50 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 211 JC Intermediate Dance |
|
Professor |
Jean Churchill |
|
CRN |
95116 |
|
Schedule |
Fr 9:00 - 10:20 am Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 311 LB Advanced Dance |
|
Professor |
Leslie Boyce |
|
CRN |
95117 |
|
Schedule |
Mon 3:00 -4:20 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 311 LL Advanced Dance |
|
Professor |
Lenore Latimer |
|
CRN |
95118 |
|
Schedule |
Tu 3:00 -4:20 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 311 GR Advanced Dance |
|
Professor |
Garry Reigenborn |
|
CRN |
95119 |
|
Schedule |
Wed 3:00 -4:20 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 311 JC Advanced Dance |
|
Professor |
Jean Churchill |
|
CRN |
95120 |
|
Schedule |
Th 3:00 -4:20 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 311 MS Advanced Dance - Ballet |
|
Professor |
Maria Simpson |
|
CRN |
95121 |
|
Schedule |
Fr 1:30 -2:50 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 311 SO Advanced Dance |
|
Professor |
Susan Osberg |
|
CRN |
95122 |
|
Schedule |
Fr 3:00 -4:20 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
DAN
WKSH. – Dance Workshop
Dance Composition and Dance Workshop in Performance
and Production are required of all dance majors; before Moderation students
enroll in both sections of 217 and Dance Workshop for four credits; Juniors
enroll in 317 and Dance Workshop; attendance in a section of 217 or 317 and
Dance Workshop is required of prospective seniors. Open to non-majors with proven experience, inclination, and
permission of the instructor. All students
of Dance Composition must attend Dance Workshop in Performance and Production.
The Dance Program aims to prepare students, in as versatile a way as possible,
to understand and practice the art of dance and performance. To this end, the
Program presents four productions that are open to the Bard community and the
public. Moderation and Senior Project work is prepared for and performed in
these four productions. Dance Workshop in Performance and Production creates
and sustains our community of performers and collaborators, on stage and behind
the scenes. Members of the community are welcome to join the workshop, and may
earn one credit by registering in a tutorial with Jean Churchill.
Course |
DAN 217 GR Dance Composition |
|
Professor |
Garry Reigenborn |
|
CRN |
95123 |
|
Schedule |
Tu 4:30 -5:50 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 217 JC Dance Composition |
|
Professor |
Jean Churchill |
|
CRN |
95124 |
|
Schedule |
Th 4:30 -5:50 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 317 LL Dance Composition |
|
Professor |
Lenore Latimer |
|
CRN |
95125 |
|
Schedule |
Wed 10:30 - 11:50 am Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN WKSHP Dance Workshop |
|
Professor |
Jean Churchill / Aileen Passloff / Lenore Latimer
/ Garry Reigenborn / Maria Simpson |
|
CRN |
95126 |
|
Schedule |
Tu 6:15 -8:00 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 313 Studio in Dance Improvisation |
|
Professor |
Susan Osberg |
|
CRN |
95127 |
|
Schedule |
Fr 4:30 -5:40 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
One
credit. This studio
seeks to provide a basis for composition work by the improvisatory
approach. Open to intermediate and
advanced dancers or by permission of the instructor. Speak with Susan Osberg
before registration.
If interested, speak with the professor before
registration.
Course |
DAN 316 AP2 Modern Dance Repertory |
|
Professor |
Aileen Passloff |
|
CRN |
95129 |
|
Schedule |
Mon 12:00 -1:20 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 316 AP Spanish Dance Repertory |
|
Professor |
Aileen Passloff |
|
CRN |
95128 |
|
Schedule |
Mon 6:10 -9:00 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 316 AP3 Dance Repertory |
|
Professor |
Aileen Passloff |
|
CRN |
95131 |
|
Schedule |
Mon TBA Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 316 JC Dance Repertory |
|
Professor |
Jean Churchill |
|
CRN |
95130 |
|
Schedule |
Wed 1:30 -2:50 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Registration is by permission of the instructor.
Course |
DAN 243 AP Flamenco |
|
Professor |
Aileen Passloff |
|
CRN |
95132 |
|
Schedule |
Mon 3:00 -4:20 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 284 AP Flamenco: Adv. Beginner |
|
Professor |
Aileen Passloff |
|
CRN |
95133 |
|
Schedule |
Mon 4:40 -6:00 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 343 Flamenco: Intermediate & Men |
|
Professor |
Aileen Passloff |
|
CRN |
95134 |
|
Schedule |
Tu 8:30 - 10:00 am Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 343 M Flamenco: Intermediate |
|
Professor |
|
|
CRN |
95135 |
|
Schedule |
Tu 11:30 -1:00 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 443 Flamenco: Advanced |
|
Professor |
Aileen Passloff |
|
CRN |
95136 |
|
Schedule |
Tu 1:30 -2:50 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
Course |
DAN 220 World Music and Dance |
|
Professor |
Bill Vanaver |
|
CRN |
95138 |
|
Schedule |
Th 10:30 -1:00 pm Fisher Perf Arts |
|
Distribution |
OLD: F |
NEW:
|
2
credits In
the past few years, due in part to the dissemination and popularity of the
likes of Ladysmith Black Mombazo, Riverdance, Nusrat Fateh Ali Khan, Paco De Lucia,
and Le Mystere des Voix Bulgares, it has become evident in the public eye that
the tremendous wealth and variety of world music and dance forms is truly
staggering. Now, more than ever, a familiarity with the structures and styles
of ethnic music and dance is essential for a well rounded attitude towards, and
understanding of, performance forms in general. Since exposure as passive
spectator can offer only partial impressions of these subtle styles, students
will be given opportunities to participate physically in various world music
and dance forms through movement, vocalization, drumming, and creative work.
Music and dance of the Balkans, Central Asians, Native Americans, Irish, North
Africans, Andeans and others will be highlighted in the course. Functional
modalities, (i.e. religious celebrations, entertainment, status, courtship,
work songs, chanteys, lullabies, etc.) will be investigated. Guest performers
of various ethnic styles will participate. Students will be encouraged to use
their own skills and bring in musical instruments, and will be expected to do
independent projects in folklore, as well as creative work in collaboration
with others.
Course |
DAN 320 Advanced Studio in Technical Theater |
|
Professor |
Jean Churchill |
|
CRN |
95137 |
|
Schedule |
TBA . |
|
Distribution |
OLD: F |
NEW: PRACTICING
ARTS
|
2
credits A course
in the methods, techniques, and practice of technical production for the
stage. Stage management, scene building,
lighting, wardrobe, costume and property building and/or finding are taught
through practical and closely supervised work on productions in the Avery Arts
Center. Each student is assigned
responsibility, research and independent work in his/her area of proven
competence on at least one production during the course of the semester. The course meets once a week for planning
and problem solving, and students are expected to attend appropriate production
meetings as a support resource; to assist as required by the instructor; and to
be familiar with the back stage work and problems in all areas. Each applicant must have worked backstage
successfully in previous semesters on at least three productions. Meet with Prof. Churchill before
registration. Open to non-majors and
majors.