92285 |
ITAL 201
Intermediate
Italian |
Franco Baldasso |
M T W 11:50 am-12:50
pm |
OLINLC 120 |
FL |
This
course intends to reinforce students’ skills in grammar, composition, and
spoken proficiency, through intensive grammar review, conversation practice,
reading/analysis of short texts, writing simple compositions, as well as the
use of magazine articles, video and songs.
Students engage in discussion and must complete compositions and oral
reports based on Italian literary texts and cultural material. Prerequisites:
Two semesters of elementary Italian or Intensive Italian 106 (or the
equivalent).
Class
size: 22
92286 |
ITAL 217
Topics in
Italian Culture: Love and Lust in 14th-Century Italy |
Karen Raizen |
M W 11:50 am-1:10
pm |
OLINLC 115 |
FL |
Cross-listed:
Literature
Courtly
love was big in the fourteenth century. Lovers and bards serenaded angelic
ladies, praising their perfection. But there were also tales of other,
earthlier kinds of love and lust—a woman who, by having sex, could perhaps
become a horse; a woman who placed her beloved’s decapitated head in a basil
plant; lovers who fell in love because they were bad readers. This course
explores narratives of love and lust in fourteenth-century Italy, from the
allegorical love for the angelic woman to the bawdy romps of directionless
youths. Texts will include excerpts from Dante Alighieri’s Commedia, Giovanni
Boccaccio’s Decameron, and Francesco Petrarca’s Rime.
We will also study troubadours and discuss musical traditions from the period.
Prerequisites: Advanced Review of Italian, or permission of instructor. Taught in Italian. Prerequisite: Italian 235 or equivalent.
This course counts as a pre-1800 offering.
Class
size: 22
92287 |
ITAL 323
On Living
Among Ghosts: Trieste, Nationalism, Confession |
Franco Baldasso |
M 1:30 pm-3:50 pm |
OLIN 302 |
FL |
Cross-listed:
Human
Rights
“The best way I know of talking about myself
is talking about someone else”, thus Claudio Magris
summarized his writing experience, heir of the modern tradition of conjuring
together, with distinctive irony, autobiography and absence. In his statement, Magris mirrors the spectral quality of his city, Trieste, a
beautiful Mediterranean port where Italian, German, Slavic and Jewish
identities coexisted and created a unique culture at the margins of triumphal
nationalisms. Trieste has been the place where Joyce, Rilke and Freud met with
the surgent Italian modernism, where migrants and
exiles declared their desperate need for a place to call home. Yet it was also
the city of Fascist, Nazi, Communist and then American occupation, of displaced
people and diaspora. In 1970s Franco Basaglia founded
in Trieste "Democratic Psychiatry": the revolutionary movement that
first abolished mental hospitals. The city was also the place where in the
1990s flocks of refugees were first hosted after fleeing the Balkan wars, the oldest
of them remembering fleeing Fascist violence. Its history has always been too
big for its modest size: the city is today the terminal port of China’s Belt
and Road Initiative. Trieste’s many ghosts haunt its picturesque shores. By
surveying its multinational literature, from Svevo to
Saba to Marisa Madieri, the course aims to explore
how the ghosts of nationalism, exclusion and political violence haunt personal
confession and European history. Conducted in Italian.
Prerequisite: A 200 level course in Italian or permission of instructor.
Class
size: 15
92224 |
LIT 241 Sex, Lies and
the Renaissance |
Joseph Luzzi
|
M W 11:50 am-1:10 pm |
OLIN
101 |
FL |
Cross-listed:
Art History;
Historical Studies; Italian Studies Class
size: 22
92238 |
LIT 366 History of Italian
Cinema |
Joseph Luzzi
|
W 1:30 pm-3:50 pm W 6:00 pm-8:00 pm |
OLIN 101 OLIN 102 |
FL |
Cross-listed:
Film and Electronic
Arts; Italian Studies Class size: 18