CRN |
94230 |
Distribution |
A * / (Analysis of Art) |
Course
No. |
FILM / IA 219 |
||
Title |
Film
& Modernism |
||
Professor |
John Pruitt |
||
Schedule |
Tu 10:00 am -
12:50 pm Screening: Mon
7:00 pm - 10:00 pm |
Cross-listed: Integrated Arts
Operating on the assumption that the study of film,
a syncretic art par excellence, offers a particularly advantageous perspective
on understanding the aesthetic underpinnings of 20th Century art, the course
explores the relationship between a certain mode of cinematic achievement, for
the most part labeled avant-garde, and the major tenets of modernist art, both
visual and literary. Many of the films studied are by artists who worked in
other media (such as Léger, Strand, Cornell, and Duchamp) or whose work
manifests a direct relationship to various artistic movements such as
surrealism, futurism,and constructivism. An attempt is made to relate certain
films to parallel achievements in photography, poetry, and music, with some
attention paid to relatively little-seen filmmakers such as Lye, Kinugasa, and
Jennings. Much of the assigned reading is not film criticism as such, but
crucial critical works that help to define modernism in general, including
those by Baudelaire, Pound, Ortega y Gasset, Moholy-Nagy, and Brecht. Other
films studied are by (Europeans) Vertov, Eisenstein, Buñuel, Dulac, Ruttmann,
Man Ray; and (American) Deren, Brakhage, Anger, Snow, Gehr, Conner, Rainer,
Frampton, et al. Three take-home essay exams.
CRN |
94242 |
Distribution |
F */
Practicing Art |
Course
No. |
IA / FILM
301 B |
||
Title |
Major
Conference: Multimedia Installation and Events |
||
Professor |
Leah Gilliam |
||
Schedule |
Mon 1:30 pm - 4:30 pm |
Cross-listed: Film
This course charts a historical and critical
framework for the term "multimedia" and in so doing provides source
material and inspiration for the creation of projects that combine art forms
and/or elude traditional categorization. Students will compose individual
projects using video, slides, surveillance systems, mixers, switchers,
projection systems and monitors. Through readings and screenings our
discussions will examine issues of spectatorship, immediacy, interface design,
spatial construction, time, boredom and performativity. Students will be
encouraged to explore high and low tech solutions to their audio-visual desires
and should be prepared to imagine the campus as their canvas.
CRN |
94226 |
Distribution |
F */ Practicing Art |
Course
No. |
ART 100 |
||
Title |
Cybergraphics
I |
||
Professor |
Hap Tivey |
||
Schedule |
Fr 1:30 pm - 4:30 pm HDR
106 |
Cross-listed: Studio Art
CRN |
94243 |
Distribution |
F */
Practicing Art |
Course
No. |
FILM 203 |
||
Title |
Digital
Animation |
||
Professor |
Jacqueline
Goss |
||
Schedule |
Tu 9:30 am - 12:30 pm |
Cross-listed:
Film
CRN |
94118 |
Distribution |
F */
Practicing Art |
Course
No. |
PHOT 216 |
||
Title |
Art and the Uses of Photography |
||
Professor |
Barbara Ess |
||
Schedule |
Tu 1:30 pm - 4:30 pm Woods
Stdio |
Cross-listed:
Photography, Studio Arts
CRN |
94262 |
Distribution |
F */
Practicing Art |
Course
No. |
ART 300 |
||
Title |
Cybergraphics
III: Virtual Sculpture |
||
Professor |
Hap Tivey |
||
Schedule |
Wed 6:30 pm - 9:30 pm |
Cross-listed: Studio Art