CRN |
93100 |
Distribution |
F |
Course
No. |
DAN 250 |
||
Title |
Anatomy
for the Performer |
||
Professor |
Kriota Willberg |
||
Schedule |
Mon 5:00 pm -7:20 pm |
The course
focuses on primary bones, joints, ligaments, and muscles relevant to dancing,
the physiology of breathing, and the body as a complex physical system to understand
better how to prevent injuries and how to develop a full range of expression
with safety and pleasure. The course also includes kinetic awareness techniques
that bridge the gap between intellectual understanding of anatomical
information and actual experience of the body in movement and so help relieve
chronic tension, gain flexibility, and deepen the body-mind connection.
Students have the opportunity to work in depth on chronic body problems. Weekly
assignments are given. The course is open to students in Dance, Theater or
Performance. Enrollment is limited to
sixteen students.
Intensive technique studies are essential to a
serious dance student’s training. Intending and current dance majors must
register for four credits of dance technique each semester of their four years
at Bard. Students are welcome to watch classes currently being offered to learn
about the different modern dance styles/methods of teaching and the ballet for
modern dancers.
DAN
103- Introduction to Dance
One
credit each. Classes in modern dance and ballet intended for
the beginner; no previous dance
experience necessary. Open to all students. In the fall, two classes may be
taken for 2 credits which are indivisible: both sections must be passed in order
to receive credit. New students with previous dance experience should speak
with the dance professors before registration.
CRN |
93102 |
Distribution |
F |
Course
No. |
DAN 103 LB |
||
Title |
Introduction
to Dance |
||
Professor |
Leslie Boyce |
||
Schedule |
Mon 1:30 pm -2:50 pm |
CRN |
93103 |
Distribution |
F |
Course
No. |
DAN 103 LB2 |
||
Title |
Introduction
to Dance |
||
Professor |
Leslie Boyce |
||
Schedule |
Tu 8:30 am -9:50 am |
CRN |
93105 |
Distribution |
F |
Course
No. |
DAN 103 PF |
||
Title |
Introduction
to Dance - Ballet |
||
Professor |
Peggy Florin |
||
Schedule |
Wed 8:30 am -9:50 am |
CRN |
93106 |
Distribution |
F |
Course
No. |
DAN 103 GR |
||
Title |
Introduction
to Dance |
||
Professor |
Garry Reigenborn |
||
Schedule |
Wed 10:00 am - 11:20 am |
CRN |
93104 |
Distribution |
F |
Course
No. |
DAN 103 LL |
||
Title |
Introduction
to Dance |
||
Professor |
Lenore Latimer |
||
Schedule |
Th 8:30 am -9:50 am |
CRN |
93101 |
Distribution |
F |
Course
No. |
DAN 103 JC |
||
Title |
Introduction
to Dance |
||
Professor |
Jean Churchill |
||
Schedule |
Fr 8:30 am -9:50 am |
CRN |
93107 |
Distribution |
F |
Course
No. |
DAN 103 SO |
||
Title |
Introduction
to Dance |
||
Professor |
Susan Osberg |
||
Schedule |
Fr 11:30 am - 12:50 pm |
DAN
211 – Intermediate Dance Technique and
DAN
311 – Advanced Dance Technique
One
credit each. Intensive technique studies are essential to a serious
dance student’s training. Intending and current dance majors must register for
four credits of dance technique each semester of their four years at Bard. The
4 credits are indivisible: all four one credit sections must be passed in order
to receive credit for the course. Open to non-majors with experience,
inclination, and permission of the instructor.
