CRN |
94189 |
Distribution |
F */ (Practicing Art) |
Course
No. |
DAN 250 |
||
Title |
Anatomy
for the Performer |
||
Professor |
Kriota Willberg |
||
Schedule |
Mon 3:00 pm - 6:00 pm FCPA Conf Room |
The course
focuses on primary bones, joints, ligaments, and muscles relevant to dancing,
the physiology of breathing, and the body as a complex physical system to
understand better how to prevent injuries and how to develop a full range of
expression with safety and pleasure. The course also includes kinetic awareness
techniques that bridge the gap between intellectual understanding of anatomical
information and actual experience of the body in movement and so help relieve
chronic tension, gain flexibility, and deepen the body-mind connection.
Students have the opportunity to work in depth on chronic body problems. Weekly
assignments are given. The course is open to students in Dance, Theater or
Performance. Enrollment is limited to
sixteen students.
Intensive technique studies are essential to a
serious dance student’s training. Intending and current dance majors must
register for four credits of dance technique each semester of their four years
at Bard. Students are welcome to watch classes currently being offered to learn
about the different modern dance styles/methods of teaching and the ballet for
modern dancers.
DAN
103- Introduction to Dance
One
credit each. Classes in modern dance and ballet intended for
the beginner; no previous dance
experience necessary. Open to all students. In the fall, two classes may be
taken for 2 credits which are indivisible: both sections must be passed in
order to receive credit. New students with previous dance experience should
speak with the dance professors before registration.
CRN |
94190 |
Distribution |
F */ (Practicing Art) |
Course
No. |
DAN 103 LB |
||
Title |
Introduction
to Dance |
||
Professor |
Leslie Boyce |
||
Schedule |
Mon 3:00 pm - 4:20 pm FCPA Thorne |
CRN |
94191 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 103 LB2 |
||
Title |
Introduction
to Dance |
||
Professor |
Leslie Boyce |
||
Schedule |
Tu 8:30 am - 9:50 am FCPA |
CRN |
94193 |
Distribution |
F */ (Practicing Art) |
Course
No. |
DAN 103 LL |
||
Title |
Introduction
to Dance |
||
Professor |
Lenore Latimer |
||
Schedule |
Wed 8:30 am - 9:50 am FCPA Thorne |
CRN |
94460 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 103 PF |
||
Title |
Introduction
to Dance |
||
Professor |
Peggy Florin |
||
Schedule |
Wed 3:00 pm – 4:20 pm FCPA |
CRN |
94459 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 103 B |
||
Title |
Introduction
to Dance - Ballet |
||
Professor |
Maria Simpson |
||
Schedule |
Th 8:30 am - 9:50 pm FCPA
|
CRN |
94192 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 103 GR |
||
Title |
Introduction
to Dance |
||
Professor |
Garry Reigenborn |
||
Schedule |
Th 11:30 am - 12:50 pm FCPA Thorne |
CRN |
94194 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 103 |
||
Title |
Introduction
to Dance |
||
Professor |
Maria Simpson |
||
Schedule |
Fr 8:30 am - 9:50 pm FCPA
|
DAN
211 – Intermediate Dance Technique and
DAN
311 – Advanced Dance Technique
One
credit each. Intensive technique studies are essential to a
serious dance student’s training. Intending and current dance majors must
register for four credits of dance technique each semester of their four years
at Bard. The 4 credits are indivisible: all four one credit sections must be
passed in order to receive credit for the course. Open to non-majors with
experience, inclination, and permission of the instructor.
CRN |
94195 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 211 LB |
||
Title |
Intermediate
Dance |
||
Professor |
Leslie Boyce |
||
Schedule |
Mon 11:30 am - 12:50 pm FCPA |
CRN |
94199 |
Distribution |
F */ (Practicing Art) |
Course
No. |
DAN 211 GR |
||
Title |
Intermediate
Dance |
||
Professor |
Garry Reigenborn |
||
Schedule |
Tu 11:30 am - 12:50 pm FCPA |
CRN |
94196 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 211 LL |
||
Title |
Intermediate
Dance |
||
Professor |
Lenore Latimer |
||
Schedule |
Tu 3:00 pm - 4:20 pm FCPA |
CRN |
94198 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 211 PF |
||
Title |
Intermediate
Dance |
||
Professor |
Peggy Florin |
||
Schedule |
Wed 11:30 am - 12:50 pm FCPA |
CRN |
94461 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 211 B |
||
Title |
Intermediate
Dance - Ballet |
||
Professor |
Maria Simpson |
||
Schedule |
Th 10:00 am – 11:20 am FCPA |
CRN |
94200 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 211 SO |
||
Title |
Intermediate
Dance |
||
Professor |
Susan Osberg |
||
Schedule |
Fr 11:30 am - 12:50 pm FCPA |
CRN |
94201 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 311 LB |
||
Title |
Advanced
Dance |
||
Professor |
Leslie Boyce |
||
Schedule |
Mon 1:30
pm - 2:50 pm FCPA |
CRN |
94203 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 311 LL |
||
Title |
Advanced
Dance |
||
Professor |
Lenore Latimer |
||
Schedule |
Tu 1:30 pm - 2:50 pm FCPA |
CRN |
94204 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 311 PF |
||
Title |
Advanced
Modern Dance |
||
Professor |
Peggy Florin |
||
Schedule |
Wed 1:30 pm - 2:50 pm FCPA |
CRN |
94205 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 311 GR |
||
Title |
Advanced
Dance |
||
Professor |
Garry Reigenborn |
||
Schedule |
Th 1:30 pm - 2:50 pm FCPA |
CRN |
94462 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 311 B |
||
Title |
Advanced
Dance - Ballet |
||
Professor |
Maria Simpson |
||
Schedule |
Fr 10:00 am - 11:20 am FCPA |
CRN |
94206 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 311 SO |
||
Title |
Advanced
Dance |
||
Professor |
Susan Osberg |
||
Schedule |
Fr 1:30 pm - 2:50 pm FCPA |
DAN
WKSH. – Dance Workshop
Dance Composition and Dance Workshop in Performance
and Production are required of all dance majors; before Moderation students
enroll in both sections of 217 and Dance Workshop for four credits; Juniors
enroll in 317 and Dance Workshop; attendance in a section of 217 or 317 and
Dance Workshop is required of prospective seniors. Open to non-majors with proven experience, inclination, and
permission of the instructor. All
students of Dance Composition must attend Dance Workshop in Performance and
Production. The Dance Program aims to prepare students, in as versatile a way
as possible, to understand and practice the art of dance and performance. To
this end, the Program presents four productions that are open to the Bard community
and the public. Moderation and Senior Project work is prepared for and
performed in these four productions. Dance Workshop in Performance and
Production creates and sustains our community of performers and collaborators,
on stage and behind the scenes. Members of the community are welcome to join
the workshop, and may earn one credit by registering in a tutorial with Jean
Churchill.
CRN |
94207 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 217 AP |
||
Title |
Dance
Composition |
||
Professor |
Aileen Passloff |
||
Schedule |
Tu 4:30 pm - 5:50 pm FCPA |
CRN |
94208 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 217 GR |
||
Title |
Dance
Composition |
||
Professor |
Garry Reigenborn |
||
Schedule |
Wed 4:30 pm - 5:50 pm FCPA |
CRN |
94209 |
Distribution |
F |
Course
No. |
DAN 317 LL |
||
Title |
Dance
Composition |
||
Professor |
Lenore Latimer |
||
Schedule |
Wed 10:00 am - 11:20 am FCPA |
CRN |
94210 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN WKSHP |
||
Title |
Dan
Workshop |
||
Professor |
Aileen Passloff / Lenore Latimer / Garry Reigenborn / Maria Simpson |
||
Schedule |
Tu 7:00 pm - 8:30 pm FCPA |
CRN |
94211 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 313 |
||
Title |
Studio
in Dance Improvisation |
||
Professor |
Susan Osberg |
||
Schedule |
Fr 3:00 pm - 4:20 pm FCPA |
One
credit. This
studio seeks to provide a basis for composition work by the improvisatory
approach. Open to intermediate and
advanced dancers or by permission of the instructor. Speak with Susan Osberg
before registration.