CRN |
93108 |
Distribution |
F |
Course
No. |
DAN 211 LB |
||
Title |
Intermediate
Dance |
||
Professor |
Leslie Boyce |
||
Schedule |
Mon 3:30 pm -4:50 pm |
CRN |
93112 |
Distribution |
F |
Course
No. |
DAN 211 GR |
||
Title |
Intermediate
Dance |
||
Professor |
Garry Reigenborn |
||
Schedule |
Tu 3:00 pm -4:20 pm |
CRN |
93111 |
Distribution |
F |
Course
No. |
DAN 211 PF |
||
Title |
Intermediate
Dance-Ballet |
||
Professor |
Peggy Florin |
||
Schedule |
Wed 1:30 pm -2:50 pm |
CRN |
93110 |
Distribution |
F |
Course
No. |
DAN 211 LL |
||
Title |
Intermediate
Dance |
||
Professor |
Lenore Latimer |
||
Schedule |
Th 10:00 am - 11:20 am |
CRN |
93109 |
Distribution |
F |
Course
No. |
DAN 211 JC |
||
Title |
Intermediate
Dance |
||
Professor |
Jean Churchill |
||
Schedule |
Th 3:00 pm -4:20 pm |
CRN |
93113 |
Distribution |
F |
Course
No. |
DAN 211 SO |
||
Title |
Intermediate
Dance |
||
Professor |
Susan Osberg |
||
Schedule |
Fr 1:30 pm -2:50 pm |
CRN |
93116 |
Distribution |
F |
Course
No. |
DAN 311 GR |
||
Title |
Advanced
Dance |
||
Professor |
Garry Reigenborn |
||
Schedule |
Th 1:30 pm -2:50 pm |
CRN |
93118 |
Distribution |
F |
Course
No. |
DAN 311 JC |
||
Title |
Advanced
Dance |
||
Professor |
Jean Churchill |
||
Schedule |
Tu 1:30 pm -2:50 pm |
CRN |
93114 |
Distribution |
F |
Course
No. |
DAN 311 LB |
||
Title |
Advanced
Dance |
||
Professor |
Leslie Boyce |
||
Schedule |
Mon 11:30 am - 12:50 pm |
CRN |
93115 |
Distribution |
F |
Course
No. |
DAN 311 LL |
||
Title |
Advanced
Dance |
||
Professor |
Lenore Latimer |
||
Schedule |
Wed 3:00 pm -4:20 pm |
CRN |
93117 |
Distribution |
F |
Course
No. |
DAN 311 PF |
||
Title |
Advanced
Dance-Ballet |
||
Professor |
Peggy Florin |
||
Schedule |
Wed 11:30 am - 12:50 pm |
CRN |
93119 |
Distribution |
F |
Course
No. |
DAN 311 SO |
||
Title |
Advanced
Dance |
||
Professor |
Susan Osberg |
||
Schedule |
Fr 1:30 pm -2:50 pm |
DAN
WKSH. – Dance Workshop
Dance Composition and Dance Workshop in Performance
and Production are required of all dance majors; before Moderation students
enroll in both sections of 217 and Dance Workshop for four credits; Juniors
enroll in 317 and Dance Workshop; attendance in a section of 217 or 317 and
Dance Workshop is required of prospective seniors. Open to non-majors with proven experience, inclination, and
permission of the instructor. All
students of Dance Composition must attend Dance Workshop in Performance and
Production. The Dance Program aims to prepare students, in as versatile a way
as possible, to understand and practice the art of dance and performance. To
this end, the Program presents four productions that are open to the Bard
community and the public. Moderation and Senior Project work is prepared for
and performed in these four productions. Dance Workshop in Performance and
Production creates and sustains our community of performers and collaborators,
on stage and behind the scenes. Members of the community are welcome to join
the workshop, and may earn one credit by registering in a tutorial with Jean
Churchill.
CRN |
93121 |
Distribution |
F |
Course
No. |
DAN 217 GR |
||
Title |
Dance
Composition |
||
Professor |
Garry Reigenborn |
||
Schedule |
Tu 4:30 pm -5:50 pm |
CRN |
93120 |
Distribution |
F |
Course
No. |
DAN 217 JC |
||
Title |
Dance
Composition |
||
Professor |
Jean Churchill |
||
Schedule |
Th 4:30 pm -5:50 pm |
CRN |
93122 |
Distribution |
F |
Course
No. |
DAN 317 LL |
||
Title |
Dance
Composition |
||
Professor |
Lenore Latimer |
||
Schedule |
Wed 4:30 pm -5:50 pm |
CRN |
93123 |
Distribution |
F |
Course
No. |
DAN WKSHP |
||
Title |
Dance
Workshop |
||
Professor |
Jean Churchill /
Lenore Latimer / Aileen Passloff / Garry Reigenborn |
||
Schedule |
Wed 6:15 pm -8:00 pm |
CRN |
93124 |
Distribution |
F |
Course
No. |
DAN 313 |
||
Title |
Studio
in Dance Improvisation |
||
Professor |
Susan Osberg |
||
Schedule |
Fr 3:00 pm -4:20 pm |
One
credit. This studio
seeks to provide a basis for composition work by the improvisatory
approach. Open to intermediate and
advanced dancers or by permission of the instructor. Speak with Susan Osberg
before registration.
If interested, speak with the professor before
registration.
CRN |
93125 |
Distribution |
F |
Course
No. |
DAN 316 AP |
||
Title |
Spanish
Dance Repertory |
||
Professor |
Aileen Passloff |
||
Schedule |
Mon 6:30 pm -9:00 pm |
CRN |
93126 |
Distribution |
F |
Course
No. |
DAN 316 AP2 |
||
Title |
Modern
Dance Repertory |
||
Professor |
Aileen Passloff |
||
Schedule |
Tu 3:00 pm -4:20 pm |
CRN |
93127 |
Distribution |
F |
Course
No. |
DAN 316 |
||
Title |
Dance
Repertory |
||
Professor |
TBA |
||
Schedule |
|
CRN |
93128 |
Distribution |
F |
Course
No. |
DAN 316 |
||
Title |
Dance
Repertory |
||
Professor |
TBA |
||
Schedule |
|
CRN |
93129 |
Distribution |
F |
Course
No. |
DAN 243 AP |
||
Title |
Flamenco:
Beginner |
||
Professor |
Aileen Passloff |
||
Schedule |
Mon 3:00 pm -4:20 pm |
CRN |
93130 |
Distribution |
F |
Course
No. |
DAN 284 AP |
||
Title |
Flamenco:
Advanced Beginner |
||
Professor |
Aileen Passloff |
||
Schedule |
Mon 4:40 pm -6:00 pm |
CRN |
93132 |
Distribution |
F |
Course
No. |
DAN 343 |
||
Title |
Flamenco:
Intermediate & Men |
||
Professor |
Aileen Passloff |
||
Schedule |
Tu 8:30 am -10:00 am |
CRN |
93131 |
Distribution |
F |
Course
No. |
DAN 343 M |
||
Title |
Flamenco:
Intermediate |
||
Professor |
Aileen Passloff |
||
Schedule |
Tu 11:30 am - 1:00 pm |
CRN |
93133 |
Distribution |
F |
Course
No. |
DAN 443 |
||
Title |
Flamenco:
Advanced |
||
Professor |
Aileen Passloff |
||
Schedule |
Tu 1:30 pm -2:50 pm |
CRN |
93673 |
Distribution |
F |
Course
No. |
DAN 220 |
||
Title |
World
Music and Dance |
||
Professor |
Bill Vanaver |
||
Schedule |
Tu 10:00 am - 12:50 pm |
2
credits In
the past few years, due in part to the dissemination and popularity of the
likes of Ladysmith Black Mombazo, Riverdance, Nusrat Fateh Ali Khan, Paco De
Lucia, and Le Mystere des Voix Bulgares, it has become evident in the public
eye that the tremendous wealth and variety of world music and dance forms is
truly staggering. Now, more than ever, a familiarity with the structures and
styles of ethnic music and dance is essential for a well rounded attitude
towards, and understanding of, performance forms in general. Since exposure as passive
spectator can offer only partial impressions of these subtle styles, students
will be given opportunities to participate physically in various world music
and dance forms through movement, vocalization, drumming, and creative work.
Music and dance of the Balkans, Central Asians, Native Americans, Irish, North
Africans, Andeans and others will be highlighted in the course. Functional
modalities, (i.e. religious celebrations, entertainment, status, courtship,
work songs, chanteys, lullabies, etc.) will be investigated. Guest performers
of various ethnic styles will participate. Students will be encouraged to use
their own skills and bring in musical instruments, and will be expected to do
independent projects in folklore, as well as creative work in collaboration
with others.
CRN |
93135 |
Distribution |
F |
Course
No. |
DAN 320 |
||
Title |
Advanced
Studio in Technical Theater |
||
Professor |
Jean Churchill |
||
Schedule |
TBA |
2
credits A course
in the methods, techniques, and practice of technical production for the stage. Stage management, scene building, lighting,
wardrobe, costume and property building and/or finding are taught through
practical and closely supervised work on productions in the Avery Arts Center. Each student is assigned responsibility,
research and independent work in his/her area of proven competence on at least
one production during the course of the semester. The course meets once a week for planning and problem solving,
and students are expected to attend appropriate production meetings as a support
resource; to assist as required by the instructor; and to be familiar with the
back stage work and problems in all areas.
Each applicant must have worked backstage successfully in previous
semesters on at least three productions.
Meet with Prof. Churchill before registration. Open to non-majors and majors.