If interested, speak with the professor before
registration.
CRN |
94212 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 316 AP |
||
Title |
Spanish
Dance Repertory |
||
Professor |
Aileen Passloff |
||
Schedule |
Mon 6:10 pm - 9:00 pm FCPA |
CRN |
94213 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 316 AP2 |
||
Title |
Modern
Dance Repertory |
||
Professor |
Aileen Passloff |
||
Schedule |
Tu 3:00 pm - 4:20 pm FCPA |
CRN |
94214 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 316 GR |
||
Title |
Dance
Repertory |
||
Professor |
Garry Reigenborn |
||
Schedule |
TBA |
CRN |
94215 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 243 AP |
||
Title |
Flamenco:
Beginner |
||
Professor |
Aileen Passloff |
||
Schedule |
Mon 3:00 pm - 4:30 pm FCPA Studio South |
CRN |
94216 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 284 AP |
||
Title |
Flamenco:
Advanced Beginner |
||
Professor |
Aileen Passloff |
||
Schedule |
Mon 4:40 pm - 6:00 pm FCPA Studio
South |
CRN |
94217 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 343 |
||
Title |
Flamenco:
Intermediate |
||
Professor |
Aileen Passloff |
||
Schedule |
Tu 11:30 am - 1:00 pm FCPA Studio
South |
CRN |
94219 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 443 |
||
Title |
Flamenco:
Advanced |
||
Professor |
Aileen Passloff |
||
Schedule |
Tu 1:30 pm - 2:50 pm FCPA Studio
South |
CRN |
94220 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 221 |
||
Title |
American
Folk Music & Dance |
||
Professor |
Bill Vanaver |
||
Schedule |
Th 3:00 pm - 6:00 pm FCPA |
2
credits An experiential survey course, offering an
examination of the great American music and dance traditions. Students explore, for example, how mountain
ballads joined with gospel music and blues to become Bluegrass, and how English
miners’ wooden soled shoe dances joined with Native American and African styles
to become “Appalachian clogging.” We will examine how Irish reels become
hoedowns, how tap dancing was born, and learn to recognize the basic difference
between the song and dance styles of the Eastern Woodlands and Plains Native
Americans. Protest songs from revolutionary times will be followed through the
great labor, civil rights, women’s movements and beyond. Students will join
their own singing, dancing and playing music to these traditional songs and
dances, studying the unifying forces of music and dance in different American
communities throughout history. Open to students with some experience in
dancing, singing, or playing an instrument. (Enrollment limited to 20.)
CRN |
94221 |
Distribution |
F */
(Practicing Art) |
Course
No. |
DAN 320 |
||
Title |
Advanced
Studio in Technical Theater |
||
Professor |
Garry Reigenborn |
||
Schedule |
TBA |
2
credits A course
in the methods, techniques, and practice of technical production for the
stage. Stage management, scene
building, lighting, wardrobe, costume and property building and/or finding are
taught through practical and closely supervised work on productions in the Avery
Arts Center. Each student is assigned
responsibility, research and independent work in his/her area of proven
competence on at least one production during the course of the semester. The course meets once a week for planning
and problem solving, and students are expected to attend appropriate production
meetings as a support resource; to assist as required by the instructor; and to
be familiar with the back stage work and problems in all areas. Each applicant must have worked backstage
successfully in previous semesters on at least three productions. Meet with Prof. Churchill before
registration. Open to non-majors and
majors.